Alessandro Poglietti
Alessandro Poglietti (early 17th century – July 1683) was a Baroque organist and composer of unknown origin. In the second half of the 17th century Poglietti settled in Vienna, where he attained an extremely high reputation, becoming one of Leopold I's favorite composers. Poglietti held the post of court organist for 22 years from 1661 until his death during the Turkish siege that led into the Battle of Vienna.
Poglietti is primarily important for his keyboard music, particularly Rossignolo (1677), a collection of diverse pieces for harpsichord that includes a large number of imitations of natural sounds, and a collection of 12 ricercares, which was widely copied during his lifetime.
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Aria Flieg hin flieg hin e Minuetto per cembalo e violoncello - L'uccellaja (Music inspired by the birds singing between the 17th and 18th centuries) -
Alessandro Poglietti
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Le Coucou, per traversiere e cembalo - L'uccellaja (Music inspired by the birds singing between the 17th and 18th centuries) -
Alessandro Poglietti
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Le Coucou per flauto d'amore in la e basso continuo - L'uccellaja (Music inspired by the birds singing between the 17th and 18th centuries) -
Alessandro Poglietti
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Capriccio fatto sopra il Cucchù, per cembalo - L'uccellaja (Music inspired by the birds singing between the 17th and 18th centuries) -
Alessandro Poglietti
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L'hirondelle, per traversiere e basso continuo - L'uccellaja (Music inspired by the birds singing between the 17th and 18th centuries) -
Alessandro Poglietti
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L'hirondelle, per cembalo - L'uccellaja (Music inspired by the birds singing between the 17th and 18th centuries) -
Alessandro Poglietti
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L'hirondelle per traversiere e basso continuo - L'uccellaja (Music inspired by the birds singing between the 17th and 18th centuries) -
Alessandro Poglietti
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Sirbace: No. 1, dall'opera Sirbace , Qual colomba afflitta, per traversiere e basso continuo - L'uccellaja (Music inspired by the birds singing between the 17th and 18th centuries) -
Alessandro Poglietti
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Cantata RV 659: No. 11, dalla Cantata RV 659, Indarno cerca la Tortorella, per flauto d'amore in la b e basso continuo - L'uccellaja (Music inspired by the birds singing between the 17th and 18th centuries) -
Alessandro Poglietti
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As When The Dove Laments, per traversiere e basso continuo - L'uccellaja (Music inspired by the birds singing between the 17th and 18th centuries) -
Alessandro Poglietti
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La Gallina, per traversiere e basso continuo - L'uccellaja (Music inspired by the birds singing between the 17th and 18th centuries) -
Alessandro Poglietti
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Il gallo e la gallina, per cembalo - L'uccellaja (Music inspired by the birds singing between the 17th and 18th centuries) -
Alessandro Poglietti
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Polonese , per flauto d'amore in la - L'uccellaja (Music inspired by the birds singing between the 17th and 18th centuries) -
Alessandro Poglietti
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Pourquoy, doux rossignol, per traversiere e basso continuo - L'uccellaja (Music inspired by the birds singing between the 17th and 18th centuries) -
Alessandro Poglietti
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Cantata RV 796: No. 19, dalla Cantata RV 796, Usignoletto bello, per traversiere e basso continuo - L'uccellaja (Music inspired by the birds singing between the 17th and 18th centuries) -
Alessandro Poglietti
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L'augellin trà verdi fronde, per traversiere e basso continuo - L'uccellaja (Music inspired by the birds singing between the 17th and 18th centuries) -
Alessandro Poglietti
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Divertimento per cembalo in cui si esprime una Uccellaja, per cembalo - L'uccellaja (Music inspired by the birds singing between the 17th and 18th centuries) -
Alessandro Poglietti
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Ramage, per flauto d'amore in la - L'uccellaja (Music inspired by the birds singing between the 17th and 18th centuries) -
Alessandro Poglietti
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Chant d'oiseaux, per traversiere violoncello e basso continuo - L'uccellaja (Music inspired by the birds singing between the 17th and 18th centuries) -
Alessandro Poglietti
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Concerto, Op. 10 No. 3: No. 2, Cantabile, dal concerto op X, n 3 Il Gardellino, per traversiere e basso continuo - L'uccellaja (Music inspired by the birds singing between the 17th and 18th centuries) -
Alessandro Poglietti
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