Lauris Elms
Lauris Margaret Elms (born 20 October 1931) is an Australian retired contralto, renowned for her roles in opera and lieder and as a recording artist.
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The Apocalypse, Op. 64, G. 77, Pt. 1: Prelude (Live) - Goossens: The Apocalypse, Op. 64, G. 77 (Live) -
Lauris Elms
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The Apocalypse, Op. 64, G. 77, Pt. 1: The Vision of the Glory of God - The Vision of the Book of Destiny (Live) - Goossens: The Apocalypse, Op. 64, G. 77 (Live) -
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The Apocalypse, Op. 64, G. 77, Pt. 1: The Opening of the Seals of the Book of Destiny (Live) - Goossens: The Apocalypse, Op. 64, G. 77 (Live) -
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The Apocalypse, Op. 64, G. 77, Pt. 1: The Four Horsemen (Live) - Goossens: The Apocalypse, Op. 64, G. 77 (Live) -
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The Apocalypse, Op. 64, G. 77, Pt. 1: The Martyrs - The Earthquake (Live) - Goossens: The Apocalypse, Op. 64, G. 77 (Live) -
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The Apocalypse, Op. 64, G. 77, Pt. 1: The Sounding of the Trumpets - The Cataclysms - The Bottomless Pit - The Four and Twenty Elders (Live) - Goossens: The Apocalypse, Op. 64, G. 77 (Live) -
Lauris Elms
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The Apocalypse, Op. 64, G. 77, Pt. 2: Interlude. The Vision of the Ark of the Covenant (Live) - Goossens: The Apocalypse, Op. 64, G. 77 (Live) -
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The Apocalypse, Op. 64, G. 77, Pt. 2: The Worship of the Beast (Live) - Goossens: The Apocalypse, Op. 64, G. 77 (Live) -
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The Apocalypse, Op. 64, G. 77, Pt. 2: The Song of the Elect - The Scarlet Women (Live) - Goossens: The Apocalypse, Op. 64, G. 77 (Live) -
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The Apocalypse, Op. 64, G. 77, Pt. 2: The Fall of Babylon (Live) - Goossens: The Apocalypse, Op. 64, G. 77 (Live) -
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The Apocalypse, Op. 64, G. 77, Pt. 2: The Song of the Victors (Live) - Goossens: The Apocalypse, Op. 64, G. 77 (Live) -
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The Apocalypse, Op. 64, G. 77, Pt. 2: The Binding of Satan (Live) - Goossens: The Apocalypse, Op. 64, G. 77 (Live) -
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The Apocalypse, Op. 64, G. 77, Pt. 2: A New Heaven, and a New Earth (The New Order) [Live] - Goossens: The Apocalypse, Op. 64, G. 77 (Live) -
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The Apocalypse, Op. 64, G. 77, Pt. 2: Alleluia (Live) - Goossens: The Apocalypse, Op. 64, G. 77 (Live) -
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Aida, Act II: "Gloria all'Egitto" (Triumphal March) - 50 Best - Verdi -
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Aida, Act I: "Ritorna vincitor!" - 50 Best - Verdi -
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La traviata, Act I: Prelude - 50 Best - Verdi -
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La traviata, Act I: E strano! - Ah, fors'è lui - 50 Best - Verdi -
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La traviata, Act II: "Lunge da lei... De' miei bollenti spiriti" - 50 Best - Verdi -
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La traviata, Act II: "Pura siccome un angelo" - 50 Best - Verdi -
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La traviata, Act II: "Non sapete quale affetto" - 50 Best - Verdi -
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La traviata, Act II: "Un dì, quando le veneri" - 50 Best - Verdi -
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La traviata, Act II: "Dite alla giovine" - 50 Best - Verdi -
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La traviata, Act II: Di Provenza il mar, il suol - 50 Best - Verdi -
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La traviata, Act III: Addio, del passato - 50 Best - Verdi -
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La traviata, Act III: Parigi, o cara" - 50 Best - Verdi -
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Rigoletto, Act I: Questa o quella - 50 Best - Verdi -
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Rigoletto, Act I: Quel vecchio maledivami - 50 Best - Verdi -
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Rigoletto, Act I: "Figlia!... Mio padre!" - 50 Best - Verdi -
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Rigoletto, Act II: Signor nè principe - 50 Best - Verdi -
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Rigoletto, Act I: Gualtier Malde… Caro nome - 50 Best - Verdi -
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Rigoletto, Act II: La donna è mobile - 50 Best - Verdi -
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Rigoletto, Act III: Un dì, se ben rammentomi - Bella figlia dell'amore - Live - 50 Best - Verdi -
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A Masked Ball (Un Ballo in Maschera), Act I: Di tu se fedele - 50 Best - Verdi -
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Un ballo in maschera, Act II: "Ecco l'orrido campo...Ma dall'arido stelo divulsa" - 50 Best - Verdi -
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A Masked Ball (Un Ballo in Maschera), Act III: Saper vorreste - 50 Best - Verdi -
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Don Carlo: Nei giardin del bello - 50 Best - Verdi -
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Don Carlo, Act III: Ella giammai m’amò - 50 Best - Verdi -
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Simon Boccanegra: Come in quest’ora bruna - 50 Best - Verdi -
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Ernani, Pt. 1: "Sire, fia ver?" - 50 Best - Verdi -
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Ernani, Pt. 1: "Da quel dì che t'ho veduta" - 50 Best - Verdi -
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Falstaff: Sul fil d'un soffio etesio - 50 Best - Verdi -
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I vespri siciliani, Act V: Giorni di pianto, di fier dolore - 50 Best - Verdi -
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I vespri siciliani, Act V: La brezza aleggia intorno - 50 Best - Verdi -
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Il trovatore, Act I: Tacea la notte placida - 50 Best - Verdi -
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Il trovatore, Act II: "Vedi! Le fosche" - 50 Best - Verdi -
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Il trovatore: Stride la vampa! - 50 Best - Verdi -
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Il trovatore, Act II: Condotta ell'era in ceppi - 50 Best - Verdi -
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I vespri siciliani, Act IV: Siam giunti - D'amor sull'ali rosee - Miserere d'un'alma gia vicina - 50 Best - Verdi -
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Macbeth, Act III: Ballet Music - 50 Best - Verdi -
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Macbeth, Act II: "Perchè mi sfuggi" - 50 Best - Verdi -
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Macbeth, Act IV: "Patria oppressa" - 50 Best - Verdi -
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Nabucco, Act III: "Va', pensiero" (Chorus Of The Hebrew Slaves) - 50 Best - Verdi -
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Nabucco, Act II: Vieni, O Levita… Tu sul labbro de'veggenti - 50 Best - Verdi -
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Otello, Act II: "Credo in un Dio crudel" - 50 Best - Verdi -
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Otello, Act IV: Piangea cantando nell'erma landa… O salce! Ave Maria, piena di grazia - 50 Best - Verdi -
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La forza del destino: Overture - 50 Best - Verdi -
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The Force of Destiny: Morir, tremenda cosa! - Urna fatale del mio destin - 50 Best - Verdi -
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The Force of Destiny: Pace, pace, mio Dio - 50 Best - Verdi -
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Messa da Requiem: 1. Requiem e Kyrie - 50 Best - Verdi -
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Messa da Requiem: 2a. Dies irae - 50 Best - Verdi -
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Messa da Requiem: 2b. Tuba mirum - 50 Best - Verdi -
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Messa da Requiem: 4. Sanctus - 50 Best - Verdi -
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Messa da Requiem: 6. Lux aeterna - 50 Best - Verdi -
Lauris Elms
Samson
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Samson, HWV 57: Overture - Samson -
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Samson, HWV 57: Act II Scene 4: Cam'st thou for this, vain boaster? (Samson, Harapha) - Samson -
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Samson, HWV 57: Act I Scene 1: Chorus: Awake the trumpet's lofty sound! - Samson -
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Samson, HWV 57: Act II Scene 4: Duet: Go, baffled coward, go (Samson, Harapha) - Samson -
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Samson, HWV 57: Act I Scene 1: Air: Ye men of Gaza (Israelite Woman, Chorus) - Samson -
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Samson, HWV 57: Act II Scene 4: Recitative: Here lies the proof (Samson) - Samson -
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Samson, HWV 57: Act I Scene 1: Recitative: Why by an angel was my birth foretold (Samson) - Samson -
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Samson, HWV 57: Act II Scene 4: Hear, Jacob's God, Jehovah, hear! (Chorus) - Samson -
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Samson, HWV 57: Act I Scene 1: Total eclipse! No sun, no moon! (Samson) - Samson -
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Samson, HWV 57: Act II Scene 4: Recitative: Dagon, arise, attend thy sacred feast! (Harapha) - Samson -
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Samson, HWV 57: Act I Scene 2: Chorus: O first created beam! (Israelites) - Samson -
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Samson, HWV 57: Act II Scene 4: Chorus: Fix'd in his everlasting seat (Chorus) - Samson -
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Samson, HWV 57: Act I Scene 3: Recitative: Brethren and men of Dan (Manoah, Micah) - Samson -
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Samson, HWV 57: Act III Scene 1: Recitative: More trouble is behind (Micah, Samson, Harapha) - Samson -
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Samson, HWV 57: Act I Scene 3: To sorrows now I tune my song (Manoah) - Samson -
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Samson, HWV 57: Act III Scene 1: Air: Presuming slave, to move their wrath! (Harapha) - Samson -
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Samson, HWV 57: Act I Scene 3: Recitative: Justly these evils have befalI'n thy son (Samson) - Samson -
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Samson, HWV 57: Act III Scene 1: Consider, Samson, matters now are strain'd (Micah, Samson) - Samson -
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Samson, HWV 57: Act I Scene 3: Why does the God of lsrael sleep? (Samson) - Samson -
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Samson, HWV 57: Act III Scene 1: Chorus: With thunder arm'd, great God, arise! (Chorus) - Samson -
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Samson, HWV 57: Act I Scene 3: Recitative: For thee, my dearest son (Manoah, Samson) - Samson -
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Samson, HWV 57: Act III Scene 1: Recitative: Be of good courage (Samson) - Samson -
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Samson, HWV 57: Act I Scene 3: Recitative: Then long eternity shall greet your bliss (Micah) - Samson -
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Samson, HWV 57: Act III Scene 1: Air: Thus when the sun from's wat'ry bed (Samson) - Samson -
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Samson, HWV 57: Act I Scene 3: Joys that are pure, sincerely good (Micah) - Samson -
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Samson, HWV 57: Act III Scene 2: Chorus: Great Dagon has subdu'd our foe (Chorus) - Samson -
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Samson, HWV 57: Act I Scene 3: Chorus: Then round about the starry throne (Chorus) - Samson -
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Samson, HWV 57: Act III Scene 2: What noise of joy was that? (Manoah, Micah) - Samson -
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Samson, HWV 57: Act II Scene 1: Did love constrain: Return, O God of hosts (Micah) - Samson -
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Samson, HWV 57: Act III Scene 2: Air: How willing my paternal love (Manoah) - Samson -
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Samson, HWV 57: Act II Scene 1: Recitative: But who is this, that so bedeck'd and gay (Micah, Samson) - Samson -
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Samson, HWV 57: Act III Scene 2: Recitative: Your hopes of his deliv'ry (Micah, Manoah, Chorus) - Samson -
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Samson, HWV 57: Act II Scene 1: Air: With plaintive notes and am'rous moan (Chorus) - Samson -
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Samson, HWV 57: Act III Scene 3: Air: Ye sons of lsrael (Micah, Chorus) - Samson -
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Samson, HWV 57: Act II Scene 1: Did love constrain thee? (Samson) - Samson -
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Samson, HWV 57: Act III Scene 3: Symphony: Dad March - Samson -
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Samson, HWV 57: Act II Scene 1: Your charms to ruin led the way (Samson) - Samson -
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Samson, HWV 57: Act III Scene 3: Glorious hero, may thy grave (Manoah, Chorus) - Samson -
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Samson, HWV 57: Act II Scene 1: Forgive what's done (Dalila) - Samson -
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Samson, HWV 57: Act III Scene 3: Come, come! No time for lamentation now (Manoah) - Samson -
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Samson, HWV 57: Act II Scene 2: Air: My faith and truth (Dalila, Israelite Woman) - Samson -
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Samson, HWV 57: Act III Scene 3: Air: Let the bright seraphim in burning row (Israelite Woman) - Samson -
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Samson, HWV 57: Act II Scene 2: Let me approach, at least, and touch thy hand (Dalila, Samson) - Samson -
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Samson, HWV 57: Act III Scene 3: Chorus: Let their celestial concerts all unite (Israelites) - Samson -
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Samson, HWV 57: Act II Scene 2: Traitor to love! I’ll sue no more (Dalila, Samson) - Samson -
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Samson, HWV 57: Act II Scene 3: She's gone! A serpent manifest (Micah, Samson, Harapha) - Samson -
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Samson, HWV 57: Act II Scene 4: Air: Honour and arms scorn such a foe (Harapha) - Samson -
Lauris Elms
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