Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Prologue: Sinfonia - "Deh, nasconditi, o Virtù" (Fortuna, Virtù, Amore) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 1: "E pur'io torno qui" (Ottone) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 1: "Chi parla?" (Due Soldati) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 1: "Signor, deh, non partire!" (Poppea, Nerone) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 1: "Speranza, tu mi vai il cor accarezzando" (Poppea, Arnalta) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 1: "Disprezzata Regina" (Ottavia, Nutrice) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 1: "Ecco la sconsolata donna" (Seneca, Ottavia, Valletto) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 1: "Le porpore regali" (Seneca) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 1: "Seneca, io miro in cielo" (Pallade, Seneca) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 1: "Son risoluto alfine, o Seneca" (Nerone, Seneca) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 1: "Come dolci, Signor, come soavi" (Poppea, Nerone) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 1: "Ad altri tocca in sorte" (Ottone, Poppea) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 1: "Otton, torna in te stesso" (Ottone) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 1: "Pur sempre di Poppea" (Drusilla, Ottone) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 2: "Solitudine amata" (Seneca, Mercurio) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 2: "Il comando tiranno" (Liberto, Seneca) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 2: "Amici, è giunta l'hora" (Seneca, Famigliari) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 2: "Sento un certo non so che" (Valletto, Damigella) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 2: "Hor che Seneca è morto" (Nerone, Lucano) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 2: "I miei subiti sdegni" (Ottone) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 2: "Tu che dagli avi miei" (Ottavia, Ottone) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 2: "Felice cor mio" (Drusilla, Valletto, Nutrice) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 2: "Io non so dov'io vada" (Ottone, Drusilla) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 2: "Hor che Seneca è morto" (Poppea, Arnalta) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 2: "Dorme, l'incauta dorme" (Amore) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 2: "Eccomi trasformato" (Ottone, Amore, Poppea, Arnalta) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "O felice Drusilla" (Drusilla) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Ecco la scelerata" (Arnalta, Littore) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Signor, ecco la rea" (Arnalta, Nerone, Drusilla, Littore) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "No, no, questa sentenza cada sopra di me" (Ottone, Drusilla, Nerone) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Signor, hoggi rinasco" (Poppea, Nerone) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Hoggi sarà Poppea di Roma imperatrice" (Arnalta) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "A Dio, Roma!" (Ottavia) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Ascendi, a mio diletta" (Nerone, Poppea) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: Sinfonia - "A te sovrana augusta" (Consuli e Tribuni) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Io mi compiacio" (Venere) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Monteverdi: L'Incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Poppea, Nerone) - Monteverdi: L'incoronazione di Poppea, SV 308 -
Brian Bannatyne-Scott
-
Orfeo ed Euridice: "Ballo" - Selección Clásicos - Gluck, Verdi, Wagner -
Brian Bannatyne-Scott
-
Orfeo ed Euridice, Act II: "Che puro ciel " - Selección Clásicos - Gluck, Verdi, Wagner -
Brian Bannatyne-Scott
-
Don Carlos, Act V: "Tu che le vanità" - Selección Clásicos - Gluck, Verdi, Wagner -
Brian Bannatyne-Scott
-
Die Walküre, WWV 86B, Act III: "Hojotoho" - Selección Clásicos - Gluck, Verdi, Wagner -
Brian Bannatyne-Scott
-
Requiem, Sanctus - Selección Clásicos - Gluck, Verdi, Wagner -
Brian Bannatyne-Scott
-
Ciacona in F Minor, T. 206 - Selección Clásicos - Gluck, Verdi, Wagner -
Brian Bannatyne-Scott
-
Symphony No. 1 in B-Flat Major, Op. 38: IV. Allegro animato e grazioso - Selección Clásicos - Gluck, Verdi, Wagner -
Brian Bannatyne-Scott
-
Messiah, HWV 56: "Rejoice greatly, o daugther of zion" - Selección Clásicos - Gluck, Verdi, Wagner -
Brian Bannatyne-Scott
-
Roberto Devereux: "L'amor suo mi fe beata" - Selección Clásicos - Gluck, Verdi, Wagner -
Brian Bannatyne-Scott
-
Con tanto respeto adoran - Selección Clásicos - Gluck, Verdi, Wagner -
Brian Bannatyne-Scott
-
Mass in C Minor, K. 427: I. Kyrie - Selección Clásicos - Gluck, Verdi, Wagner -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 1. "Kommt, ihr Tochter, helft mir klagen" (Chorus) - "O Lamm Gottes, unschuldig" (Choral) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 2: 1. Aria and Chorus "Ach! Nun ist mein Jesus hin" (Alto, Chorus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 2. Recitative "Da Jesus diese Rede vollendet hatte" (Evangelist, Jesus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 2: 2. Recitative "Die aber Jesum gegriffen hatten" (Evangelist) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 3. Chorale "Herzliebster Jesu, was hast du verbrochen" (Chorus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 2: 3. Chorale "Mir hat die Welt truglich gericht'" (Chorus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 4. Recitative "Da versammleten sich die Hohenpriester" (Evangelist, Chorus, Jesus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 2: 4. Recitative "Und wiewohl viel falsche Zeugen herzutraten" (Evangelist, Testis, Pontifex) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 5. "Ja nicht auf das Fest" (Chorus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 2: 5. Recitative "Mein Jesus schweigt zu falschen Lugen stille" (Tenor) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 6. Recitative "Da nun Jesus war zu Bethanien, im Hause Simonis des Aussatzigen" (Evangelist) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 2: 6. Aria "Geduld! Geduld!" (Tenor) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 7. "Wozu dienet dieser Unrat?" (Chorus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 2: 7. Recitative and Chorus "Und der Hohepriester antwortete" (Evangelist, Jesus, Pontifex) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 8. Recitative "Da das Jesus merkete, sprach er zu ihnen" (Evangelist, Jesus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 2: 8. "Er ist des Todes schuldig!" (Chorus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 9. Recitative "Du lieber Heiland du" (Alto) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 2: 9. Recitative "Da spieten sie aus in sein Angesicht und schlugen ihn mit Fausten" (Evangelist) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 10. Aria "Buss und Reu" (Alto) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 2: 10. "Weissage uns, Christe, wer its's, der dich schlug?" (Chorus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 11. Recitative "Da ging hin der Zwolfen einer" (Evangelist, Judas) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 2: 11. Chorale "Wer hat dich so geschlagen" (Chorus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 12. "Blute nur, du liebes Herz" (Soprano) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 2: 12. Recitative and Chorus "Petrus aber sass draussen im Palast" (Evangelist, Petrus, Ancilla, Chorus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 13. Recitative and Chorus "Aber am ersten Tage der sussen Brot" (Evangelist, Chorus, Jesus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 14. "Wo willst du, dass wir dir bereiten" (Chorus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 15. Recitative "Er sprach" (Evangelist) - "Gehet hin di die Stadt" (Jesus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 16. Recitative "Und sie wurden sehr betrubt und huben an" (Evangelist) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 17. "Herr, bin ich's?" (Chorus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 18. Chorale "Ich bin's, ich sollte bussen" (Chorus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 19. Recitative "Er antwortete und sprach" (Evangelist, Jesus, Judas) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 20. Recitative "Wiewohl mein Herz in Tranen schwimmt" (Soprano) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 21. Aria "Ich will dir mein Herze schenken" (Soprano) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 22. Recitative "Und da sie den Lobgesang gesprochen hatten" (Evangelist, Jesus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 23. Chorale "Erkenne mich, mein Huter" (Chorus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 24. Recitative "Petrus aber antwortete" (Evangelist, Jesus, Petrus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 25. Chorale "Ich will hier bei dir stehen" (Chorus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 26. Recitative "Da kam Jesus mit ihnen zu einem Hofe" (Evangelist, Jesus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 27. Recitative and Chorale "O Schmerz, hier zittert das gequalte Herz" (Evangelist, Chorus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 28. Aria and Chorus "Ich will bei meinem Jesu wachen" (Evangelist, Chorus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 29. Recitative "Und ging hin ein wenig" (Evangelist, Jesus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 30. Recitative "Der Heiland fallt vor seinem Vater nieder" (Bass) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 31. Aria "Gerne will ich mich bequemen" (Bass) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 32. Recitative "Und er kam zu seinen Jungern" (Evangelist, Jesus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 33. Chorale "Was mein Gott will, das g'scheh allzeit" - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 34. Recitative "Und er kam und fand sie aber schlafend" (Evangelist, Jesus, Judas) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 35. Aria and Chorus "So ist mein Jesus nun gefangen" (Alto, Soprano, Chorus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 36. "Sind Blitze, sind Donner in Wolken verschwunden?" (Chorus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 37. Recitative "Und siehe, einer aus denen" (Evangelist, Jesus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Matthew Passion, BWV 244, Pt. 1: 38. Chorale "O Mensch, bewein dein Sunde gross" (Chorus) - J.S. Bach: Matthew Passion (Final performing Version, c. 1742) -
Brian Bannatyne-Scott
-
Dido and Aeneas: Overture - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
-
King Arthur, or The British Worthy (1691) / Act 2: Hither this way (Philidel) - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
-
Dido and Aeneas, Z. 626 / Act I: "Shake the Cloud from Off Your Brow" - "Banish Sorrow, Banish Care" - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
-
King Arthur, or The British Worthy (1691) / Act 2: Let not a Moon-born Elf (Grimbald) - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
-
Dido and Aeneas / Act I: "Ah! Belinda, I Am Press'd" ... "When Monarchs Unite, How Happy" - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
-
King Arthur, or The British Worthy (1691) / Act 2: Hither, this way bend - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
-
Dido and Aeneas / Act I: "Whence Could So Much Virtue Spring?" - "Fear No Danger" - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
-
King Arthur, or The British Worthy (1691) / Act 2: Come follow, follow, follow me (Philidel) - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
-
Dido and Aeneas / Act I: "See, Your Royal Guest Appears" - "Cupid Only Throws the Dart" - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
-
King Arthur, or The British Worthy (1691) / Act 2: How blest are Shepherds (Shepherd) - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
-
Dido and Aeneas / Act I: "If Not for Mine, for Empire's Sake" ... "To the Hills and the Vales" - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
-
King Arthur, or The British Worthy (1691) / Act 2: Shepherd, shepherd, leave Decoying (Shepherdesses) - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
-
Dido and Aeneas / Act I: The Triumphing Dance - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
-
King Arthur, or The British Worthy (1691) / Act 2: Come, shepherds - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
-
Dido and Aeneas / Act II: Prelude for the Witches "Wayward Sisters" ... "Ho, ho, ho" - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
-
King Arthur, or The British Worthy (1691) / Act 2: Second Act Tune: Air - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
-
Dido and Aeneas / Act II: "Ruin'd Ere the Set of Sun" ... "But Ere We This Perform" - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
-
King Arthur, or The British Worthy (1691) / Act 3: Prelude - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
-
Dido and Aeneas / Act II: "In Our Deep Vaulted Cell" - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
-
King Arthur, or The British Worthy (1691) / Act 3: What ho (Cupid) - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
-
Dido and Aeneas / Act II: Echo Dance of Furies - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
-
King Arthur, Or The British Worthy, Z.628 / Act 3: What Power Art Thou (Genius) - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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Dido and Aeneas / Act II: Ritornelle - "Thanks to These Lonesome Vales" - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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King Arthur, or The British Worthy (1691) / Act 3: Thou Doting Fool (Cupid) - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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Dido and Aeneas / Act II: "Oft She Visits" - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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King Arthur, or The British Worthy (1691) / Act 3: Great Love, I know thee now - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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Dido and Aeneas / Act II: "Behold, Upon My Bending Spear" - "Haste, Haste to Town" - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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King Arthur, or The British Worthy (1691) / Act 3: No part of my Dominium (Cupid) - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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Dido and Aeneas / Act II: "Stay, Prince" - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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King Arthur, or The British Worthy (1691) / Act 3: Prelude - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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Dido and Aeneas / Act III: Prelude - "Come Away, Fellow Sailors" - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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King Arthur, or The British Worthy (1691) / Act III: See, See, We Assemble - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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Dido and Aeneas / Act III: The Sailors' Dance "See the Flags and Streamers Curling" - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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King Arthur, or The British Worthy (1691) / Act 3: 'Tis I that have warm'd ye (Cupid) - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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Dido and Aeneas / Act III: "Our Next Motion" - "Destructions's Our Delight" - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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King Arthur, or The British Worthy (1691) / Act 3: "Sound a parley" / "'Tis Love, 'tis Love, 'tis Love that has warm'd us" - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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Dido and Aeneas / Act III: The Witches' Dance - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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King Arthur, or The British Worthy (1691) / Act 3: Third Act Tune: Hornpipe - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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Dido and Aeneas / Act III: "Your Counsel All is Urg'd in Vain" - "Great Minds Against Themselves Conspire" - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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Dido and Aeneas, Act III: No. 36, Recit. Thy Hand, Belinda – No. 37, Song. When I Am Laid in Earth "Dido's Lament" - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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Dido and Aeneas / Act III: "With Drooping Wings" - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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King Arthur, or The British Worthy, Z.628: First Music: Chaconne - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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King Arthur, or The British Worthy (1691): Second Music: I. Overture - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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King Arthur, or The British Worthy (1691): II. Air - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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King Arthur, or The British Worthy (1691) / Act 1: "Woden, first to thee" / "We have sacrific'd" - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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King Arthur, or The British Worthy (1691) / Act 1: "The white horse neigh'd aloud" / "To Woden thanks we render" - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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King Arthur, or The British Worthy (1691) / Act 1: The Lot is cast (soprano) - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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King Arthur, or The British Worthy (1691) / Act 1: Brave souls - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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King Arthur, or The British Worthy (1691) / Act 1: I call ye all (Tenor) - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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King Arthur, or The British Worthy (1691) / Act 1: 'Come if you dare' (tenor) - Purcell: Dido & Aeneas / King Arthur / Dioclesian / Timon of Athens / 3 Odes -
Brian Bannatyne-Scott
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