Pro Cantione Antiqua
Pro Cantione Antiqua of London (PCA) is a British choral group which was founded in 1968 by tenor James Griffett, counter-tenor Paul Esswood, and conductor and producer Mark Brown. Their first concert was at St Bartholomew's, Smithfield with Brian Brockless conducting but, from an early stage, they were closely associated with conductor and musicologist Bruno Turner. Arguably, they were the leading British performers of a cappella music, especially early music, prior to the founding of the Tallis Scholars.
Singers have included:
countertenors: Paul Esswood, Tom Sutcliffe, Geoffrey Mitchell, James Bowman, Keith Davis, Timothy Penrose, Kevin Smith, Michael Chance, Ashley Stafford, Richard Hill and Charles Brett.
tenors: Paul Elliott, James Griffett, James Lewington, Ian Partridge, Ian Thompson and Andrew Carwood.
basses: David Beavan, Ian Caddy, Brian Etheridge, Michael George, Christopher Keyte, Christopher Underwood, Stephen Roberts, David Thomas and Adrian Peacock.
Though principally an all-male group it has been supplemented with female voices where appropriate (e.g. for the 1978 recordings OUP 151/2 under Philip Ledger, to accompany The Oxford Book of English Madrigals)
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Morago: Jesu Redemptor - Voces angelicae. Portuguese Renaissance Church Music -
Pro Cantione Antiqua
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Morago: Laudate pueri - Voces angelicae. Portuguese Renaissance Church Music -
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Morago: Commissa mea - Voces angelicae. Portuguese Renaissance Church Music -
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Morago: Magnificat octavi toni - Voces angelicae. Portuguese Renaissance Church Music -
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Morago: Oculi mei - Voces angelicae. Portuguese Renaissance Church Music -
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Lobo: Cantica Beatae Mariae Virginis: No. 16, Magnificat octavi toni (Even Verses) - Voces angelicae. Portuguese Renaissance Church Music -
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Brito: Lamentationes Jeremiae: Feria V in coena Domini - Voces angelicae. Portuguese Renaissance Church Music -
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Brito: Lamentationes Jeremiae: Feria VI in Parasceve - Voces angelicae. Portuguese Renaissance Church Music -
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Brito: Lamentationes Jeremiae: Sabbato in Parasceve - Voces angelicae. Portuguese Renaissance Church Music -
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Magalhães: Liber missarum: Aspeges me - Voces angelicae. Portuguese Renaissance Church Music -
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Cardoso: Liber primus missarum, Missa No. 4 "Pro defunctis": I. Introitus - Voces angelicae. Portuguese Renaissance Church Music -
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Cardoso: Liber primus missarum, Missa No. 4 "Pro defunctis": II. Kyrie - Voces angelicae. Portuguese Renaissance Church Music -
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Cardoso: Liber primus missarum, Missa No. 4 "Pro defunctis": III. Graduale - Voces angelicae. Portuguese Renaissance Church Music -
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Cardoso: Liber primus missarum, Missa No. 4 "Pro defunctis": IV. Offertorium - Voces angelicae. Portuguese Renaissance Church Music -
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Cardoso: Liber primus missarum, Missa No. 4 "Pro defunctis": V. Sanctus - Voces angelicae. Portuguese Renaissance Church Music -
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Cardoso: Liber primus missarum, Missa No. 4 "Pro defunctis": VI. Agnus Dei - Voces angelicae. Portuguese Renaissance Church Music -
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Cardoso: Liber primus missarum, Missa No. 4 "Pro defunctis": VII. Communio - Voces angelicae. Portuguese Renaissance Church Music -
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Cardoso: Livro de vários motetes: No. 1, Asperges me - Voces angelicae. Portuguese Renaissance Church Music -
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Cardoso: Lamentationes Jeremiae Prophetae - Voces angelicae. Portuguese Renaissance Church Music -
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Cardoso: Cantica Beatae Mariae Virginis: Magnificat sexti toni - Voces angelicae. Portuguese Renaissance Church Music -
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Magalhães: Liber missarum, No. 2 "De Beata Virgine Maria": I. Kyrie - Voces angelicae. Portuguese Renaissance Church Music -
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Magalhães: Liber missarum, No. 2 "De Beata Virgine Maria": II. Gloria - Voces angelicae. Portuguese Renaissance Church Music -
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Magalhães: Liber missarum, No. 2 "De Beata Virgine Maria": III. Credo - Voces angelicae. Portuguese Renaissance Church Music -
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Magalhães: Liber missarum, No. 2 "De Beata Virgine Maria": IV. Sanctus - Voces angelicae. Portuguese Renaissance Church Music -
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Magalhães: Liber missarum, No. 2 "De Beata Virgine Maria": V. Agnus Dei - Voces angelicae. Portuguese Renaissance Church Music -
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Brito: Ego dilecto meo - Voces angelicae. Portuguese Renaissance Church Music -
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Brito: Vidi Dominum - Voces angelicae. Portuguese Renaissance Church Music -
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Brito: Agnus Dei & Communio - Voces angelicae. Portuguese Renaissance Church Music -
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Dom João IV: Crux fidelis - Voces angelicae. Portuguese Renaissance Church Music -
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Cooke: Alma proles regina (From British Library MS 57950 "Old Hall Manuscript") - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Dunstable: Crux fidelis - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Forest: Qualis est dilectus meus (From British Library MS 57950 "Old Hall Manuscript", Also Attributed to Plummer) - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Dunstable: O crux gloriosa - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Pycard: Gloria II (From British Library MS 57950 "Old Hall Manuscript") - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Damett: Salve porta paradisi (From British Library MS 57950 "Old Hall Manuscript") - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Dunstable: Gaude virgo salutata - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Power: Credo II (From British Library MS 57950 "Old Hall Manuscript") - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Dunstable: Albanus roseo rutilat - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Chirbury: Agnus Dei (From British Library MS 57950 "Old Hall Manuscript") - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
Pro Cantione Antiqua
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Weelkes: Madrigals to 3-6 Voices: No. 15, Those Sweet Delightful Lilies - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Weelkes: Ayres or Phantasticke Spirits for Three Voices: No. 3, Some Men Desire Spouses - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Ward: The First Set of English Madrigals: No. 19, Retire, My Troubled Soul - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Morley: Madrigals to Four Voices: No. 17, Hark Jolly Shepherds - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Byrd: Psalmes, Songs, and Sonnets: No. 19, Come Woeful Orpheus - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Weelkes: Ayres or Phantasticke Spirits for Three Voices: No. 6, Come, Sirrah Jack, Ho! - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Ward: The First Set of English Madrigals: No. 8, O My Thoughts, Surcease - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Morley: Madrigals to Four Voices: No. 18, Die Now, My Heart - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Tomkins: Songs of 3-6 Parts: No. 8, O Let Me Die for True Love - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Wilbye: The First Set of Madrigals: No. 10, Lady, When I Behold - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Weelkes: Ayres or Phantasticke Spirits for Three Voices: No. 1, Come, Let's Begin to Revel't Out - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Pilkington: Second Set of Madrigals and Pastorals: No. 19, Care for Thy Soul - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Wilbye: The Second Set of Madrigals: No. 15, As Matchless Beauty - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Wilbye: The First Set of Madrigals: No. 4, Weep, O Mine Eyes - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Morley: Canzonets or Little Short Aers: No. 16, You Black Bright Stars - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Tomkins: Songs of 3-6 Parts: No. 9, Oyez, Has Any Found a Lad? - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Pilkington: The First Booke of Songs or Ayres: No. 17, Diaphenia Like the Daffdowndilly - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Jones: Ultimum vale: No. 12, Thinkst thou Kate to Put Me Downe - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Pilkington: The First Booke of Songs or Ayres: No. 16, Down-a-Down - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Dowland: The Second Booke of Songs or Ayres: No. 17, A Shepherd in a Shade - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Dowland: The Second Booke of Songs or Ayres: No. 12, Fine Knacks for Ladies - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Dowland: A Pilgrims Solace: No. 17, Where Sin Sore Wounding - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Campion: First Book of Ayres Contayning Divine and Morall Songs: No. 11, Never Weather-Beaten Sail - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Campion: First Book of Ayres Contayning Divine and Morall Songs: No. 20, Jack and Jone - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Ford: Musicke of Sundrie Kindes: No. 8, Since First I Saw Your Face - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Ford: Musicke of Sundrie Kindes: No. 9, There Is a Ladie - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Dowland: The Third and Last Booke of Songs or Aires: No. 17, I Must Complain - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Campion: Second Book of Ayres Contayning Light Conceits of Lovers: No. 19, A Secret Love - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Dowland: A Pilgrims Solace: No. 2, Sweet, Stay Awhile - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Dowland: Mr. Dowland's Midnight, P. 99 - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Dowland: The First Booke of Songs or Ayres: No. 6, Now, Oh Now I Needs Must Part - Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs -
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Love songs - Petar Hektorović: When Radosave left me, 1557. (harm. S. Zlatić) - Ensemble of vocal soloists: Pro Cantione Antiqua - 75 for 75 -
Pro Cantione Antiqua
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Love songs - Andrija Motovunjanin: Io mi parto, 1508. (tr. L. Županović) - Ensemble of vocal soloists: Pro Cantione Antiqua - 75 for 75 -
Pro Cantione Antiqua
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Love songs - Julije Skjavetić: Deh, non far, 1564. (tr. L. Županović) - Ensemble of vocal soloists: Pro Cantione Antiqua - 75 for 75 -
Pro Cantione Antiqua
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Love songs - Ivan Lukačić: Quam pulchra es, 1620. (tr. D. Plamenac) - Ensemble of vocal soloists: Pro Cantione Antiqua - 75 for 75 -
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Love songs - Julije Skjavetić: Appariran per me, 1562. (tr. L. Županović) - Ensemble of vocal soloists: Pro Cantione Antiqua - 75 for 75 -
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Love songs - Petar Hektorović: I kliče djevojka / And the girl shouts, 1557. (harm. A. Dolički) - Ensemble of vocal soloists: Pro Cantione Antiqua - 75 for 75 -
Pro Cantione Antiqua
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Love songs - Andrija Patricij: Son questi bei crin d’oro, 1550. (tr. L. Županović) - Ensemble of vocal soloists: Pro Cantione Antiqua - 75 for 75 -
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Love songs - Andrija Motovunjanin: Dei, chi potra piu, 1517. (tr. M. Brown) - Ensemble of vocal soloists: Pro Cantione Antiqua - 75 for 75 -
Pro Cantione Antiqua
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Cantiones sacrae - Vinko Jelić: Domine, Dominus noster, 1622. (tr. A. Vidaković) - Ensemble of vocal soloists: Pro Cantione Antiqua - 75 for 75 -
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Cantiones sacrae - Ivan Lukačić: Quemadmodum desiderat, 1620. (tr. D. Plamenac) - Ensemble of vocal soloists: Pro Cantione Antiqua - 75 for 75 -
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Cantiones sacrae - Julije Skjavetić: Pater noster, 1564. (tr. D. Plamenac) - Ensemble of vocal soloists: Pro Cantione Antiqua - 75 for 75 -
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Cantiones sacrae - Vinko Jelić: Deus, qui nos in tantis periculis, 1622. (tr. A. Vidaković) - Ensemble of vocal soloists: Pro Cantione Antiqua - 75 for 75 -
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Cantiones sacrae - Ivan Lukačić: Panis angelicus, 1620. (tr. D. Plamenac) - Ensemble of vocal soloists: Pro Cantione Antiqua - 75 for 75 -
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Cantiones sacrae - Toma Cecchini: Laudate Dominum 1619. (tr. B. Bujić) - Ensemble of vocal soloists: Pro Cantione Antiqua - 75 for 75 -
Pro Cantione Antiqua
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