Charlotte Ellett

The Best of David Lloyd-Jones - 2024-04-05T00:00:00.000000Z

• The Planets, Op. 32: I. Mars, the Bringer of War - The Best of David Lloyd-Jones - Charlotte Ellett
• 2 Aquarelles: Lento, ma non troppo - The Best of David Lloyd-Jones - Charlotte Ellett
• Les sirènes: Prelude - The Best of David Lloyd-Jones - Charlotte Ellett
• 2 Studies, Op. 16, F. 133: No. 3, Allegro - The Best of David Lloyd-Jones - Charlotte Ellett
• 5 Preludes: No. 4, Andante con moto - The Best of David Lloyd-Jones - Charlotte Ellett
• Charterhouse Suite: Prelude - The Best of David Lloyd-Jones - Charlotte Ellett
• Pineapple Poll, Scene I: Opening Dance (Arr. C. Mackerras) - The Best of David Lloyd-Jones - Charlotte Ellett
• English Suite: Meditation - The Best of David Lloyd-Jones - Charlotte Ellett
• Sinfonietta: I. Allegro con brio - The Best of David Lloyd-Jones - Charlotte Ellett
• Fairytale Suite: Waltz (the Enchanted Garden) - The Best of David Lloyd-Jones - Charlotte Ellett
• Symphony No. 3 in F Minor, Op. 28, "Irish": II. Allegro molto vivace - The Best of David Lloyd-Jones - Charlotte Ellett
• Serenade for Tenor, Horn & Strings, Op. 31: III. Nocturne - The Best of David Lloyd-Jones - Charlotte Ellett
• Suite: O, Waly Waly - The Best of David Lloyd-Jones - Charlotte Ellett
• The Wise Virgins: Ballet Suite: V. Sheep may safely graze - The Best of David Lloyd-Jones - Charlotte Ellett
• Elegy, Op. 58 - The Best of David Lloyd-Jones - Charlotte Ellett
• Symphony No. 2, "a Pastoral Symphony": III. Country Dance (Allegro giocoso) - The Best of David Lloyd-Jones - Charlotte Ellett
• 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring - The Best of David Lloyd-Jones - Charlotte Ellett
• The Magic Island - The Best of David Lloyd-Jones - Charlotte Ellett
• The Triumph of Neptune: Harlequinade - The Best of David Lloyd-Jones - Charlotte Ellett
• Symphony No. 1 "The Seasons": IV. Winter. Epilogue - The Best of David Lloyd-Jones - Charlotte Ellett
• Beni Mora, Op. 29, No. 1: I. First Dance - The Best of David Lloyd-Jones - Charlotte Ellett
• Piano Concerto in B-Flat Major, F. 108: Adagietto - The Best of David Lloyd-Jones - Charlotte Ellett
• Job: Elihu's Dance of Youth & Beauty - Pavane of the Sons of the Morning - The Best of David Lloyd-Jones - Charlotte Ellett
• Symphony No. 1 in D Minor, Op. 2: II. Scherzo. Allegro - The Best of David Lloyd-Jones - Charlotte Ellett
• Romance in E-Flat Major, Op. 11 - The Best of David Lloyd-Jones - Charlotte Ellett
• Concerto da chiesa: II. Corde natus - The Best of David Lloyd-Jones - Charlotte Ellett
• Tintagel - The Best of David Lloyd-Jones - Charlotte Ellett

Hèctor Parra: Hypermusic Prologue - 2010-06-01T00:00:00.000000Z

• Hypermusic Prologue (2008-2009) - A projective opera in seven Planes: Plane I: "Why this Confusion?" - Hèctor Parra: Hypermusic Prologue - Charlotte Ellett
• Interview with Lisa Randall & Hèctor Parra: Lisa Randall on major questions concerning physical theories of the 20th century. Possible developments and paths to Follow - Hèctor Parra: Hypermusic Prologue - Charlotte Ellett
• Hypermusic Prologue (2008-2009) - A projective opera in seven Planes: Plane II: "A wonderful Place!" - Hèctor Parra: Hypermusic Prologue - Charlotte Ellett
• Interview with Lisa Randall & Hèctor Parra: The models "Randall-Sundrum 1 and 2" presented by Lisa Randall: 5 dimensional theories of space-Time. An attempt to solve the "hierarchy Problem" - Hèctor Parra: Hypermusic Prologue - Charlotte Ellett
• Hypermusic Prologue (2008-2009) - A projective opera in seven Planes: Plane III: "This step - A new Dimension" - Hèctor Parra: Hypermusic Prologue - Charlotte Ellett
• Interview with Lisa Randall & Hèctor Parra: Lisa Randall on Stephen Hawking - Hèctor Parra: Hypermusic Prologue - Charlotte Ellett
• Hypermusic Prologue (2008-2009) - A projective opera in seven Planes: Plane IV: "The pathway Opens" - Hèctor Parra: Hypermusic Prologue - Charlotte Ellett
• Interview with Lisa Randall & Hèctor Parra: Music and Physics - The first contacts between Lisa Randall and Hector Parra: Initial steps towards Hypermusic Prologue - Hèctor Parra: Hypermusic Prologue - Charlotte Ellett
• Hypermusic Prologue (2008-2009) - A projective opera in seven Planes: Plane IV: "Why disrupt this harmony?!" (Bubble 1) - Hèctor Parra: Hypermusic Prologue - Charlotte Ellett
• Interview with Lisa Randall & Hèctor Parra: Working Together - Hèctor Parra: Hypermusic Prologue - Charlotte Ellett
• Hypermusic Prologue (2008-2009) - A projective opera in seven Planes: Plane IV: "You are Gone" - Hèctor Parra: Hypermusic Prologue - Charlotte Ellett
• Interview with Lisa Randall & Hèctor Parra: Developing new sounding Material - Hèctor Parra: Hypermusic Prologue - Charlotte Ellett
• Hypermusic Prologue (2008-2009) - A projective opera in seven Planes: Plane IV: "The soft cozy edge" (Bubble 4) - Hèctor Parra: Hypermusic Prologue - Charlotte Ellett
• Interview with Lisa Randall & Hèctor Parra: Hector Parra talks about how this 5th dimension would sound: Live electronics and their progressive evolution over the course of Hypermusic Prologu - Hèctor Parra: Hypermusic Prologue - Charlotte Ellett
• Hypermusic Prologue (2008-2009) - A projective opera in seven Planes: Plane IV: "I will describe this strange Landscape" - Hèctor Parra: Hypermusic Prologue - Charlotte Ellett
• Interview with Lisa Randall & Hèctor Parra: Impacts, influences and Intentions - Hèctor Parra: Hypermusic Prologue - Charlotte Ellett
• Hypermusic Prologue (2008-2009) - A projective opera in seven Planes: Plane IV: "The language of the 5th Dimension" - Hèctor Parra: Hypermusic Prologue - Charlotte Ellett
• Interview with Lisa Randall & Hèctor Parra: Working with the artist Matthew Ritchie - Hèctor Parra: Hypermusic Prologue - Charlotte Ellett
• Hypermusic Prologue (2008-2009) - A projective opera in seven Planes: Plane IV: Microscopico, Flamboyant - Hèctor Parra: Hypermusic Prologue - Charlotte Ellett
• Interview with Lisa Randall & Hèctor Parra: Future projects in the fields of physics and Music - Hèctor Parra: Hypermusic Prologue - Charlotte Ellett
• Hypermusic Prologue (2008-2009) - A projective opera in seven Planes: Plane V: "This pull, this Tug" - Hèctor Parra: Hypermusic Prologue - Charlotte Ellett
• Hypermusic Prologue (2008-2009) - A projective opera in seven Planes: Plane V: Electronic Interlude - Hèctor Parra: Hypermusic Prologue - Charlotte Ellett
• Hypermusic Prologue (2008-2009) - A projective opera in seven Planes: Plane V: Scuro / "As I travel Away" - Hèctor Parra: Hypermusic Prologue - Charlotte Ellett
• Hypermusic Prologue (2008-2009) - A projective opera in seven Planes: Plane VI: "How to open up your World?" - Hèctor Parra: Hypermusic Prologue - Charlotte Ellett
• Hypermusic Prologue (2008-2009) - A projective opera in seven Planes: Plane VII: "Discordant Phenomena" - Hèctor Parra: Hypermusic Prologue - Charlotte Ellett

RAWSTHORNE: Symphonies Nos. 1-3 - 2005-02-01T00:00:00.000000Z

• Symphony No. 1: I. Allegro tempestuoso - RAWSTHORNE: Symphonies Nos. 1-3 - Charlotte Ellett
• Symphony No. 1: II. Allegro - RAWSTHORNE: Symphonies Nos. 1-3 - Charlotte Ellett
• Symphony No. 1: III. Allegro non troppo - RAWSTHORNE: Symphonies Nos. 1-3 - Charlotte Ellett
• Symphony No. 1: IV. Poco maestoso - Allegro risoluto - RAWSTHORNE: Symphonies Nos. 1-3 - Charlotte Ellett
• Symphony No. 2, "a Pastoral Symphony": I. Allegro piacevole - RAWSTHORNE: Symphonies Nos. 1-3 - Charlotte Ellett
• Symphony No. 2, "a Pastoral Symphony": II. Poco lento e liberamente - RAWSTHORNE: Symphonies Nos. 1-3 - Charlotte Ellett
• Symphony No. 2, "a Pastoral Symphony": III. Country Dance (Allegro giocoso) - RAWSTHORNE: Symphonies Nos. 1-3 - Charlotte Ellett
• Symphony No. 2, "a Pastoral Symphony": IV. Andante - RAWSTHORNE: Symphonies Nos. 1-3 - Charlotte Ellett
• Symphony No. 3: I. Allegro - RAWSTHORNE: Symphonies Nos. 1-3 - Charlotte Ellett
• Symphony No. 3: II. Alla sarabanda (Andantino) - RAWSTHORNE: Symphonies Nos. 1-3 - Charlotte Ellett
• Symphony No. 3: III. Scherzo (Allegro molto) - RAWSTHORNE: Symphonies Nos. 1-3 - Charlotte Ellett
• Symphony No. 3: IV. Allegro risoluto - RAWSTHORNE: Symphonies Nos. 1-3 - Charlotte Ellett

Janáček: Jenůfa - 2004-05-01T00:00:00.000000Z

• Jenůfa, Her Step-Daughter, I/4, Act I Scene 1: Soon it will be evening (Jenůfa, Grandmother Buryja, Laca, Jano) (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act II Scene 5: One moment … In that moment must I lose hope (Kostelnička) (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act I Scene 2: What are you doing here, Laca? (Foreman, Laca, Jenůfa, Grandmother Buryja, Kostelni (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act II Scene 6: Mamičko, my head is aching (Jenůfa) (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act I Scene 3: Come now, Jenůfa (Grandmother Buryja, Jenůfa) (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act II Scene 7: Who is there? (Jenůfa, Kostelnička) (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act I Scene 4: They're all for marrying (Števa, Jenůfa, Foreman, Laca, Recruits) (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act II Scene 8: He's coming now! … (Kostelnička, Laca, Jenůfa) (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act I Scene 5: My dear heart, my Števa, Števuska! (Jenůfa, Števa, Kostelnička, Grandmother Buryja, (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act III Scene 1: Don't you feel nervous, Jenufka? (Maid, Jenůfa, Laca, Kostelnička) (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act I Scene 6: Števa, Števa, I know you got drunk today (Jenůfa, Števa, Grandmother Buryja) (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act III Scene 2: God be with you! (Mayor, Maid, Laca, Jenůfa, Kostelnička, Mayor's Wife) (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act I Scene 7: How all this boasting of Števa (Laca, Jenůfa, Grandmother Buryja, Foreman, Barena) (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act III Scene 3: There now, Laca, just as I foresaw (Jenůfa, Laca) (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act II Scene 1: Introduction (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act III Scene 4: Aha! Here they are (Laca, Karolka, Števa, Jenůfa) (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act II Scene 1: If I leave the door ajar a little (Kostelnička, Jenůfa) (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act III Scene 5: There's no denying that all that was really a sight worth seeing (Mayor, Kostelni (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act II Scene 2: Yes, in all these 20 weeks (Kostelnička) (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act III Scene 6: God be with you one and all! (Barena, Mayor, Jenůfa, Laca, Grandmother Buryja, Ko (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act II Scene 3: Aunt Kostelnička, in the note you sent me (Števa, Kostelnička, Jenůfa, Laca) (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act III Scene 7: What baby's that they're shouting about? (Kostelnička, Jano, Mayor, Števa, Chorus (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act II Scene 4: But I saw a man come in here just now (Laca, Kostelnička) (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act III Scene 8: Come quickly now! (Jano, Kostelnička, Grandmother Buryja) (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act III Scene 9: Števa, this is terrible … (Karolka, Jenůfa, Števa, Laca) (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act III Scene 10: Ha, there now, you see his baby clothes! (Jenůfa, Mayor's Wife, Mayor, Laca, Kos (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act III Scene 11: Do not kneel, dear mother! (Jenůfa, Kostelnička, Laca) (Brno version) - Janáček: Jenůfa - Charlotte Ellett
• Jenůfa, Her Step-Daughter, I/4, Act III Scene 12: They have gone! Now you go! (Jenůfa, Laca) (Brno version) - Janáček: Jenůfa - Charlotte Ellett

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