Lisa Otto
Lisa Otto (14 November 1919 – 18 September 2013) was a German operatic soprano, particularly associated with soubrette and light coloratura soprano roles.
Born in Dresden, she studied there at the Musikhochschule with Susanne Steinmetz-Prée. She made her debut, as Sophie in Der Rosenkavalier, in 1941 at the Silesian Opera in Beuthen, where she remained until 1944. She then sang in Nuremberg (1944–45), Dresden (1945–51), and joined the Berlin State Opera in 1951, where she was to remain until 1985.
She is best known for soubrette roles in Mozart's operas, such as Blondchen, Susanna, Zerlina, Despina, and Papagena. Other notables roles included the First Lady, Marzelline, Ännchen, Zerline, Echo, etc. She took part in the creation of Giselher Klebe's Alkmene and Hans Werner Henze's Der junge Lord. She made guest appearances at the Vienna State Opera, the Salzburg Festival, La Scala in Milan, the Paris Opera, and the Glyndebourne Festival Opera.
-
Carmina Burana: No. 25, O fortuna - Secular & Sacred Choral Works -
Lisa Otto
-
Nachtlied, Op. 108 - Secular & Sacred Choral Works -
Lisa Otto
-
Nänie, Op. 82 - Secular & Sacred Choral Works -
Lisa Otto
-
Dank sei dir, Herr (Arr. for Choir & Orchestra by Siegfried Ochs) - Secular & Sacred Choral Works -
Lisa Otto
-
6 Lieder, Op. 48: No. 4, Die Himmel rühmen des Ewigen Ehre - Secular & Sacred Choral Works -
Lisa Otto
-
Transeamus usque Bethlehem - Secular & Sacred Choral Works -
Lisa Otto
-
Messiah, HWV 56, Pt. 2: No. 44, Hallelujah (Sung in German) - Secular & Sacred Choral Works -
Lisa Otto
-
Deutsche Messe, D. 872: VII. Zum Sanctus. Heilig, heilig ist der Herr - Secular & Sacred Choral Works -
Lisa Otto
-
Messiah, HWV 56, Pt. 1: No. 4, And the Glory of the Lord (Sung in German) - Secular & Sacred Choral Works -
Lisa Otto
-
Vesperae solennes de confessore, K. 339: No. 5, Laudate Dominum - Secular & Sacred Choral Works -
Lisa Otto
-
3 Nocturnes, L. 91: No. 3, Sirènes - Secular & Sacred Choral Works -
Lisa Otto
-
Le roi des étoiles, K014 - Secular & Sacred Choral Works -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277: Overture (Adagio - Molto vivace) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 1 Scene 1: No. 1. Introduction, "Glück zu, Bauer! ... Ah! Viktoria!" (Max, Chorus) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 1 Scene 1: Bauern-Marsch (Tempo di Marcia) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 1 Scene 1: "Schau der Herr mich an als König!" (Kilian, Max, Chorus) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 1 Scene 2: Dialogue, "Lasst mich zufrieden! ... Was gibt's hier?" (Max, Kuno, Kilian, Kaspar, Chorus) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 1 Scene 2: No. 2. Trio with Choir, "O diese Sonne, furchtbar steigt sie empor!" (Max, Kuno, Kaspar, Chorus) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 1 Scene 3: Dialogue, "Ein braver Mann, der Herr Förster!" (Kilian, Max) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 1 Scene 3: Böhmischer Walzer - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 1 Scene 4: No. 3. Scene and Aria, "Nein, länger trag' ich nicht die Qualen ... Durch die Wälder, durch die Auen" (Max) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: Dialogue, "Da bist du ja noch, Kamerad" (Kaspar, Max) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: No. 4. Lied, "Hier im ird'schen Jammertal" (Kaspar, Max) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: Dialogue, "Bube! Agathe hat recht" (Max, Kaspar) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 1 Scene 6: No. 5. Final, "Schweig, schweig, damit dich niemand warnt!" (Kaspar) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 2 Scene 1: No. 6. Duet, "Schelm, halt fest!" (Ännchen, Agathe) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 2 Scene 1: Dialogue, "Sei ohne Sorgen, liebes Ännchen" (Agathe, Ännchen) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 2 Scene 1: No. 7. Arietta, "Kommt ein schlanker Bursch gegangen" (Ännchen) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 2 Scene 1: Dialogue, "Und der Bursch nicht minder schön?" (Agathe, Ännchen) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 2 Scene 2: No. 8. Scene and Aria, "Wie nahte mir der Schlummer ... Leise, leise, fromme Weise!" (Agathe) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 2 Scene 3: Dialogue, "Bist du endlich da, lieber Max!" (Agathe, Max, Ännchen) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 2 Scene 3: No. 9. Trio, "Wie? Was? Entsetzen!" (Agathe, Ännchen, Max) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 2 Scene 4: No. 10. Final, "Milch des Mondes fiel aufs Kraut!" (Kaspar, Samiel, Max, Chorus) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 3 Scene 1: No. 11. Entr'acte (Molto vivace) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 3 Scene 1: Dialogue, "Es ist herrliches Jagdwetter" (Jäger I, Jäger II, Max, Kaspar) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 3 Scene 2: No. 12. Cavatine, "Und ob die Wolke sie verhülle" (Agathe) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 3 Scene 3: Dialogue, "Ich glaube gar, du hast geweint?" (Ännchen, Agathe) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 3 Scene 3: No. 13. Romance and Aria, "Einst träumte meiner sel'gen Base ... Trübe Augen" (Ännchen) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 3 Scene 3: Dialogue, "Horch, da kommen die Brautjungfern schon" (Ännchen) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 3 Scene 4: No. 14. Volkslied, "Wir winden dir den Jungfernkranz" (Brautjungfern, Chorus, Agathe, Ännchen) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 3 Scene 5: Dialogue, "Nun, da bin ich wieder!" (Ännchen, Agathe, Brautjungfern, Chorus) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 3 Scene 6: No. 15. Chorus, "Was gleicht wohl auf Erden dem Jägervergnügen" (Die Jäger) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 3 Scene 6: Dialogue, "Genug nun der Freuden" (Ottokar, Kuno, Kaspar, Max, Agathe) - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Der Freischütz, Op. 77, J. 277, Act 3 Scene 6: No. 16. Final, "Schaut, o schaut! Er traf die eigne Braut! ... Ja, lasst uns die Blicke erheben" (Agathe, Ännchen, Max, Kaspar, Kuno, Ottokar, A - Weber: Der Freischütz (Les indispensables de Diapason) -
Lisa Otto
-
Fidelio op. 72, Act 1: Overture - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio op. 72, Act 2: Orchestral Introduction - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio Op. 72: Jetzt Schätzchen, jetzt sind wir allein - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio Op. 72: Gott, welch Dunkel hier! - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio Op. 72: O wär ich schon mit dir vereint - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio Op. 72: In des Lebens Frühlings Tagen - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio Op. 72: Mir ist so wunderbar - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio Op. 72: Wie kalt ist es in diesem - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio Op. 72: Hat man nicht auch Gold beineben - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio Op. 72: Nur hurtig fort, nur frisch gegraben, - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio Op. 72: Gut, Söhnchen, gut; - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio Op. 72: Euch werde Lohn in bessern Welten, - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio Op. 72: Marsch - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio Op. 72: Er sterbe! Doch er soll erst wissen, - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio Op. 72: Ha! Welch’ ein Augenblick! - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio Op. 72: Es schlägt der Rache Stunde, - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio Op. 72: Jetzt, Alter, jetzt hat es Eile! - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio Op. 72: O namen-, namenlose Freude - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio Op. 72: Abscheulicher, wo eilst du hin, - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio Op. 72: Heil sei dem Tag, (Sung in French) - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio Op. 72: O welche Lust, (Sung in French) - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio Op. 72: Des besten Königs Wink und Wille - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio Op. 72: Nun sprecht, wie ging’s? - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio Op. 72: Du schlossest auf des Edlen Grab, - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio Op. 72: Ach, Vater, Vater, eilt! - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio Op. 72: Wer ein holdes Weib errungen (Choir Sung in French) - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio Op. 72: Leb wohl, du warmes Sonnenlicht (Choir Sung in French) - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio op. 72, Act 1: Mir ist so wunderbar - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio op. 72, Act 2: Gott, welch Dunkel hier! - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
-
Fidelio op. 72, Act 2: O namenlose Freude - Fidelio without Dialogues starring Peter Anders -
Lisa Otto
Study - Bach
- 2021-01-25T00:00:00.000000Z
-
Suite No. 3 in D Major, BWV 1068: II. Air - Study - Bach -
Lisa Otto
-
The Well-Tempered Clavier: No. 1, Prelude and Fugue in C Major, BWV 846 - Study - Bach -
Lisa Otto
-
Goldberg Variations, BWV. 988: I. Aria - Study - Bach -
Lisa Otto
-
Herz und Mund und Tat und Leben, BWV 147, Pt. 2: X. Chorale, Jesu bleibet meine Freude (Piano Version) - Study - Bach -
Lisa Otto
-
Goldberg Variations, BWV 988: No. 8, Variatio 7. a 1 o vero 2 clav. - Study - Bach -
Lisa Otto
-
Goldberg Variations, BWV 988: II. Variation 1 a 1 clav. - Study - Bach -
Lisa Otto
-
Toccata and Fugue in D Minor, BWV 565: I. Toccata - Study - Bach -
Lisa Otto
-
Violin Concerto in A Minor, BWV 1041: I. Allegro - Study - Bach -
Lisa Otto
-
Cantata No. 208 'Sheep may safely graze' (arr. Marinner) - Study - Bach -
Lisa Otto
-
Mass in B Minor, BWV 232, Symbolum Nicenum: No. 16, Et incarnatus est (Chorus) - Study - Bach -
Lisa Otto
-
Concerto for Two Violins in D Minor, BWV 1043: III. Allegro - Study - Bach -
Lisa Otto
-
Sonata for Viola da Gamba in G Minor, BWV 1029: I. Vivace - Study - Bach -
Lisa Otto
-
Sonata for Viola da Gamba in G Minor, BWV 1029: II. Adagio - Study - Bach -
Lisa Otto
-
Sonata for Viola da Gamba in G Minor, BWV 1029: III. Allegro - Study - Bach -
Lisa Otto
-
Brandenburg Concerto No. 1 in F Major, BWV 1046: I. Allegro - Study - Bach -
Lisa Otto
-
Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio - Study - Bach -
Lisa Otto
-
Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro - Study - Bach -
Lisa Otto
-
Brandenburg Concerto No. 2 in F, BWV 1047: I. [Allegro] - Study - Bach -
Lisa Otto
-
Brandenburg Concerto No. 2 in F, BWV 1047: II. Andante - Study - Bach -
Lisa Otto
-
Brandenburg Concerto No. 2 in F BWV1047: III. Allegro assai - Study - Bach -
Lisa Otto
-
Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro - Study - Bach -
Lisa Otto
-
Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante - Study - Bach -
Lisa Otto
-
Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto - Study - Bach -
Lisa Otto
-
Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro - Study - Bach -
Lisa Otto
-
Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso - Study - Bach -
Lisa Otto
-
Brandenburg Concerto No. 5 in D Major, BWV. 1050: III. Allegro - Study - Bach -
Lisa Otto
-
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. Allegro - Study - Bach -
Lisa Otto
-
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto - Study - Bach -
Lisa Otto
-
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro - Study - Bach -
Lisa Otto
-
Partita No.3 in E, BWV 1006 (1999 Remastered Version): I. Preludio - Study - Bach -
Lisa Otto
-
Concerto in D Minor After Alessandro Marcello, BWV 974: II. Adagio - Study - Bach -
Lisa Otto
-
Weihnachtsoratorium, BWV 248, Pt. 1: "Bereite dich, Zion" (Contralto) - Study - Bach -
Lisa Otto
-
French Suite No. 5 in G Major, BWV 816: I. Allemande - Study - Bach -
Lisa Otto
-
French Suite No. 5 in G Major, BWV 816: II. Courante - Study - Bach -
Lisa Otto
-
French Suite No. 5 in G Major, BWV 816: IV. Gavotte - Study - Bach -
Lisa Otto
-
French Suite No. 5 in G Major, BWV 816: III. Sarabande - Study - Bach -
Lisa Otto
-
Harpsichord Concerto No. 5 in F Minor, BWV 1056: I. Allegro - Study - Bach -
Lisa Otto
-
Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo - Study - Bach -
Lisa Otto
-
Harpsichord Concerto No. 5 in F Minor, BWV. 1056: III. Presto - Study - Bach -
Lisa Otto
-
Italian Concerto in F Major, BWV 971: I. Allegro - Study - Bach -
Lisa Otto
-
Italian Concerto in F Major, BWV 971: II. Allegro - Study - Bach -
Lisa Otto
-
Italian Concerto in F Major, BWV 971: III. Presto - Study - Bach -
Lisa Otto
-
Cello Suite No. 1 in G Major, BWV 1007: II. Allemande - Study - Bach -
Lisa Otto
-
Cello Suite No. 1 in G Major, BWV 1007: III. Courante - Study - Bach -
Lisa Otto
-
Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande - Study - Bach -
Lisa Otto
Work - Bach
- 2021-01-18T00:00:00.000000Z
-
Cello Suite No. 1 in G Major, BWV 1007: I. Prelude - Work - Bach -
Lisa Otto
-
The Well-Tempered Clavier: No. 1, Prelude and Fugue in C Major, BWV 846 - Work - Bach -
Lisa Otto
-
Goldberg Variations, BWV. 988: I. Aria - Work - Bach -
Lisa Otto
-
Herz und Mund und Tat und Leben, BWV 147, Pt. 2: X. Chorale, Jesu bleibet meine Freude (Piano Version) - Work - Bach -
Lisa Otto
-
Goldberg Variations, BWV 988: No. 8, Variatio 7. a 1 o vero 2 clav. - Work - Bach -
Lisa Otto
-
Goldberg Variations, BWV 988: II. Variation 1 a 1 clav. - Work - Bach -
Lisa Otto
-
Violin Concerto in A Minor, BWV 1041: I. Allegro - Work - Bach -
Lisa Otto
-
Cantata No. 208 'Sheep may safely graze' (arr. Marinner) - Work - Bach -
Lisa Otto
-
Mass in B Minor, BWV 232, Symbolum Nicenum: No. 16, Et incarnatus est (Chorus) - Work - Bach -
Lisa Otto
-
Concerto for Two Violins in D Minor, BWV 1043: III. Allegro - Work - Bach -
Lisa Otto
-
Sonata for Viola da Gamba in G Minor, BWV 1029: I. Vivace - Work - Bach -
Lisa Otto
-
Sonata for Viola da Gamba in G Minor, BWV 1029: II. Adagio - Work - Bach -
Lisa Otto
-
Sonata for Viola da Gamba in G Minor, BWV 1029: III. Allegro - Work - Bach -
Lisa Otto
-
Brandenburg Concerto No. 2 in F, BWV 1047: II. Andante - Work - Bach -
Lisa Otto
-
Brandenburg Concerto No. 2 in F BWV1047: III. Allegro assai - Work - Bach -
Lisa Otto
-
Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto - Work - Bach -
Lisa Otto
-
Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro - Work - Bach -
Lisa Otto
-
Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso - Work - Bach -
Lisa Otto
-
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto - Work - Bach -
Lisa Otto
-
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro - Work - Bach -
Lisa Otto
-
Partita No.3 in E, BWV 1006 (1999 Remastered Version): I. Preludio - Work - Bach -
Lisa Otto
-
Concerto in D Minor After Alessandro Marcello, BWV 974: II. Adagio - Work - Bach -
Lisa Otto
-
Weihnachtsoratorium, BWV 248, Pt. 1: "Bereite dich, Zion" (Contralto) - Work - Bach -
Lisa Otto
-
French Suite No. 5 in G Major, BWV 816: I. Allemande - Work - Bach -
Lisa Otto
-
French Suite No. 5 in G Major, BWV 816: II. Courante - Work - Bach -
Lisa Otto
-
French Suite No. 5 in G Major, BWV 816: IV. Gavotte - Work - Bach -
Lisa Otto
-
French Suite No. 5 in G Major, BWV 816: III. Sarabande - Work - Bach -
Lisa Otto
-
Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo - Work - Bach -
Lisa Otto
-
Italian Concerto in F Major, BWV 971: I. Allegro - Work - Bach -
Lisa Otto
-
Italian Concerto in F Major, BWV 971: II. Allegro - Work - Bach -
Lisa Otto
-
Italian Concerto in F Major, BWV 971: III. Presto - Work - Bach -
Lisa Otto
-
Cello Suite No. 1 in G Major, BWV 1007: II. Allemande - Work - Bach -
Lisa Otto
-
Cello Suite No. 1 in G Major, BWV 1007: III. Courante - Work - Bach -
Lisa Otto
Similar Artists