Susan Bullock
Susan Margaret Bullock (born 9 December 1958 in Cheshire) is a British soprano. She has performed dramatic soprano parts at major opera houses, and also sung in concert and recital.
Bullock was educated at Cheadle Hulme School, and further at Royal Holloway College, University of London, the Royal Academy of Music and the National Opera Studio. Her talent was first recognised after she received first prize in the 1984 Kathleen Ferrier Award, which led to her being offered roles by the English National Opera.
Bullock has a Welsh background and has recorded music in Welsh.
She developed an international career in the mid-1990s as she moved increasingly into late-Romantic and 20th Century German opera repertoire, with engagements at the Frankfurt Opera and Garsington Opera, where she sang Helen in the first British performance of Richard Strauss' Die ägyptische Helena in 1998. Her assumption of Isolde in Wagner's Tristan und Isolde in productions at Opera North, Leeds and the English National Opera confirmed her command of the dramatic soprano repertoire. She sang Brunnhilde in Der Ring des Nibelungen first in Tokyo, and in 2007 performed the role in the first complete Ring cycle by the Canadian Opera Company in their new Toronto opera house.
She made her debut at both La Scala, Milan and the Metropolitan Opera, New York in the title role of Richard Strauss' Elektra. In 2009, she received the Royal Philharmonic Society's award for best singer for her assumption of Elektra in a production at the Royal Opera House, Covent Garden. She had made her Covent Garden debut previously as Marie in Berg's Wozzeck.
She sang Brunnhilde in all performances of Der Ring des Nibelungen at Covent Garden in the London Olympic Year, Autumn 2012. Recordings notably include Richard Strauss' Salome in the Chandos "Opera in English" series conducted Sir Charles Mackerras, and live performances of the Frankfurt Ring cycle, conducted by Sebastian Weigle. Other houses she has sung in include Dresden, Berlin Staatsoper, Teatro Colón (Buenos Aires), Sydney Opera House, La Monnaie (Brussels), Prinzregententheater (Munich), Lisbon and Toulouse. She sings in several languages—her performances include Janáček in Czech, and she has sung contemporary as well as the classical repertoire.
She was the solo soprano at the 2011 Last Night of the Proms on 10 September 2011, performing Brunnhilde's Immolation Scene from Act 3 of Götterdämmerung in Richard Wagner's Ring Cycle, as well as the traditional "Rule, Britannia" and "Land of Hope and Glory".
She was appointed Commander of the Order of the British Empire (CBE) in the 2014 Birthday Honours for services to opera.
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Oratorio for 3 Solo Voices, Chorus & Orchestra: Chorus. Molwn Di - Arwel Hughes: Oratorio Dewi Sant -
Susan Bullock
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Oratorio for 3 Solo Voices, Chorus & Orchestra: Soprano. pwy ddaw gryman I'r meysydd gwyn? - Arwel Hughes: Oratorio Dewi Sant -
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Oratorio for 3 Solo Voices, Chorus & Orchestra: Baritone. Bwya, fy mab, paham y mynni watward Duw - Arwel Hughes: Oratorio Dewi Sant -
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Oratorio for 3 Solo Voices, Chorus & Orchestra: Female Chorus. O dyred, Dewi, I Wlad goleuni - Arwel Hughes: Oratorio Dewi Sant -
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Oratorio for 3 Solo Voices, Chorus & Orchestra: Tenor. Y dydd Sul hwnnw Y canod Dewi offeren - Arwel Hughes: Oratorio Dewi Sant -
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Oratorio for 3 Solo Voices, Chorus & Orchestra: Tenor. O Ddydd Sul hyd Ddydd Mercher - Arwel Hughes: Oratorio Dewi Sant -
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Oratorio for 3 Solo Voices, Chorus & Orchestra: Tenor. Kyrie eleison - Arwel Hughes: Oratorio Dewi Sant -
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La Tragédie de Salomé, Op. 50: I. Prélude - Schmitt: La Tragédie de Salomé, Le Palais Hanté & Psaume 47 -
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La Tragédie de Salomé, Op. 50: II. Danse des perles - Schmitt: La Tragédie de Salomé, Le Palais Hanté & Psaume 47 -
Susan Bullock
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La Tragédie de Salomé, Op. 50: II. Les Enchantements sur la mer - Schmitt: La Tragédie de Salomé, Le Palais Hanté & Psaume 47 -
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La Tragédie de Salomé, Op. 50: IV. Danse des éclairs - Schmitt: La Tragédie de Salomé, Le Palais Hanté & Psaume 47 -
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La Tragédie de Salomé, Op. 50: V. Danse de l'effroi - Schmitt: La Tragédie de Salomé, Le Palais Hanté & Psaume 47 -
Susan Bullock
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Le Palais hanté, Op. 49 - Schmitt: La Tragédie de Salomé, Le Palais Hanté & Psaume 47 -
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Psaume XLVII, Op. 38: Gloire au Seigneur! - Schmitt: La Tragédie de Salomé, Le Palais Hanté & Psaume 47 -
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Psaume XLVII, Op. 38: Parce que le Seigneur est très élevé… - Schmitt: La Tragédie de Salomé, Le Palais Hanté & Psaume 47 -
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Psaume XLVII, Op. 38: Il a choisi dans son héritage la beauté de Jacob… - Schmitt: La Tragédie de Salomé, Le Palais Hanté & Psaume 47 -
Susan Bullock
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Psaume XLVII, Op. 38: Dieu est monté au milieu des chants de joie! - Schmitt: La Tragédie de Salomé, Le Palais Hanté & Psaume 47 -
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Salome, Op. 54, TrV 215, Scene 1: How fair the royal Princess Salome looks tonight (Narraboth, Page, First Soldier, Second Soldier) - Strauss: Salome -
Susan Bullock
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Salome, Op. 54, TrV 215, Scene 4: Salome's Dance of the Seven Veils - Strauss: Salome -
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Salome, Op. 54, TrV 215, Scene 1: After me shall come another (Jokanaan, Narraboth, Page, Second Soldier, First Soldier, Cappadocian) - Strauss: Salome -
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Salome, Op. 54, TrV 215, Scene 4: Ah, heavenly! Wonderful, wonderful! (Herod, Salome, Herodias) - Strauss: Salome -
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Salome, Op. 54, TrV 215, Scene 2: I will not stay there. I cannot stay there (Salome, Page, Jokanaan) - Strauss: Salome -
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Salome, Op. 54, TrV 215, Scene 4: Salome, just think what you're doing (Herod, Salome, Jews) - Strauss: Salome -
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Salome, Op. 54, TrV 215, Scene 2: Who spoke then, who was that calling out? (Salome, Narraboth, Jokanaan, Page, Second Soldier, Slave, First Soldier) - Strauss: Salome -
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Salome, Op. 54, TrV 215, Scene 4: Give me the head of Jokanaan! (Salome, Herod, Herodias) - Strauss: Salome -
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Salome, Op. 54, TrV 215, Scene 2: You will do this for me, Narraboth (Salome, Narraboth) - Strauss: Salome -
Susan Bullock
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Salome, Op. 54, TrV 215, Scene 4: I hear no noise from below there (Salome) - Strauss: Salome -
Susan Bullock
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Salome, Op. 54, TrV 215, Scene 3: Where is he, he, whose sins are now without number? (Jokanaan, Salome, Narraboth) - Strauss: Salome -
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Salome, Op. 54, TrV 215, Scene 4: Ah! You would not let me kiss your mouth, Jokanaan! (Salome) - Strauss: Salome -
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Salome, Op. 54, TrV 215, Scene 3: He is terrible (Salome, Narraboth, Jokanaan) - Strauss: Salome -
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Salome, Op. 54, TrV 215, Scene 4: Your body was an ivory column (Salome) - Strauss: Salome -
Susan Bullock
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Salome, Op. 54, TrV 215, Scene 3: Jokanaan! I am in love with your pale flesh, Jokanaan! (Salome, Jokanaan) - Strauss: Salome -
Susan Bullock
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Salome, Op. 54, TrV 215, Scene 4: You have an evil monster for a daughter (Herod, Herodias, Salome) - Strauss: Salome -
Susan Bullock
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Salome, Op. 54, TrV 215, Scene 3: I'm enamoured of your hair, Jokanaan (Salome, Jokanaan) - Strauss: Salome -
Susan Bullock
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Salomes Tanz, TrV 215a, "Dance of the Seven Veils" - Concert Version - Strauss: Salome -
Susan Bullock
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Salome, Op. 54, TrV 215, Scene 3: It's your mouth that I desire, Jokanaan (Salome, Jokanaan, Narraboth) - Strauss: Salome -
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Salome, Op. 54, TrV 215, Scene 4: Where is Salome? (Herod, Herodias, First Soldier) - Strauss: Salome -
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Salome, Op. 54, TrV 215, Scene 4: Salome, come drink wine with me (Herod, Salome, Herodias) - Strauss: Salome -
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Salome, Op. 54, TrV 215, Scene 4: See, the time is upon us (Jokanaan, Herodias, Herod, First Nazarene, Jews) - Strauss: Salome -
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Salome, Op. 54, TrV 215, Scene 4: Brothers, the day is near us, the day of the Lord (Jokanaan, Herod, Herodias, First Nazarene, First Jew, Second Nazarene) - Strauss: Salome -
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Salome, Op. 54, TrV 215, Scene 4: Men shall soon rebel against this dissolute woman (Jokanaan, Herodias, Herod) - Strauss: Salome -
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Salome, Op. 54, TrV 215, Scene 4: Dance for me, Salome (Herod, Herodias, Salome, Jokanaan) - Strauss: Salome -
Susan Bullock
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Richard Strauss: Red Roses o.op.76 - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
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Richard Strauss: The Rose Awoken o.op.76 - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
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Richard Strauss: Meeting o.op.72 - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
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Richard Wagner: Wesendonck-Lieder: The Angel - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
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Richard Wagner: Wesendonck-Lieder: Stand still! - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
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Richard Wagner: Wesendonck-Lieder: In the greenhouse - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
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Richard Wagner: Wesendonck-Lieder: Pain - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
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Richard Wagner: Wesendonck-Lieder: Dreams - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
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Sergei Prokofiev: Five Poems of Anna Akhmatova op.27: Sunlight has filled the chamber - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
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Sergei Prokofiev: Five Poems of Anna Akhmatova op.27: True tenderness - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
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Sergei Prokofiev: Five Poems of Anna Akhmatova op.27: Thoughts of the sunlight - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
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Sergei Prokofiev: Five Poems of Anna Akhmatova op.27: Hello! - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
Susan Bullock
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Sergei Prokofiev: Five Poems of Anna Akhmatova op.27: The grey-eyed king - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
Susan Bullock
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Benjamin Britten: The Poet's Echo - Six poems of Pushkin op.76: Echo - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
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Benjamin Britten: The Poet's Echo - Six poems of Pushkin op.76: My Heart... - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
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Benjamin Britten: The Poet's Echo - Six poems of Pushkin op.76: Angel - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
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Benjamin Britten: The Poet's Echo - Six poems of Pushkin op.76: The Nightingale and the Rose - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
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Benjamin Britten: The Poet's Echo - Six poems of Pushkin op.76: Epigram - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
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Benjamin Britten: The Poet's Echo - Six poems of Pushkin op.76: Lines written during a sleepless night - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
Susan Bullock
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Roger Quilter: Fair House of Joy op.12,no.7 - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
Susan Bullock
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Roger Quilter: Autimn Evening op.14, no.1 - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
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Roger Quilter: Dream Valley op.20, no.1 - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
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Roger Quilter: Love's Philosophy op.2 no.1 - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
Susan Bullock
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Ned Rorem: Early in the morning - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
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Ned Rorem: Now Sleeps the Crimson Petal - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
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Ned Rorem: O You Whom I Often and Silently Come - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
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Ned Rorem: Little Elegy - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
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Ned Rorem: Alleluia - Strauss, Wagner, Britten, Prokofiev, Quilter, Rorem: Susan Bullock & Malcolm Martineau -
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Maria di Venosa, Part I: Scene I. Castle at Gesualdo - d'Avalos: Maria di Venosa -
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Maria di Venosa, Part II: Scene VII. Ballroomn in the Palace of the Viceroy - d'Avalos: Maria di Venosa -
Susan Bullock
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Maria di Venosa, Part I: Scene II. The room of Maria d'Avalos - d'Avalos: Maria di Venosa -
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Maria di Venosa, Part II: Scene VIII. A balcony of the Palace of the Viceroy during the ball, - d'Avalos: Maria di Venosa -
Susan Bullock
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Maria di Venosa, Part I: Scene III. Music room in the Castle at Venosa - d'Avalos: Maria di Venosa -
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Maria di Venosa, Part II: Scene IX. Maria's room in the Palace at Naples - d'Avalos: Maria di Venosa -
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Maria di Venosa, Part I: Scene IV. Maria's room in the Castle at Venosa - d'Avalos: Maria di Venosa -
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Maria di Venosa, Part II: Scene X. A tavern - d'Avalos: Maria di Venosa -
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Maria di Venosa, Part I: Scene V. Music room in the Castle at Venosa - d'Avalos: Maria di Venosa -
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Maria di Venosa, Part II: Scene XI. Maria's room in the Palace at Naples - d'Avalos: Maria di Venosa -
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Maria di Venosa, Part I: Scene VI. The garden of the Castle at Venosa on a stormy night - d'Avalos: Maria di Venosa -
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Maria di Venosa, Part II: Scene XII. A forest - Hunt - d'Avalos: Maria di Venosa -
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Maria di Venosa, Part II: Scene VII. Ballroom in the Palace of the Viceroy of Naples - Ball - d'Avalos: Maria di Venosa -
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Maria di Venosa, Part II: Scene XIII. Piazza San Domenico in Naples with the - d'Avalos: Maria di Venosa -
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Maria di Venosa, Part II: Scene XIV. Castle at Gesualdo - Room of Carlo Gesualdo - d'Avalos: Maria di Venosa -
Susan Bullock
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