August Wilhelmj
August Emil Daniel Ferdinand Wilhelmj (German pronunciation: [vɪlˈhɛlmi] vil-HEL-mee; 21 September 1845 – 22 January 1908) was a German violinist and teacher.
Wilhelmj was born in Usingen and was considered a child prodigy; when Henriette Sontag heard him in 1852 at seven years old, she said, "You will be the German Paganini". In 1861, Franz Liszt heard him and sent him to Ferdinand David with a letter containing the words "Let me present you the future Paganini!". His teachers included: Ferdinand David, for the violin, Moritz Hauptmann, for music theory and composition, and Joachim Raff for composition.
A personal friend of Wagner, he led the violins at the première of Der Ring des Nibelungen in Bayreuth in 1876. He visited Australia in 1881, playing in the old Freemasons' Hall in Sydney, but though appreciated by those who attended his concerts, their number was not sufficient to make the tour a financial success. It was not until introduced to London audiences by Jenny Lind in 1886 that Wilhelmj became a "household name".
He has become famous for his late nineteenth century arrangement of the second movement of J. S. Bach's Orchestral Suite No. 3 for violin and piano, known as Air on the G String and for his re-orchestration of the 1st movement of Niccolò Paganini's Violin Concerto No.1 in D major Op. 6 (1883/1884).
From 1894 on he was a Professor of violin at the Guildhall School of Music and Drama. Among his pupils were Jessie and Harold Grimson, American violinist Nahan Franko, Canadian musician Donald Heins, and the Australian conductor Aylmer Buesst. Wilhelmj owned a Stradivari 1725 violin from 1866 until his retirement, which later came to be known by his name. Another known violin was made by Giovanni Francesco Pressenda 1843 (Ex Wilhelmj) His 1785 Guadagnini was later owned (as "ex-Wilhelmj") by Jack Liebeck. He died in London.
Wilhelmj's sister-in-law was composer and singer Maria Wilhelmj.
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Orchestral Suite No.3 in D Major, BWV 1068: II. Air (Arranged for Violin and Piano by August Wilhelmj) - Air on the G String – Wilhelmj: Baroque Arrangements -
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Partita for Violin No.3 in E Major, BWV 1006: I. Praeludium (Arranged for Violin and Piano by August Wilhelmj) - Air on the G String – Wilhelmj: Baroque Arrangements -
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Partita for Violin No.3 in E Major, BWV 1006: II. Loure (Arranged for Violin and Piano by August Wilhelmj) - Air on the G String – Wilhelmj: Baroque Arrangements -
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Partita for Violin No.3 in E Major, BWV 1006: IV. Menuett (Arranged for Violin and Piano by August Wilhelmj) - Air on the G String – Wilhelmj: Baroque Arrangements -
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Partita for Violin No.3 in E Major, BWV 1006: III. Gavotte als Rondo (Arranged for Violin and Piano by August Wilhelmj) - Air on the G String – Wilhelmj: Baroque Arrangements -
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Xerxes: Aria “Ombra mai fu” (Arranged for Violin and Piano by August Wilhelmj) - Air on the G String – Wilhelmj: Baroque Arrangements -
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English Suite No.4 in F Major, BWV 809: IV. Sarabande (Arranged for Violin and Piano by August Wilhelmj) - Air on the G String – Wilhelmj: Baroque Arrangements -
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Partita for Violin No.2 in D Minor, BWV 1004: III. Sarabande (Arranged for Violin and Piano by August Wilhelmj) - Air on the G String – Wilhelmj: Baroque Arrangements -
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English Suite No.2 in A Minor, BWV 807: IV. Sarabande (Arranged for Violin and Piano by August Wilhelmj) - Air on the G String – Wilhelmj: Baroque Arrangements -
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Bach’s English Suite No.3 in G Minor, BWV 808: V. Gavotte und Musette (Arranged for Violin and Piano by August Wilhelmj) - Air on the G String – Wilhelmj: Baroque Arrangements -
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Orphée et Eurydice: Melody (Arranged for Violin and Piano by August Wilhelmj) - Air on the G String – Wilhelmj: Baroque Arrangements -
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Partita for Violin No.2 in D Minor, BWV 1004: V. Chaconne (Arranged for Violin and Piano by August Wilhelmj) - Air on the G String – Wilhelmj: Baroque Arrangements -
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Orchestral Suite No.3 in D Major, BWV 1068: II. Air [SP Mix] (Arranged for Violin and Piano by August Wilhelmj) - Air on the G String – Wilhelmj: Baroque Arrangements -
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I Lombardi alla Prima Crociata, Act III: Preludio (arr. B. Loeb for violin and piano) - Opera Fantasies for Violin, Vol. 2 -
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Eugene Onegin, Op. 24, Act II: Wohin seid ihr entschwunden, "Lensky's Aria" (arr. L. Auer for violin and piano) - Opera Fantasies for Violin, Vol. 2 -
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Valse Blanche, "How Love Comes, Tangiers, October 1958" - Opera Fantasies for Violin, Vol. 2 -
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Nouvelle Fantaisie sur Faust de Gounod, Op. 13 (version for violin and piano) - Opera Fantasies for Violin, Vol. 2 -
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Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (arr. F. Kreisler for violin and piano) - Opera Fantasies for Violin, Vol. 2 -
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A cremonai hegedűs, Op. 40: A Cremonai Hegedus (Le Luthier de Cremone, The Violin Maker of Cremona), Op. 40 - Opera Fantasies for Violin, Vol. 2 -
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Variations on a Theme of Rossini, H. 290 (arr. B. Loeb for violin and piano) - Opera Fantasies for Violin, Vol. 2 -
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Serse, HWV 40: Serse (Xerxes), HWV 40, Act I: Aria: Ombra mai fu, "Largo" (arr. A. Wilhelmj for violin and piano) - Opera Fantasies for Violin, Vol. 2 -
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Fantasy on Themes from The War Reporter - Opera Fantasies for Violin, Vol. 2 -
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La forza del destino: La Forza del Destino, Act III: Solenne in quest'ora (arr. B. Loeb for violin, viola and piano) - Opera Fantasies for Violin, Vol. 2 -
August Wilhelmj
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