Georges Sebastian
Georges Sébastian (August 17, 1903 – April 12, 1989) was a French conductor of Hungarian birth, particularly associated with Wagner and the post-romantic repertory (Bruckner, Mahler, Richard Strauss). He was born in Budapest and died in La Hauteville.
Born György Sebestyén, he studied first the piano and violin in his native Budapest, before turning to composition. He then worked with Leo Weiner, Zoltán Kodály and Béla Bartók. In 1921, he was engaged as répétiteur at the Munich State Opera, where he worked with Bruno Walter and became his assistant conductor the following year.
He then spent one season from 1923–24 as assistant conductor at the Metropolitan Opera in New York, where he was heard as pianist. Upon his return in Europe, he conducted at the opera houses of Hamburg and Leipzig, before becoming first conductor at the Städtische Oper Berlin (1927–30). He then became musical director of the Moscow Radio and Philharmonic Orchestra (1931–37). In 1935, he conducted there the first performance of the original version of Moussorgsky's opera, Boris Godunov.
In 1938, he returned to America and spent the war years there, holding several posts including conductor at the San Francisco Opera, musical director of a radio program for CBS, and musical director of the Scranton Philharmonic Orchestra.
After the war, he returned to Europe, and settled in France. He made his debut at the Palais Garnier in 1947, and was to conduct there the debuts of both Maria Callas (1958) and Renata Tebaldi (1959). He was also very active conducting on French radio, notably the complete symphonies of Bruckner and Mahler.
He recorded complete sets of Lakmé (with Mado Robin, 1952) and Mignon (1953) for Decca Records; and Thaïs (with Géori Boué, 1952) and Werther (with Suzanne Juyol, 1952) for Urania. His best-known recording may be, however, that of excerpts from Carmen (1946), with Risë Stevens, Nadine Conner, Raoul Jobin and Robert Weede, for Columbia Records. Among Sébastian's "pirate" recordings are Elektra (1966) and Salome (1967), both with Anja Silja.
EMI has published the kinescope of the Callas debut, "La Grande Nuit de l'Opéra," on DVD. Included are excerpts from La forza del destino, Norma, Il trovatore, Il barbiere di Siviglia, and a staged Act II of Tosca (also with Albert Lance and Tito Gobbi).
La Divina
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Bellini: Norma, Act 1: "Casta diva" (Norma, Coro) - La Divina -
Georges Sebastian
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Bizet: Carmen, Act 1: Habanera. "L'amour est un oiseau rebelle" (Carmen, Chœur) - La Divina -
Georges Sebastian
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Rossini: La Cenerentola, Act 2: "Nacqui all'affanno, al pianto" - "Non più mesta" (Cenerentola) - La Divina -
Georges Sebastian
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Puccini: Madama Butterfly, Act 2: "Un bel dì vedremo" (Butterfly) - La Divina -
Georges Sebastian
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Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì) - La Divina -
Georges Sebastian
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Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta) - La Divina -
Georges Sebastian
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Verdi: La traviata, Act 1: "Ah, fors’è lui che l’anima" (Violetta) - La Divina -
Georges Sebastian
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Verdi: La traviata, Act 1: "Follie! Follie! Delirio vano è questo!" (Violetta) - La Divina -
Georges Sebastian
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Verdi: La traviata, Act 1: "Sempre libera" (Violetta, Alfredo) - La Divina -
Georges Sebastian
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Verdi: La traviata, Act 3: "Addio, del passato bei sogni ridenti" (Violetta) - La Divina -
Georges Sebastian
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Bellini: La sonnambula, Act 2: "Ah! Non credea mirarti" (Amina, Elvino) - La Divina -
Georges Sebastian
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Puccini: Turandot, Act 2: "In questa reggia" (Turandot) - La Divina -
Georges Sebastian
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Verdi: I vespri siciliani, Act 5: "Mercé, dilette amiche" (Elena) - La Divina -
Georges Sebastian
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Ponchielli: La Gioconda, Op. 9, Act 4: "Suicidio!" (Gioconda) - La Divina -
Georges Sebastian
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Verdi: La forza del destino, Act 4: "Pace, pace mio Dio!" (Leonora) - La Divina -
Georges Sebastian
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Verdi: Macbeth, Act 4: "Una macchia è qui tuttora!" (Lady Macbeth) - La Divina -
Georges Sebastian
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Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) - La Divina -
Georges Sebastian
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Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta) [Live, Paris, 1963] - La Divina -
Georges Sebastian
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Verdi: Il trovatore, Act 4: "Vanne, lasciami" - "D'amor sull'ali rosee" (Leonora) [Live, Athens, 1957] - La Divina -
Georges Sebastian
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Puccini: Tosca: "Vissi d'arte" (Tosca, Scarpia) [Live, Paris, 1958] - La Divina -
Georges Sebastian
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Bizet: Carmen, WD 31, Act 1: Séguedille. "Près des remparts de Séville" (Carmen) [Live, London, 1962] - La Divina -
Georges Sebastian
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Delibes: Lakmé, Act 2: Aria delle campanelle. "Dov'è l'indiana bruna?" (Lakmé) [Live, San Remo, 1954] - La Divina -
Georges Sebastian
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Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) [Live, Hamburg, 1959] - La Divina -
Georges Sebastian
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Verdi: Un ballo in maschera, Act 3: "Morrò, ma prima in grazia" (Amelia) [Live, Milan 1957] - La Divina -
Georges Sebastian
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Donizetti: Poliuto, Act 1: "Di quai soavi lagrime" (Paolina) [Live, Milan, 1960] - La Divina -
Georges Sebastian
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Verdi: Rigoletto, Act 1: "Gualtier Maldè! " - "Caro nome" (Gilda, Borsa, Ceprano, Marullo) [Live, Mexico, 1952] - La Divina -
Georges Sebastian
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Donizetti: Anna Bolena, Act 2: "Coppia iniqua, l'estrema vendetta" (Anna, Smeton, Percy, Rochefort, Coro) [Live, Milan, 1957] - La Divina -
Georges Sebastian
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Charpentier: Louise, Act 3: "Depuis le jour" (Louise) [Live, San Remo, 1954] - La Divina -
Georges Sebastian
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Rossini: Semiramide, Act 1: "Bel raggio lusinghier" (Semiramide, Coro) [Live, Milan, 1956] - La Divina -
Georges Sebastian
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Wagner: Tristano e Isotta, Act 3: Morte d'amore. "Dolce e calmo" (Isolde) [Live, Athens, 1957] - La Divina -
Georges Sebastian
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Verdi: I vespri siciliani, Act 4: "Arrigo! Ah! Parli a un core" (Elena) [Live, Firenze, 1951] - La Divina -
Georges Sebastian
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Bellini: Il pirata, Act 1: "Quando a un tratto il mio consorte" (Imogene, Coro, Itulbo, Adele, Gualtiero) [Live, New York, 1959] - La Divina -
Georges Sebastian
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Bellini: Il pirata, Act 1: "Sventurata, anch'io deliro" (Imogene, Adele, Coro) [Live, New York, 1959] - La Divina -
Georges Sebastian
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Massenet: Manon, Act 2: "Je ne suis que faiblesse" - "Adieu, notre petite table" (Manon) [Live, Paris, 1963] - La Divina -
Georges Sebastian
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Catalani: La Wally, Act 1: "Ebben? Ne andrò lontana" (Wally) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Giordano: Andrea Chénier, Act 3: "La mamma morta" (Maddalena) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Puccini: Madama Butterfly, Act 2: "Un bel dì vedremo" (Butterfly) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Bizet: Carmen, WD 31, Act 1: Habanera. "L'amour est un oiseau rebelle" (Carmen, Chœur) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Puccini: Tosca, Act 2: "Vissi d'arte" (Tosca) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Bellini: Norma, Act 1: "Casta diva" (Norma, Coro) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Bellini: Norma, Act 2: "Mira, o Norma" (Norma, Adalgisa) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Bellini: Norma, Act 2: "Cedi! Deh! Cedi!" - "Sì, fino all'ore estreme" (Adalgisa, Norma) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Bellini: Norma, Act 2: "Qual cor tradisti" (Coro, Norma, Pollione, Oroveso) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Bellini: Norma, Act 2: "Deh! Non volerli vittime" (Coro, Norma, Pollione, Oroveso) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Verdi: I vespri siciliani, Act 5: "Mercé, dilette amiche" (Elena) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Verdi: Rigoletto, Act 1: "Gualtier Maldè!" - "Caro nome" (Gilda, Borsa, Ceprano, Marullo) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Verdi: Rigoletto, Act 3: "V'ho ingannato" (Rigoletto, Gilda) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Verdi: La traviata, Act 1: "Ah, fors’è lui che l’anima" (Violetta) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Verdi: La traviata, Act 1: "Sempre libera" (Violetta, Alfredo) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Verdi: La traviata, Act 3: "Addio, del passato bei sogni ridenti" (Violetta) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Verdi: Aida, Act 3: "O patria mia" (Aida) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Verdi: Aida, Act 4: "O terra addio" (Aida, Radamès, Coro, Amneris) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Verdi: Il trovatore, Act 1: "Tacea la notte placida" - "Di tale amor" (Leonora) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Verdi: Il trovatore, Act 4: "Vanne" - "D'amor sull' ali rosee" (Leonora) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Verdi: Un ballo in maschera, Act 2: "Ma dall'arido stelo divulsa" (Amelia) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Verdi: Un ballo in maschera, Act 2: "Non sai tu che se l'anima mia" (Riccardo, Amelia) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Verdi: I Lombardi alla prima crociata, Act 2: "O madre, dal cielo soccorri" (Giselda) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Verdi: Aroldo, Act 1: "Ciel, ch'io respiri!" - "Salvami, salvami tu, gran Dio" (Mina) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Verdi: Don Carlo, Act 2: "Non pianger, mia compagna" (Elisabetta) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Verdi: Don Carlo, Act 3: "O don fatale" (Eboli) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Verdi: Otello, Act 4: "Ave Maria" (Desdemona) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Verdi: Otello, Act 4: Canzone del salice. "Piangea cantando" (Desdemona) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Donizetti: Lucia di Lammermoor, Act 1: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Donizetti: Lucia di Lammermoor, Act 3: "Spargi d'amaro pianto" (Lucia, Raimondo, Coro, Enrico) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Donizetti: L'elisir d'amore, Act 2: "Prendi, per me sei libero" (Adina) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Donizetti: La figlia del reggimento, Act 1: "Convien partir" (Maria) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Donizetti: Lucrezia Borgia, Prologo: "Tranquillo ei posa" - "Com'è bello" (Lucrezia Borgia) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Puccini: Madama Butterfly, Act 2: "Con onor muore" (Madama Butterfly) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Puccini: Manon Lescaut, Act 2: "In quelle trine morbide" (Manon) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Puccini: Manon Lescaut, Act 4: "Sola, perduta, abbandonata" (Manon) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Puccini: La bohème, Act 1: "Ehi! Rodolfo!" - "O soave fanciulla" (Schaunard, Colline, Marcello, Rodolfo, Mimì) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Puccini: La bohème, Act 3: "Donde lieta uscì al tuo grido d'amore" (Mimì) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Puccini: La bohème, Act 3: "Dunque è proprio finita?" (Rodolfo, Mimì, Marcello, Musetta) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Puccini: Suor Angelica: "Senza mamma" (Angelica) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Puccini: Turandot, Act 1: "Signore, ascolta!" (Liù) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Puccini: Turandot, Act 2: "In questa reggia" (Turandot) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Puccini: Turandot, Act 3: "Tu, che di gel sei cinta" (Liù) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Rossini: Il turco in Italia, Act 1: "Non si dà follia maggiore" (Fiorilla) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Rossini: Il turco in Italia, Act 1: "Serva… Servo" (Selim, Fiorilla) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Rossini: Il turco in Italia, Act 1: "No, mia vita, mio tesoro" (Geronio, Fiorilla) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Rossini: Il turco in Italia, Act 2: "In Italia certamente non si fa l'amor così" (Selim, Fiorilla) - 100 Best Maria Callas - Her Hundred Greatest Classics -
Georges Sebastian
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Norma, Act I Scene 4: Scena e Cavatina, "Sediziose voci" (Norma, Oroveso, Chorus) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 1: Works by Bellini, Verdi & Rossini (The Original Sound of Maria Callas) -
Georges Sebastian
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Norma, Act I Scene 4: Preghiera, "Casta diva" (Norma, Chorus) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 1: Works by Bellini, Verdi & Rossini (The Original Sound of Maria Callas) -
Georges Sebastian
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Norma, Act I Scene 4: "Fine al rito" (Norma, Chorus) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 1: Works by Bellini, Verdi & Rossini (The Original Sound of Maria Callas) -
Georges Sebastian
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Norma, Act I Scene 4: "Ah! bello a me ritorna ... Sei lento, sì, sei lento" (Norma, Chorus) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 1: Works by Bellini, Verdi & Rossini (The Original Sound of Maria Callas) -
Georges Sebastian
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Il trovatore, Act IV Scene 1: No. 12a. Scena, "Vanne, lasciami, né timor di me ti prenda" (Leonora) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 1: Works by Bellini, Verdi & Rossini (The Original Sound of Maria Callas) -
Georges Sebastian
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Il trovatore, Act IV Scene 1: No. 12b. Aria, "D'amor sull'ali rosee vanne" (Leonora) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 1: Works by Bellini, Verdi & Rossini (The Original Sound of Maria Callas) -
Georges Sebastian
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Il trovatore, Act IV Scene 1: No. 12c. "Miserere d'un'alma già vicina ... Quel suon, quelle preci solenni, funeste ... Ah, che la morte ognora" (Chorus, Leonora, Manrico) - Live Recording, Pa - The 1958 Recital at the Paris Opera, Part 1: Works by Bellini, Verdi & Rossini (The Original Sound of Maria Callas) -
Georges Sebastian
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Il barbiere di Siviglia, Act I Scene 5: No. 5. Cavatina, "Una voce poco fa" (Rosina) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 1: Works by Bellini, Verdi & Rossini (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 1: "Tosca è un buon falco!" (Scarpia, Sciarrone) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 1: "Ha più forte sapore" (Scarpia, Sciarrone, Spoletta) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 2: "Meno male!" (Scarpia, Spoletta, Cavaradossi, Tosca, Chorus) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 3: "Dov'è Angelotti?" (Scarpia, Cavaradossi, Spoletta, Tosca) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 4: "Ed or fra noi parliam da buoni amici" (Scarpia, Tosca) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 4: "Sciarrone, che dice il Cavalier?" (Scarpia, Sciarrone, Tosca, Voce di Cavaradossi) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 4: "Orsù, Tosca, parlate" (Scarpia, Tosca, Cavaradossi, Spoletta) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 4: "Ah! ... Nel pozzo! .... Là è l'Angelotti?" (Cavaradossi, Tosca, Scarpia, Sciarrone) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 4: "Nel pozzo del giardino. Va', Spoletta" (Scarpia, Cavaradossi, Tosca, Sciarrone) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 5: "Se la giurata fede debbo tradir" (Scarpia, Tosca) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 5: "Vissi d'arte, vissi d'amore" (Tosca, Scarpia) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 5: "Vedi, le man giunte io stendo a te!" (Tosca, Scarpia, Spoletta) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Tosca, SC 69, Act II Scene 5: "E qual via scegliete?" (Scarpia, Tosca) - Live Recording, Paris, 19 December 1958 - The 1958 Recital at the Paris Opera, Part 2 - Puccini: Tosca, Act II (The Original Sound of Maria Callas) -
Georges Sebastian
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Bellini: Norma: "Sediziose voci" (Norma, Oroveso, Coro) [Live, Paris, 1958] - Her Greatest Live Recitals -
Georges Sebastian
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Bellini: Norma: "Casta diva" (Norma, Coro) [Live, Paris, 1958] - Her Greatest Live Recitals -
Georges Sebastian
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Bellini: Norma: "Fine al rito" (Norma, Coro) [Live, Paris, 1958] - Her Greatest Live Recitals -
Georges Sebastian
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Verdi: Il trovatore: "Vanne, lasciami" - "D'amor sull'ali rosee" (Leonora) [Live, Paris, 1958] - Her Greatest Live Recitals -
Georges Sebastian
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Verdi: Il trovatore: "Miserere" (Coro, Leonora, Manrico) [Live, Paris, 1958] - Her Greatest Live Recitals -
Georges Sebastian
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Rossini: Il barbiere di Siviglia: Cavatina. "Una voce poco fa" (Rosina) [Live, Paris, 1958] - Her Greatest Live Recitals -
Georges Sebastian
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Puccini: Tosca: "Tosca è un buon falco" (Scarpia, Sciarrone) [Live, Paris, 1958] - Her Greatest Live Recitals -
Georges Sebastian
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Puccini: Tosca: "Ella verrà, per amor del suo Mario!" (Scarpia, Sciarrone, Spoletta, Coro) [Live, Paris, 1958] - Her Greatest Live Recitals -
Georges Sebastian
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Puccini: Tosca: "Tal violenza!" (Cavaradossi, Coro, Scarpia, Tosca, Spoletta) [Live, Paris, 1958] - Her Greatest Live Recitals -
Georges Sebastian
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Puccini: Tosca: "Ed or fra noi da buoni amici" (Scarpia, Tosca, Sciarrone, Cavaradossi) [Live, Paris, 1958] - Her Greatest Live Recitals -
Georges Sebastian
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Puccini: Tosca: "Orsù, Tosca, parlate" (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) [Live, Paris, 1958] - Her Greatest Live Recitals -
Georges Sebastian
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Puccini: Tosca: "Floria!" (Cavaradossi, Tosca, Scarpia, Sciarrone) [Live, Paris, 1958] - Her Greatest Live Recitals -
Georges Sebastian
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Puccini: Tosca: "La povera mia cena fu interrotta" (Scarpia, Tosca) [Live, Paris, 1958] - Her Greatest Live Recitals -
Georges Sebastian
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Puccini: Tosca: "Già. Mi dicon venal..." (Scarpia, Tosca) [Live, Paris, 1958] - Her Greatest Live Recitals -
Georges Sebastian
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Puccini: Tosca: "Vissi d'arte" (Tosca, Scarpia) [Live, Paris, 1958] - Her Greatest Live Recitals -
Georges Sebastian
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Puccini: Tosca: "Sei troppo bella, Tosca" (Scarpia, Tosca, Spoletta) [Live, Paris, 1958] - Her Greatest Live Recitals -
Georges Sebastian
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Puccini: Tosca: "Tosca, finalmente mia!" (Scarpia, Tosca) [Live, Paris, 1958] - Her Greatest Live Recitals -
Georges Sebastian
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Proch: Air and Variations on "Deh, torna mio bene", Op. 164 (Live, Torino, 1951) - Her Greatest Live Recitals -
Georges Sebastian
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Verdi: Macbeth, Act 1: "Vieni! t'affretta" - "Or tutti sorgete" (Lady Macbeth) [Live, Rome, 1952] - Her Greatest Live Recitals -
Georges Sebastian
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Verdi: Nabucco, Act 2: "Ben io t'invenni" - "Anch'io dischiuso un giorno" (Abigaille) [Live, Rome, 1952] - Her Greatest Live Recitals -
Georges Sebastian
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Donizetti: Lucia di Lammermoor, Act 3: "Il dolce suono" - "Ardon gli incensi" (Lucia) [Live, Rome, 1952] - Her Greatest Live Recitals -
Georges Sebastian
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Delibes: Lakmé, Act 2: Aria delle campanelle. "Dov'è l'indiana bruna?" (Lakmé) [Live, San Remo, 1954] - Her Greatest Live Recitals -
Georges Sebastian
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Mozart: Il ratto dal serraglio, K. 384, Act 2: "Tutte le torture" (Konstanze) [Live, San Remo, 1954] - Her Greatest Live Recitals -
Georges Sebastian
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Meyerbeer: Il perdono di Ploërmel "Dinorah", Act 2: "Ahimè! che notte oscura" - "Ombra leggera" (Dinorah) [Live, San Remo, 1954] - Her Greatest Live Recitals -
Georges Sebastian
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Charpentier: Louise, Act 3: "Depuis le jour" (Louise) [Live, San Remo, 1954] - Her Greatest Live Recitals -
Georges Sebastian
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Rossini: Armida, Act 2: "D'Amore al dolce impero" (Armida) [Live, San Remo, 1954] - Her Greatest Live Recitals -
Georges Sebastian
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Spontini: La Vestale, Act 2: "Tu che invoco" (Giulia) [Live, Milan, 1956] - Her Greatest Live Recitals -
Georges Sebastian
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Bellini: I puritani, Act 1: "La dama d'Arturo" - "Ah, vieni al tempio" (Elvira, Coro) [Live, Milan, 1956] - Her Greatest Live Recitals -
Georges Sebastian
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Rossini: Semiramide, Act 1: "Bel raggio lusinghier" (Semiramide, Coro) [Live, Milan, 1956] - Her Greatest Live Recitals -
Georges Sebastian
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Thomas: Hamlet, Act 4: "Ai vostri giochi" - "Ed ora a voi" (Ophélie, Coro) [Live, Milan, 1956] - Her Greatest Live Recitals -
Georges Sebastian
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Verdi: Il trovatore, Act 4: "Vanne, lasciami" - "D'amor sull'ali rosee" (Leonora) [Live, Athens, 1957] - Her Greatest Live Recitals -
Georges Sebastian
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Verdi: La forza del destino, Act 4: "Pace, pace mio Dio" (Leonora) [Live, Athens, 1957] - Her Greatest Live Recitals -
Georges Sebastian
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Wagner: Tristano e Isotta, Act 3: Morte d'amore. "Dolce e calmo" (Isolde) [Live, Athens, 1957] - Her Greatest Live Recitals -
Georges Sebastian
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Donizetti: Lucia di Lammermoor, Act 1: Regnava nel silenzio" - "Quando rapito in estasi" (Lucia) [Live, Athens, 1957] - Her Greatest Live Recitals -
Georges Sebastian
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Thomas: Hamlet, Act 4: "Ai vostri giochi" - "Ed ora a voi" (Ophélie) [Live, Athens, 1957] - Her Greatest Live Recitals -
Georges Sebastian
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Thomas: Hamlet, Act 4: "Encore, Ed ora a voi" (Ophélie) [Live, Athens, 1957] - Her Greatest Live Recitals -
Georges Sebastian
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Puccini: Tosca, Act 2: "Vissi d'arte" (Tosca) [Live, London, 1958] - Her Greatest Live Recitals -
Georges Sebastian
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Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) [Live, London, 1958] - Her Greatest Live Recitals -
Georges Sebastian
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Bellini: Norma, Act 1: "Casta diva" (Norma) [Live, London, 1958] - Her Greatest Live Recitals -
Georges Sebastian
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Puccini: Madama Butterfly, Act 2: "Un bel dì vedremo" (Butterfly) [Live, London, 1958] - Her Greatest Live Recitals -
Georges Sebastian
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Puccini: La Bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì) [Live, London, 1959] - Her Greatest Live Recitals -
Georges Sebastian
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Boito: Mefistofele, Act 3: "L'altra notte in fondo al mare" (Margherita) [Live, London, 1959] - Her Greatest Live Recitals -
Georges Sebastian
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Verdi: Macbeth, Act 4: "Una macchia è qui tuttora" (Lady Macbeth) [Live, London, 1959] - Her Greatest Live Recitals -
Georges Sebastian
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Bellini: Il pirata, Act 2: "Oh! s'io potessi dissipar le nubi" (Imogene) [Live, London, 1959] - Her Greatest Live Recitals -
Georges Sebastian
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Spontini: La Vestale, Act 2: "Tu che invoco con orrore" (Giulia) [Live, Hamburg, 1959] - Her Greatest Live Recitals -
Georges Sebastian
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Verdi: Macbeth, Act 1: "Nel dì della vittoria" - "Vieni! t'affretta" (Lady Macbeth) [Live, Hamburg, 1959] - Her Greatest Live Recitals -
Georges Sebastian
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Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) [Live, Hamburg, 1959] - Her Greatest Live Recitals -
Georges Sebastian
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Verdi: Don Carlo, Act 4: "Tu che le vanità" (Elisabetta) [Live, Hamburg, 1959] - Her Greatest Live Recitals -
Georges Sebastian
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Bellini: Il pirata, Act 2: "Oh! s'io potessi dissipar le nubi" (Imogene) [Live, Hamburg, 1959] - Her Greatest Live Recitals -
Georges Sebastian
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Bellini: Il pirata, Act 2: "Col sorriso d'innocenza" (Imogene) [Live, Hamburg, 1959] - Her Greatest Live Recitals -
Georges Sebastian
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