Friedrich Nietzsche
Friedrich Wilhelm Nietzsche (15 October 1844 – 25 August 1900) was a German classical scholar, philosopher, and critic of culture, who became one of the most influential of all modern thinkers. He began his career as a classical philologist before turning to philosophy. In 1869 at the age of 24, he became the youngest person to hold the Chair of Classical Philology at the University of Basel in Switzerland. In 1879 he resigned due to health problems that plagued him most of his life, after which he completed much of his core writing in the following decade. In 1889 at age 44, he suffered a collapse and afterward a complete loss of his mental faculties, with paralysis and probably vascular dementia. He lived his remaining years in the care of his mother until her death in 1897, and then with his sister Elisabeth Förster-Nietzsche. Nietzsche died in 1900, after experiencing pneumonia and multiple strokes.
Nietzsche's work spans philosophical polemics, poetry, cultural criticism, and fiction while displaying a fondness for aphorism and irony. Prominent elements of his philosophy include his radical critique of truth in favour of perspectivism; a genealogical critique of religion and Christian morality and a related theory of master–slave morality; the aesthetic affirmation of life in response to both the "death of God" and the profound crisis of nihilism; the notion of Apollonian and Dionysian forces; and a characterisation of the human subject as the expression of competing wills, collectively understood as the will to power. He also developed influential concepts such as the Übermensch and his doctrine of eternal return. In his later work, he became increasingly preoccupied with the creative powers of the individual to overcome cultural and moral mores in pursuit of new values and aesthetic health. His body of work touched a wide range of topics, including art, philology, history, music, religion, tragedy, culture, and science, and drew inspiration from Greek tragedy as well as figures such as Zoroaster, Arthur Schopenhauer, Ralph Waldo Emerson, Richard Wagner, Fyodor Dostoevsky, and Johann Wolfgang von Goethe.
After his death, Nietzsche's sister Elisabeth became the curator and editor of his manuscripts. She edited his unpublished writings to fit her German ultranationalist ideology, often contradicting or obfuscating Nietzsche's stated opinions, which were explicitly opposed to antisemitism and nationalism. Through her published editions, Nietzsche's work became associated with fascism and Nazism. 20th-century scholars such as Walter Kaufmann, R. J. Hollingdale, and Georges Bataille defended Nietzsche against this interpretation, and corrected editions of his writings were soon made available. Nietzsche's thought enjoyed renewed popularity in the 1960s and his ideas have since had a profound impact on 20th- and early 21st-century thinkers across philosophy—especially in schools of continental philosophy such as existentialism, postmodernism, and post-structuralism—as well as art, literature, music, poetry, politics, and popular culture.
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Also sprach Zarathustra, Op. 30, TrV 176: I. Prelude (Sonnenaufgang) - Nietzsche in Music -
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Also sprach Zarathustra, Op. 30, TrV 176: II. Von den Hinterweltlern - Nietzsche in Music -
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Also sprach Zarathustra, Op. 30, TrV 176: III. Von der großen Sehnsucht - Nietzsche in Music -
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Also sprach Zarathustra, Op. 30, TrV 176: IV. Von den Freuden und Leidenschaften - Nietzsche in Music -
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Also sprach Zarathustra, Op. 30, TrV 176: V. Das Grablied - Nietzsche in Music -
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Also sprach Zarathustra, Op. 30, TrV 176: VI. Von der Wissenschaft - Nietzsche in Music -
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Also sprach Zarathustra, Op. 30, TrV 176: VII. Der Genesende - Nietzsche in Music -
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Also sprach Zarathustra, Op. 30, TrV 176: VIII. Das Tanzlied - Nietzsche in Music -
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Also sprach Zarathustra, Op. 30, TrV 176: IX. Das Nachtwandlerlied - Nietzsche in Music -
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Parsifal, WWV 111: Prelude - Nietzsche in Music -
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Parsifal, WWV 111, Act III Suite (Ed. Abbado): Karfreitagszauber "Good Friday Music" - Nietzsche in Music -
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Parsifal, WWV 111, Act III Suite (Ed. Abbado): Verwandlungsmusik "Transformation Music" - Nietzsche in Music -
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Parsifal, WWV 111, Act III Suite (Ed. Abbado): Procession. Ritterzug - Nietzsche in Music -
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Parsifal, WWV 111, Act III Suite (Ed. Abbado): Final Chorus. Schlusschor - Nietzsche in Music -
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Tristan und Isolde, WWV 90, Act I: Prelude - Nietzsche in Music -
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Tristan und Isolde, WWV 90, Act III: Liebestod (Concert Version) - Nietzsche in Music -
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Carmen Suite No. 1: VI. Les toréadors (Act I Prelude. Allegro giocoso) - Nietzsche in Music -
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Carmen Suite No. 1: V. Les dragons d'Alcala (Entracte After Act I) - Nietzsche in Music -
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Carmen Suite No. 1: III. Intermezzo (Entracte After Act II) - Nietzsche in Music -
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Carmen Suite No. 1: II. Aragonaise (Entracte After Act III) - Nietzsche in Music -
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Symphony No. 3: IVa. Sehr langsam. Misterioso. O Mensch! Gib acht! - Live - Nietzsche in Music -
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Symphony No. 3: IVb. Più mosso subito - Live - Nietzsche in Music -
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Hymnus an das Leben (Transcr. Gottwald for Vocal) - Nietzsche in Music -
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Ungewitter (Transcr. Gottwald for Vocal) - Nietzsche in Music -
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8 Early Lieder (1901-1904): 6. Heiter - Nietzsche in Music -
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Mein Platz vor der Tür - Nietzsche in Music -
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Aus der Jugendzeit - Nietzsche in Music -
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Da geht ein Bach - Nietzsche in Music -
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Das zerbrochene Ringlein - Nietzsche in Music -
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Wie sich Rebenranken schwingen - Nietzsche in Music -
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Beschwörung - Nietzsche in Music -
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Nachspiel - Nietzsche in Music -
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Ständchen - Nietzsche in Music -
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Unendlich - Nietzsche in Music -
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Verwelkt - Nietzsche in Music -
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Ungewitter - Nietzsche in Music -
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Gern und Gerner - Nietzsche in Music -
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Das Kind an die erloschene Kerze - Nietzsche in Music -
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Es winkt und neigt sich - Nietzsche in Music -
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Junge Fischerin - Nietzsche in Music -
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Gebet an das Leben - Nietzsche in Music -
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Manfred-Meditation for Piano 4 Hands - Nietzsche in Music -
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Nachklang einer Sylvesternacht for Piano 4 Hands - Nietzsche in Music -
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