Romanesca
Romanesca is a melodic-harmonic formula popular from the mid–16th to early–17th centuries that was used as an aria formula for singing poetry and as a subject for instrumental variation. The pattern, which is found in an endless collection of compositions labeled romanesca, perhaps named after the Roma, is a descending descant formula within a chordal progression that has a bass which moves by 4ths. The formula was not to be viewed as a fixed tune, but as a framework over which elaborate ornamentation can occur. It was most popular with Italian and Spanish composers of the Renaissance and early Baroque period. It was also used by vihuelistas including Luis de Narváez, Alonso Mudarra, Enríquez de Valderrábano, and Diego Pisador.
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Christe qui lux es et dies [IV] - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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The truth from above - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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In nomine a 4 No. 2 - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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Eight Medieval Lyrics, Op. 91: I. St. Godric’s Hymn - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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O clap your hands together - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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Eight Medieval Lyrics, Op. 91: II. mon waxe wod - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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Not unto us, O Lord - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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Eight Medieval Lyrics, Op. 91: III. Lenten is come - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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Voluntarie in C - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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Eight Medieval Lyrics, Op. 91: IV. The long night - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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See, see, the Word is incarnate - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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Eight Medieval Lyrics, Op. 91: V. Yif ic of luve can - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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Hear my crying, O God - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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Eight Medieval Lyrics, Op. 91: VI. Carol - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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My heart is inditing, Z. 30 - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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Eight Medieval Lyrics, Op. 91: VII. Ye that pasen by - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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Funeral Sentences: March Z.860 - Man that is born of a woman, Z.27 - Canzona Z.860 - In the midst of life, Z.17 - Canzona Z.860 - Thou know'st, Lord, the secrets of our hearts, Z.58c - March - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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Eight Medieval Lyrics, Op. 91: VIII. A death - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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The Blessed Son of God - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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Job's Curse - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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Rejoice in the Lamb, Op. 30 "Festival Cantata": I. Rejoice in God, O ye Tongues - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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Rejoice in the Lamb, Op. 30 "Festival Cantata": II. For I will Consider my Cat Jeoffry - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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Rejoice in the Lamb, Op. 30 "Festival Cantata": III. For the Mouse is a Creature of Great Personal Valour - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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Rejoice in the Lamb, Op. 30 "Festival Cantata": IV. For the Flowers are Great Blessings - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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Rejoice in the Lamb, Op. 30 "Festival Cantata": V. For I am Under the Same Accusation with my Saviour - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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Rejoice in the Lamb, Op. 30 "Festival Cantata": VI. For he is a Spirit and Therefore he is God - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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Rejoice in the Lamb, Op. 30 "Festival Cantata": VII. For the Instruments are by their Rhimes - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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Rejoice in the Lamb, Op. 30 "Festival Cantata": VIII. Hallelujah from the Heart of God - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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An Evening Hymn - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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A Hymn to the Virgin - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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Hymn to St. Cecilia, Op. 27 - Music and Musicians at Westminster Abbey: From Tallis to Britten -
Romanesca
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Le Fou de flûtes: "Un couple âgé de paysans" - Le fou de flûtes -
Romanesca
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Le Fou de flûtes: Le voisin jaloux - Le fou de flûtes -
Romanesca
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Le Fou de flûtes: Nino "Un matin, la mamie faisait la lessive…" - Le fou de flûtes -
Romanesca
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Le Fou de flûtes: Le chant des oiseaux "Un peu plus tard" - Le fou de flûtes -
Romanesca
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Le Fou de flûtes: Le sopranino "Aussitôt, le papi offrit une seconde flûte à Nino" - Le fou de flûtes -
Romanesca
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Le Fou de flûtes: Le maître de musique "Le vieil homme rassura l'enfant" - Le fou de flûtes -
Romanesca
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Le Fou de flûtes: "Les années s'écoulèrent" - Le fou de flûtes -
Romanesca
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Le Fou de flûtes: "Bientôt, on entendit Nino" - Le fou de flûtes -
Romanesca
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Le Fou de flûtes: Une nuit très agitée - Le fou de flûtes -
Romanesca
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Le Fou de flûtes: "Aussitôt réveilllés, Nino et ses grands-parents" - Le fou de flûtes -
Romanesca
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Le Fou de flûtes: Dénouement "Sous les reproches et les moqueries" - Le fou de flûtes -
Romanesca
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Le Fou de flûtes: Feu de joie - Le fou de flûtes -
Romanesca
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Le Quattro Stagioni, Violin Concerto in G minor, RV 315 "L'estate": I. Allegro non molto - Allegro - Le fou de flûtes -
Romanesca
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Le Quattro Stagioni, Violin Concerto in G minor, RV 315 "L'estate": II. Largo - Le fou de flûtes -
Romanesca
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Le Quattro Stagioni, Violin Concerto in G minor, RV 315 "L'estate": III. Presto - Le fou de flûtes -
Romanesca
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Concerto 'La notte' in G Minor per Flauto, Archi e Basso Continuo, RV 439: I. Largo - Le fou de flûtes -
Romanesca
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Concerto 'La notte' in G Minor per Flauto, Archi e Basso Continuo, RV 439: II. Fantasmi. Presto - Largo - Le fou de flûtes -
Romanesca
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Concerto 'La notte' in G Minor per Flauto, Archi e Basso Continuo, RV 439: III. Presto - Le fou de flûtes -
Romanesca
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Concerto 'La notte' in G Minor per Flauto, Archi e Basso Continuo, RV 439: IV. Il Sonno - Le fou de flûtes -
Romanesca
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Concerto 'La notte' in G Minor per Flauto, Archi e Basso Continuo, RV 439: V. Allegro - Le fou de flûtes -
Romanesca
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Les élémens: I. Le chaos - Le fou de flûtes -
Romanesca
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Recorder Concerto in C major, RV 443: II. Largo - Le fou de flûtes -
Romanesca
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Concerto No. 4 in F Minor, Op. 8, RV 297, "L'inverno": I. Allegro non molto - Le fou de flûtes -
Romanesca
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Concerto No. 4 in F Minor, Op. 8, RV 297, "L'inverno": II. Largo - Le fou de flûtes -
Romanesca
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Le Quattro Stagioni, Violin Concerto in F Minor, RV 297 'L'inverno': III. Allegro - Le fou de flûtes -
Romanesca
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Chamber Concerto in D Major, RV 95 "La Pastorella": II. Largo - Le fou de flûtes -
Romanesca
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Concerto "Il gardellino" in Re Maggiore per Flauto, Oboe, Violino, Fagotto e Basso Continuo, RV 90: I. Allegro - Le fou de flûtes -
Romanesca
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Sonate, correnti et arie, Op. 4: Sonata over Toccata V, "detta La Laura rilucente" - Uccellini: Sonatas -
Romanesca
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Sonate over Canzoni, Op. 5: Sonata IX - Uccellini: Sonatas -
Romanesca
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Sonate, correnti et arie, Op. 4: Sonata II, "detta la Luciminia contenta" - Uccellini: Sonatas -
Romanesca
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Sonate over Canzoni, Op. 5: Sonata XII - Uccellini: Sonatas -
Romanesca
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Sonate, correnti et arie, Op. 4: Corrente IX - Uccellini: Sonatas -
Romanesca
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Sonate, correnti et arie, Op. 4: Aria terza a Violino solo e Basso - Uccellini: Sonatas -
Romanesca
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Sonate over Canzoni, Op. 5: Sonata IV - Uccellini: Sonatas -
Romanesca
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Sonate over Canzoni, Op. 5: Sonata III - Uccellini: Sonatas -
Romanesca
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Sonate, correnti et arie, Op. 4: Corrente IV - Uccellini: Sonatas -
Romanesca
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Sonate, correnti et arie, Op. 4: Aria IX - Uccellini: Sonatas -
Romanesca
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Sonatas, Op. 7: Sonata I - Uccellini: Sonatas -
Romanesca
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Sonate, correnti et arie, Op. 4: Aria II - Uccellini: Sonatas -
Romanesca
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Sonate, correnti et arie, Op. 4: Corrente XX "Questa corrente è stata fatta per servire ad un amico" - Uccellini: Sonatas -
Romanesca
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Sonatas, Op. 7: Sonata XI - Uccellini: Sonatas -
Romanesca
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Sonatas, Op. 7: Sonata III - Uccellini: Sonatas -
Romanesca
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Sonata I, Op. 9 - Uccellini: Sonatas -
Romanesca
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Sinfonia Sesto Tuono, Op. 22 - Marini: Curiose & Moderne Inventioni (Pieces from Op. XXII, 1655) -
Romanesca
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Balletto Terzo, Op. 22 - Marini: Curiose & Moderne Inventioni (Pieces from Op. XXII, 1655) -
Romanesca
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Corrente Seconda, Op. 22 - Marini: Curiose & Moderne Inventioni (Pieces from Op. XXII, 1655) -
Romanesca
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Zarabanda Terza, Op. 22 - Marini: Curiose & Moderne Inventioni (Pieces from Op. XXII, 1655) -
Romanesca
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Balletto Quarto Allemano, Op. 22 - Marini: Curiose & Moderne Inventioni (Pieces from Op. XXII, 1655) -
Romanesca
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Sonata Quarta, Per il Violino, Per Sonor con due corde, Op. 8: Sonata Quarta, per il Violino, per Sonor con due corde, Op. 8 - Marini: Curiose & Moderne Inventioni (Pieces from Op. XXII, 1655) -
Romanesca
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Romanesca per Violino solo e Basso se piace, Op. 3 - Marini: Curiose & Moderne Inventioni (Pieces from Op. XXII, 1655) -
Romanesca
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Passacaglio, Op. 22 - Marini: Curiose & Moderne Inventioni (Pieces from Op. XXII, 1655) -
Romanesca
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Sinfonia Primo Tuono, Op. 22 - Marini: Curiose & Moderne Inventioni (Pieces from Op. XXII, 1655) -
Romanesca
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Zarabanda Quarta, Op. 22 - Marini: Curiose & Moderne Inventioni (Pieces from Op. XXII, 1655) -
Romanesca
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Sonata Basso e Violino, Op. 22 - Marini: Curiose & Moderne Inventioni (Pieces from Op. XXII, 1655) -
Romanesca
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Sinfonia Terzo Tuono, Op. 22 - Marini: Curiose & Moderne Inventioni (Pieces from Op. XXII, 1655) -
Romanesca
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Sonata Prima, A doi Violini, Op. 8 - Marini: Curiose & Moderne Inventioni (Pieces from Op. XXII, 1655) -
Romanesca
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Sonata Terza, Variata per il Violino solo, Op. 8 - Marini: Curiose & Moderne Inventioni (Pieces from Op. XXII, 1655) -
Romanesca
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Pass'e mezo in 10. Parti. Doi Violini, e chitarone, Op. 8 - Marini: Curiose & Moderne Inventioni (Pieces from Op. XXII, 1655) -
Romanesca
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Balletto Secondo, Op. 22: I. Entrata grave - Marini: Curiose & Moderne Inventioni (Pieces from Op. XXII, 1655) -
Romanesca
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Balletto Secondo, Op. 22: II. Balletto allegro - Marini: Curiose & Moderne Inventioni (Pieces from Op. XXII, 1655) -
Romanesca
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Balletto Secondo, Op. 22: III. Gagliarda - Marini: Curiose & Moderne Inventioni (Pieces from Op. XXII, 1655) -
Romanesca
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Balletto Secondo, Op. 22: IV. Corrente - Marini: Curiose & Moderne Inventioni (Pieces from Op. XXII, 1655) -
Romanesca
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Balletto Secondo, Op. 22: V. Retirata - Marini: Curiose & Moderne Inventioni (Pieces from Op. XXII, 1655) -
Romanesca
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