Igor Morozov
Igor Morozov (born 1948) is a Russian-Ukrainian opera singer (baritone) (in Russian: Игорь Анатолевич Морозов)
Igor Morozov was born in Dnipropetrovsk in Ukraine and started singing while still a child with professional orchestras. These concerts were broadcast by radio across the Soviet Union. At the age of 16, he left his hometown to study at the Tchaikovsky Conservatory in Moscow. There, his first teacher was the bass Mark Reizen, and his second the Georgian baritone and People's Artist of the Georgian SSR, David Gamrekeli. Immediately after having finished his studies, young Morozov received a contract as a leading baritone to the Kirov Opera (today's Mariinsky Theatre) and changed two years later to the leading opera house of the Soviet Union: the Bolshoi Theatre in Moscow. Here he sang the great parts of Russian and Italian repertoire such as the title role in Eugene Onegin, Lionel in The Maid of Orleans (with Makvala Kasrashvili in the title role), Yeletzki in The Queen of Spades, Robert in Iolanta all by Tchaikovsky, Rimsky-Korsakov's Misghir in The Snow Maiden (also recorded as CD), Andrey Bolkonsky in Prokofiev's War and Peace, Conte di Luna in Il trovatore, Gérmont in La traviata, Rodrigo in Don Carlo all by Verdi, Sharpless in Puccini's Madama Butterfly and Silvio in Leoncavallos Pagliacci (on DVD with Galina Kalinina and Vladimir Atlantov). Morozov also sang many rare and new operas, e.g. the part of Chichikov in Rodion Shchedrin's 1976 opera Dead Souls. Morozov used to be a frequent partner in concerts of the soprano Elena Obraztsova on TV.
In 1991 Igor Morozov was awarded by Boris Yeltsin with the highest title for artists in Russia, the title "Narodni Artist Rossii" (People's Artist of the USSR).
Since his very successful debut as Onegin at the Wiener Staatsoper, Igor Morozov has also been singing in many famous opera houses and festivals in Western Europe and the United States: Teatro alla Scala in Milan, Deutsche Oper Berlin and Staatsoper Unter den Linden Berlin, Staatsoper Hamburg, Cologne, Bayerische Staatsoper Munich, Amsterdam, Copenhagen, Opernhaus Zürich, Teatro Massimo Palermo, Bregenzer Festspiele, Salzburger Festspiele, Boston Music Festival, Houston Grand Opera with conductors such as Lorin Maazel, Anton Guadagno, Carlo Franci, Pinchas Steinberg and partners like Edita Gruberova, Vesselina Kasarova, Francisco Araiza, Giuseppe Giacomini, Nicolai Ghiaurov, Matti Salminen the leading roles in operas like Mazeppa (Tchaikovsky), Rigoletto, Nabucco, Simon Boccanegra all by Verdi, Kovaliov in Shostakovich's The Nose. He has become a well known singer for different works of Shostakovich (Thirteenth Symphony, Babi Yar, Michelangelo Suite, Lady Macbeth of the Mtsensk District).
In Germany, Austria and Switzerland his name is usually spelled "Igor Morosow".
Woody Allen chose his interpretation of "Iago's Dream" from Verdi's Otello for his 2005 film Match Point.
Morozov is also very busy singing works by composers from Russia and Ukraine that are little known outside their home country: Georgy Sviridov (among others: "My father is a farmer" recorded with the composer as pianist), Anton Rubinstein, Mykola Lysenko, Arthur Lourié, Semyon Gulak-Artemovsky.
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Turandot, Act III: Nessun dorma - The Best of Johannes Wildner -
Igor Morozov
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3 German Dances, K. 605: No. 3, Sleigh Ride - The Best of Johannes Wildner -
Igor Morozov
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Concerto for 2 Mandolins in G Major, RV 532: II. Andante - The Best of Johannes Wildner -
Igor Morozov
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Ave Verum Corpus, K. 618 - The Best of Johannes Wildner -
Igor Morozov
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Clarinet Concerto No. 1 in C Minor, Op. 26: II. Adagio - The Best of Johannes Wildner -
Igor Morozov
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Les pêcheurs de perles, WD 13: Au fond du temple saint - The Best of Johannes Wildner -
Igor Morozov
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Tzigane, M. 76 (Version for Violin & Orchestra) - The Best of Johannes Wildner -
Igor Morozov
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Symphony No. 9 in D Minor, WAB 109: II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo (da capo) [Original 1894 Version] - The Best of Johannes Wildner -
Igor Morozov
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Dornbacher Ländler, Op. 9 - The Best of Johannes Wildner -
Igor Morozov
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Così fan tutte, K. 588: Overture - The Best of Johannes Wildner -
Igor Morozov
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Die Fledermaus: Overture - The Best of Johannes Wildner -
Igor Morozov
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Der Freischütz, Op. 77, J. 277: Huntsmen's Chorus - The Best of Johannes Wildner -
Igor Morozov
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Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg): Overture - The Best of Johannes Wildner -
Igor Morozov
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Symphony No. 2 in A Major, Op. 27, "Pastoral": III. Scherzo - The Best of Johannes Wildner -
Igor Morozov
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Violin Concerto No. 2 in D Major, K. 211: II. Andante - The Best of Johannes Wildner -
Igor Morozov
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All-night Vigil, Op. 37: I. Arise! Master, give the blessing - Amen. Come, let us worship God, our King (Arr. for Male Choir by Benedict Sheehan) - Rachmaninoff: All-Night Vigil -
Igor Morozov
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All-night Vigil, Op. 37: II. Bless the Lord, O my soul (Arr. for male choir by Benedict Sheehan) - Rachmaninoff: All-Night Vigil -
Igor Morozov
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All-night Vigil, Op. 37: III. Blessed is the man (Arr. for Male Choir by Dmitrii Lazarev) - Rachmaninoff: All-Night Vigil -
Igor Morozov
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All-night Vigil, Op. 37: IV. Gladsome Light (Arr. for Male Choir by Dmitrii Lazarev) - Rachmaninoff: All-Night Vigil -
Igor Morozov
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All-night Vigil, Op. 37: V. Lord, now lettest Thou Thy servant depart in peace (Arr. for Male Choir by Dmitrii Lazarev) - Rachmaninoff: All-Night Vigil -
Igor Morozov
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All-night Vigil, Op. 37: VI. Rejoice, O Virgin Theotokos (Arr. for Male Choir by Benedict Sheehan) - Rachmaninoff: All-Night Vigil -
Igor Morozov
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All-night Vigil, Op. 37: VII. Glory to God in the highest (Arr. for Male Choir by Alexander Gretchaninoff) - Rachmaninoff: All-Night Vigil -
Igor Morozov
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All-night Vigil, Op. 37: VIII. Praise the name of the Lord (Arr. for Male Choir by Dmitrii Lazarev) - Rachmaninoff: All-Night Vigil -
Igor Morozov
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All-night Vigil, Op. 37: IX. Blessed art Thou, O Lord (Arr. for Male Choir by Dmitrii Lazarev) - Rachmaninoff: All-Night Vigil -
Igor Morozov
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All-night Vigil, Op. 37: I. Having begeld the resurrection of Christ (Arr. for Male Choir by Benedict Sheehan) - Rachmaninoff: All-Night Vigil -
Igor Morozov
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All-night Vigil, Op. 37: XI. My soul magnifies the Lord (Arr. for Male Choir by Benedict Sheehan) - Rachmaninoff: All-Night Vigil -
Igor Morozov
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All-night Vigil, Op. 37: XII. Glory to God in the highest (Arr. for Male Choir by Benedict Sheehan) - Rachmaninoff: All-Night Vigil -
Igor Morozov
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All-night Vigil, Op. 37: XIII. Today salvation has come to the world (Arr. for Male Choir by Benedict Sheehan) - Rachmaninoff: All-Night Vigil -
Igor Morozov
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All-night Vigil, Op. 37: XIV. Thou didst arise from the tomb (Arr. for Male Choir by Benedict Sheehan) - Rachmaninoff: All-Night Vigil -
Igor Morozov
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All-night Vigil, Op. 37: XV. To Thee, the victorious Leader of triumphant hosts (Arr. for Male Choir by Benedict Sheehan) - Rachmaninoff: All-Night Vigil -
Igor Morozov
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War and Peace, Op. 91: The Radiance of the Sky in Spring - War, Peace, Love & Sorrow -
Igor Morozov
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Mazeppa, TH 7: O Maria, Maria! - War, Peace, Love & Sorrow -
Igor Morozov
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Iolanta, Op. 69, TH 11: Who Can Compare With My Mathilde? - War, Peace, Love & Sorrow -
Igor Morozov
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The Queen of Spades, Op. 68, TH 10: One Day at Versailles, at the Jeu de la Reine - War, Peace, Love & Sorrow -
Igor Morozov
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The Queen of Spades, Op. 68, TH 10: If Cute Girls - War, Peace, Love & Sorrow -
Igor Morozov
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The Demon: Scene 6 - War, Peace, Love & Sorrow -
Igor Morozov
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Gianni Schicchi: O mio babbino caro - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Lohengrin, 3. Akt: Treulich geführt, "Hochzeitschor" - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Lakmé: Blumenduett (Lara Croft Tomb Raider): Lakmé, 1. Akt: Sous le dôme épais, "Blumenduett" - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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La traviata: La Traviata, 1. Akt: Libiamo, ne' lieti calici, "Trinklied" - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Turandot, 3. Akt: Nessun dorma - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Pagliacci: Der Bajazzo, 1. Akt: Vesti la giubba - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Il trovatore, Act II: Vedi, le fosche notturne, "Anvil Chorus'': Der Troubadour, 2. Akt: Vedi! le fosche, "Amboss-Chor" - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Così fan tutte, K. 588, 1. Akt: Un' aura amorosa - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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La Wally, 1. Akt: Ebben? Ne andrò lontana - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Tannhauser, Act III: Begluckt darf nun dich, "Pilgrims' Chorus": Tannhäuser, 3. Akt: Beglückt darf nun dich, "Pilgerchor" - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Les pecheurs de perles (The Pearl Fishers): Die Perlenfischer, 1. Akt: Au fond du temple saint - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Die Zauberflöte, K. 620, 1. Akt: Dies Bildnis sind bezaubernd schön - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Rusalka, Op. 114, B. 203, 1. Akt: Lied an den Mond - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Rigoletto, 3. Akt: La donna è mobile - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Carmen: Carmen, 2. Akt: Votre toast - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Die Zauberflöte, K. 620, 2. Akt: Der Hölle Rache kocht in meinem Herzen - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Nabucco, 3. Akt: Va pensiero, "Gefangenenchor" - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Il barbiere di Siviglia (The Barber of Seville): Der Barbier von Sevilla, 1. Akt: Largo al factotum - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Don Giovanni, K. 527, 1. Akt: Madamina, il catalogo è questo, "Katalogarie" - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Tosca, 1. Akt: Recondita armonia - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Madama Butterfly, 2. Akt: Un bel di, vedremo - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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I puritani: Die Puritaner, 2. Akt: Qui la voce sua soave - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Madama Butterfly, 2. Akt: Summchor - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Rigoletto, 1. Akt: Caro nome - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Carmen: Carmen, 1. Akt: L'amour est un oiseau rebelle, "Habanera" - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Le nozze di Figaro, K. 492: Die Hochzeit des Figaro, K. 492, 3. Akt: Sull'aria - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Eugene Onegin, Op. 24, 1. Akt: Briefszene der Tatiana - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Tosca: Tosca, 3. Akt: E lucevan le stelle - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Aida: Aida, 2. Akt: Gloria all'Egitto, "Triumphmarsch und Chor" - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Così fan tutte, K. 588, 1. Akt: Soave sia il vento - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Norma: Norma, 1. Akt: Casta diva - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Der Freischütz, J. 277, 3. Akt: Was gleicht wohl auf Erden, "Jägerchor" - Klassik ohne Krise: Grandioser Gesang -
Igor Morozov
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Violin Concerto No. 2 in D Minor, Op. 22: I. Allegro moderato - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Souvenir de Moscou, Op. 6 - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Legende, Op. 17 (version for violin and piano) - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Scherzo-tarantelle, Op. 16 - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Samson et Dalila, Op. 47, Act III: Bacchanale - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Danse macabre, Op. 40 - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Symphony No. 3 in C Minor, Op. 78, "Organ": II. Allegro moderato - Presto - Allegro moderato - Presto - Allegro moderato - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Carnival of the Animals: I. Introduction and Royal March of the Lion - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Introduction et rondo capriccioso in A Minor, Op. 28 - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Havanaise, Op. 83 - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Piano Concerto No. 4 in C Minor, Op. 44: II. Allegro vivace - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Clarinet Sonata in E-Flat Major, Op. 167: I. Allegretto - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Cello Sonata No. 1 in C Minor, Op. 32: I. Allegro - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Cello Sonata No. 2 in F Major, Op. 123: III. Romanza: Poco adagio - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Piano Trio No. 1 in F Major, Op. 18: I. Allegro vivace - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Violin Sonata No. 1 in D Minor, Op. 75: I. Allegro agitato - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Fantaisie in E-Flat Major - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Coppelia, Act I: Prelude - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Lakmé: Blumenduett (Lara Croft Tomb Raider): Lakme, Act I: Dome epais le jasmin - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Symphony No. 1 in C Major: I. Largo - Allegro vivo - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Islamey (arr. S.M. Lyapunov for orchestra) - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Russia - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Piano Concerto No. 1 in F-Sharp Minor, Op. 1 - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Barkarola (Barcarolle) - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Yevreyskaya melodiya (Hebrew melody) - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Carmen: Carmen, Act I: Prelude - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Les pecheurs de perles (The Pearl Fishers), Act I: Au fond du temple saint - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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L'Arlesienne Suite No. 1: I. Prelude - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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L'Arlesienne Suite No. 2: I. Pastorale (arr. E. Guirand for orchestra) - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Symphony in C Major: I. Allegro vivo - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Petite Suite (arr. of Jeux d'enfants for orchestra): No. 1. Marche - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude: Allegro moderato - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Scottish Fantasy, Op. 46: I. Introduction: Grave - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Kol nidrei, Op. 47 - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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8 Pieces, Op. 83: No. 1 in A Minor: Andante - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Boris Godunov: A Symphonic Synthesis (arr. L. Stokowski) - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Khovanshchina, Act IV: Entr'acte (arr. L. Stokowski) - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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St. John's Night on Bald Mountain, "A Night on the Bare Mountain" (arr. L. Stokowski) - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Pictures at an Exhibition - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Une larme (A Tear) - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Pesnya Mefistofelya v pogrebke Auerbakha (Mephistopheles's Song in Auerbach's Cellar), "Song of the Flea" - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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Pesni i plyaski smerti (Songs and Dances of Death): No. 1. Lullaby - A Guided Tour of the Romantic Era, Vol. 11 -
Igor Morozov
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