Timur
Timur, also known as Tamerlane (8 April 1336 – 17–18 February 1405), was a Turco-Mongol conqueror who founded the Timurid Empire in and around modern-day Afghanistan, Iran, and Central Asia, becoming the first ruler of the Timurid dynasty. An undefeated commander, he is widely regarded as one of the greatest military leaders and tacticians in history, as well as one of the most brutal and deadly. Timur is also considered a great patron of art and architecture as he interacted with intellectuals such as Ibn Khaldun, Hafez, and Hafiz-i Abru and his reign introduced the Timurid Renaissance.
Born into the Mongolian and Turkicized confederation of the Barlas in Transoxiana (in modern-day Uzbekistan) in the 1320s, Timur gained control of the western Chagatai Khanate by 1370. From that base, he led military campaigns across Western, South, and Central Asia, the Caucasus, and Southern Russia, defeating in the process the Khans of the Golden Horde, the Mamluks of Egypt and Syria, the emerging Ottoman Empire, as well as the late Delhi Sultanate of India, becoming the most powerful ruler in the Muslim world. From these conquests, he founded the Timurid Empire, which fragmented shortly after his death. He spoke several languages, including Chagatai, an ancestor of modern Uzbek, as well as Mongolic and Persian, in which he wrote diplomatic correspondence.
Timur was the last of the great nomadic conquerors of the Eurasian Steppe, and his empire set the stage for the rise of the more structured and lasting Islamic gunpowder empires in the 16th and 17th centuries. Timur was of both Turkic and Mongol descent, and, while probably not a direct descendant on either side, he shared a common ancestor with Genghis Khan on his father's side, though some authors have suggested his mother may have been a descendant of the Khan. He clearly sought to invoke the legacy of Genghis Khan's conquests during his lifetime. Timur envisioned the restoration of the Mongol Empire and according to Gérard Chaliand, saw himself as Genghis Khan's heir.
To legitimize his conquests, Timur relied on Islamic symbols and language, referring to himself as the "Sword of Islam". He was a patron of educational and religious institutions. He styled himself as a ghazi in the last years of his life. By the end of his reign, Timur had gained complete control over all the remnants of the Chagatai Khanate, the Ilkhanate, and the Golden Horde, and had even attempted to restore the Yuan dynasty in China. Timur's armies were inclusively multi-ethnic and were feared throughout Asia, Africa, and Europe, sizable parts of which his campaigns laid waste. Scholars estimate that his military campaigns caused the deaths of millions of people. Of all the areas he conquered, Khwarazm suffered the most from his expeditions, as it rose several times against him. Timur's campaigns have been characterized as genocidal. He was the grandfather of the Timurid sultan, astronomer and mathematician Ulugh Beg, who ruled Central Asia from 1411 to 1449, and the great-great-great-grandfather of Babur (1483–1530), founder of the Mughal Empire.
Young Caesar
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Young Caesar, Prelude - Young Caesar -
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Young Caesar, Act I: "Overture" - Young Caesar -
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Young Caesar, Act I, Scene 1a: "The Day of the Ceremony" - Young Caesar -
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Young Caesar, Act I, Scene 1a, Aria: "What is so Fine About Becoming a Man?" - Young Caesar -
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Young Caesar, Act I, Scene 1b: "Ceremony and Processional" - Young Caesar -
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Young Caesar, Act I, Scene 2: "Death of Caesar's Father" - Young Caesar -
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Young Caesar, Act I, Scene 2, Aria: "Yesterday His Eyes Were Bright" - Young Caesar -
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Young Caesar, Act I, Scene 3: "Introduction" - Young Caesar -
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Young Caesar, Act I, Scene 3, Aria: "The Living Must Live" - Young Caesar -
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Young Caesar, Act I, Scene 3: "Campus Martius" - Young Caesar -
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Young Caesar, Act I, Scene 4: "Cossutia's Despair" - Young Caesar -
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Young Caesar, Act I, Scene 5: "Gaius and Cornelia" - Young Caesar -
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Young Caesar, Act I, Scene 5, Aria and Lullaby: "Now Grasp Your Daughter" - Young Caesar -
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Young Caesar, Act I, Scene 6: "Caesar is Wandering" - Young Caesar -
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Young Caesar, Act I, Scene 7a: "In Mitylene" - Young Caesar -
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Young Caesar, Act I, Scene 7b: "Caesar and Dionysus" - Young Caesar -
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Young Caesar, Act II: "Overture" - Young Caesar -
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Young Caesar, Act II, Scene 8a: "Procession" - Young Caesar -
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Young Caesar, Act II, Scene 8b: "The Throne Room" - Young Caesar -
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Young Caesar, Act II, Scene 9: "Caesar in the Royal Chamber" - Young Caesar -
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Young Caesar, Act II, Scene 9, Aria: "And That Crown of His" - Young Caesar -
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Young Caesar, Act II, Scene 10: "Banquet" - Young Caesar -
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Young Caesar, Act II, Scene 10, Aria: "Entertainment and Eroticon" - Young Caesar -
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Young Caesar, Act II, Scene 11: "Bed Scene" - Young Caesar -
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Young Caesar, Act II, Scene 11, Aria: "Take Your Chances, Gaius" - Young Caesar -
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Young Caesar, Act II, Scene 12: "Fuming Romans" - Young Caesar -
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Young Caesar, Act II, Scene 13: "The Voyage" - Young Caesar -
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Young Caesar, Act II, Scene 13, Aria: "One Year We Lose in Battle" - Young Caesar -
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Young Caesar, Act II, Scene 13, Air: "It is Very Strange" - Young Caesar -
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Young Caesar, Act II, Scene 13, Sailor's Chorus: "Good Priapus of the Harbour" - Young Caesar -
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Young Caesar, Act II, Scene 14: "Caesar's Departure" - Young Caesar -
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Young Caesar, Act II, Scene 14, Barcarolle: "Hail Gaius, and Pity Nicomedes" - Young Caesar -
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