Jean Rigby

• classical-mezzo-soprano

Britten: The Rape of Lucretia - 2014-08-01T00:00:00.000000Z

• The Rape of Lucretia, Op. 37, Act I: Rome is now ruled by the Etruscan upstart (Male Chorus) - Britten: The Rape of Lucretia - Jean Rigby
• The Rape of Lucretia, Op. 37, Act I Scene 1: Here the thirsty ev'ening has drunk the wine of light (Male Chorus, Female Chorus) - Britten: The Rape of Lucretia - Jean Rigby
• The Rape of Lucretia, Op. 37, Act I Scene 1: Who reaches heaven first is the best philosopher (Collatinus, Tarquinius, Junius, Male Chorus) - Britten: The Rape of Lucretia - Jean Rigby
• The Rape of Lucretia, Op. 37, Act I Scene 1: Oh, my God, with what agility does jealousy jump into a small heart (Collatinus, Tarquinius, Junius, Male Chorus) - Britten: The Rape of Lucretia - Jean Rigby
• The Rape of Lucretia, Op. 37, Act I Scene 1: Tarquinus doses not dare when Tarquinius does not desire (Male Chorus) - Britten: The Rape of Lucretia - Jean Rigby
• The Rape of Lucretia, Op. 37, Act I Scene 1: Tarquinius does not wait for his servant to wake (Tarquinius, Male Chorus) - Britten: The Rape of Lucretia - Jean Rigby
• The Rape of Lucretia, Op. 37, Act I Scene 2: Their spinning wheel unwinds dreams which desire has spun (Lucretia, Bianca, Lucia, Female Chorus) - Britten: The Rape of Lucretia - Jean Rigby
• The Rape of Lucretia, Op. 37, Act I Scene 2: Listen! I heard a knock. Somebody is at the gate (Lucretia, Bianca, Lucia) - Britten: The Rape of Lucretia - Jean Rigby
• The Rape of Lucretia, Op. 37, Act I Scene 2: Time turns upon the hands of women (Lucretia, Bianca, Lucia, Female Chorus) - Britten: The Rape of Lucretia - Jean Rigby
• The Rape of Lucretia, Op. 37, Act I Scene 2: None of the women move. It is too late for a messenger (Lucretia, Bianca, Lucia, Female Chorus) - Britten: The Rape of Lucretia - Jean Rigby
• The Rape of Lucretia, Op. 37, Act II Scene 1: The prosperity of the Etruscans was due to the richness of their native soil (Lucia, Bianca, Collatinus, Junius, Male Chorus, Female Chorus) - Britten: The Rape of Lucretia - Jean Rigby
• The Rape of Lucretia, Op. 37, Act II Scene 1: She sleeps as a rose upon the night (Female Chorus, Male Chorus) - Britten: The Rape of Lucretia - Jean Rigby
• The Rape of Lucretia, Op. 37, Act II Scene 1: When Tarquinius desires, then Tarquinius will dare (Male Chorus) - Britten: The Rape of Lucretia - Jean Rigby
• The Rape of Lucretia, Op. 37, Act II Scene 1: Within this frail crucible of light (Tarquinius, Female Chorus) - Britten: The Rape of Lucretia - Jean Rigby
• The Rape of Lucretia, Op. 37, Act II Scene 1: Lucretia! (Tarquinius, Lucretia, Male Chorus, Female Chorus) - Britten: The Rape of Lucretia - Jean Rigby
• The Rape of Lucretia, Op. 37, Act II: Here in this scene you see Virtue assailed by sin (Female Chorus, Male Chorus) - Britten: The Rape of Lucretia - Jean Rigby
• The Rape of Lucretia, Op. 37, Act II Scene 2: O what a lovely day (Lucia, Bianca) - Britten: The Rape of Lucretia - Jean Rigby
• The Rape of Lucretia, Op. 37, Act II Scene 2: Hush! Here she comes! (Lucretia, Bianca, Lucia) - Britten: The Rape of Lucretia - Jean Rigby
• The Rape of Lucretia, Op. 37, Act II Scene 2: Flowers bring to ev'ry year the same perfection (Lucretia, Bianca) - Britten: The Rape of Lucretia - Jean Rigby
• The Rape of Lucretia, Op. 37, Act II Scene 2: Lucretia! Lucretia! O never again must we two dare to part (Lucretia, Collatinus) - Britten: The Rape of Lucretia - Jean Rigby
• The Rape of Lucretia, Op. 37, Act II Scene 2: Last night Tarquinius ravished me and tore the fabric of our love (Lucretia, Collatinus) - Britten: The Rape of Lucretia - Jean Rigby
• The Rape of Lucretia, Op. 37, Act II Scene 2: This dead hand lets fall all that my heart held when full (Collatinus, Junius, Bianca, Lucia, Male Chorus, Female Chorus) - Britten: The Rape of Lucretia - Jean Rigby
• The Rape of Lucretia, Op. 37, Act II Scene 2: Is it all? Is all this suffering and pain, is this in vain? (Female Chorus, Male Chorus) - Britten: The Rape of Lucretia - Jean Rigby

Berkeley: Ruth - 2005-04-01T00:00:00.000000Z

• Ruth, Op. 50, Scene 1: A mountainous place near Bethlehem - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 1: Once more I see your green and golden hills, O Judah! (Naomi, Ruth, Orpah) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 1: Turn back, my daughters (Naomi, Ruth, Orpah) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 1: Almighty Father, let my cry come unto thee! (Naomi, Orpah, Ruth) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 1: Ah, must I leave thee? Must we part? (Orpah, Naomi, Ruth) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 1: Whither thou goest, I will go (Ruth, Naomi) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 1: See! Is this Naomi!? (Naomi, Women) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 1: Ah, call me not Naomi, let Mara be my name (Naomi) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 1: Where, ah, where is Naomi? (Naomi, Ruth, Women) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 2: A harvest field belonging to Boaz - Gold grows the barley on hillside and valley (Men) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 2: Greetings, men of Judah! (Head Reaper, Women) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 2: The scatter'd ear of corn (Women, Men) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 2: Come, let us go forth together (Head Reaper, Ruth, Women, Men) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 2: Stay, men of Judah! (Boaz, Head Reaper, Ruth, Men, Women) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 2: I had no wish to anger them (Ruth, Boaz, Head Reaper) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 2: Ah, let not anger fill your eyes! (Ruth, Boaz) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 2: Whence cometh this to me, that thou should'st deign to notice me? (Ruth, Boaz) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 2: The scatter'd ear of corn (Boaz, Women, Men) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 3: A threshing-floor, at night - This is the place! Come, daughter (Naomi, Ruth) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 3: Fear not, beloved Ruth! (Naomi, Ruth) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 3: Golden ripe the barley grows (Naomi, Ruth, Head Reaper, Boaz, Women, Men) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 3: Lord of the Harvest, what are thy commands? (Head Reaper, Boaz, Men, Women) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 3: Winter time is time to plough, aie, the wind does bite! (Men, Women) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 3: Across the field the long slow line of reapers goes a-reaping (Women) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 3: Dance, come dance, dance within the ring (Head Reaper, Women, Men) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 3: O clap your hands, all ye people! (Boaz, Women, Men) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 3: Go now, my daughter (Naomi, Ruth) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 3: Master! (Ruth, Boaz) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 3: Thou comest in the stillness of the night (Boaz, Ruth) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 3: Lo, my beloved, my soul's delight, to thee I give my hand (Boaz, Ruth) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 3: Ho there, my people! (Boaz, Ruth, Naomi, Women, Men) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 3: Behold this maid (Boaz, Ruth, Naomi, Head Reaper, Women, Men) - Berkeley: Ruth - Jean Rigby
• Ruth, Op. 50, Scene 3: Rejoice, O Israel, rejoice (Head Reaper, Ruth, Naomi, Boaz, Women, Men) - Berkeley: Ruth - Jean Rigby

Walton: Christopher Columbus & Hamlet and Ophelia - 2005-03-01T00:00:00.000000Z

• Christopher Columbus (A Musical Journey), Part I: Introduction. No, it cannot be done (Ironic Spirit, Columbus, Chorus) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part I: I. My name is Christopher (Columbus, Ironic Spirit) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part I: I. You cannot do that alone (Ironic Spirit, Columbus) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part I: Ia. Finding his way by starts and gleams (Ironic Spirit, Chorus) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part I: Ia. Now the game is beginning (Columbus) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part I: II. Sarabande - Señor Columbus (Isabella, Columbus) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part I: II. Down in the Kingdom of Granada (Isabella, Marquesa, Colombus), "Marquesa's Song" - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part I: II. But how can they know? (Columbus, Ironic Spirit, Men's chorus) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part I: III. No! No! No! (Ironic Spirit, Men's Chorus) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part I: III. Go and look at the sunset (Columbus) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part I: III. I haven't seen her for years - IV. When will he return? (Columbus, Beatriz), "Beatriz's Song" - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part I: IV. May I come up? - Va. Kyrie. You have no right to take a rose from my courtyard (Columbus, Beatriz, Men's Chorus) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part I: Va. So, my son, you are leaving Spain? (Ironic Spirit, Columbus) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part I: Vb. Granada has fallen! (Chorus, Columbus) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part I: Vb. Give me a ship, Your Majesty - Vc. On this day, the thirteenth of April - Vd. In the name of the Holy Trinity and Eternal Unity - Ve. The - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part II: VIa. Introduction - Port Music. Oyez! Oyez! Oyez! (Herald) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part II: VIb. There be three ships (Woman Singer), "Woman's Song" - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part II: VIc. I heard you were due to sail (Beatriz, Columbus) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part II: VIc. Drum (Beatriz, Columbus) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part II: VII. Litany of the Saints. Per Domimum - Capstan Shanty. We're bound upon a wild goose quest (Tenor, Chorus) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part II: VII. On these ships they are singing - VIIIa. We've gone away for ever (Tenor, Ironic Spirit) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part II: VIIIb. Sea Music. Friday, August the third (Columbus) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part II: VIIIb. The sailors steered badly (Ironic Spirit, Sailor) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part II: IX. Night Music. Where shall wisdom be found…? (Columbus) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part II: IX. Listen to me, Señores (Columbus) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part II: X. Gold, Señores, gold… (Columbus, Speaking Chorus) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part II: X. October the eleventh (Columbus) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part II: XI. Stand by for the Dawn! - Te Deum laudamus (Columbus, Speaking Chorus, Men's Chorus) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part II: XIIa. Look 'ee yonder - In the name of the Holy Trinity (Columbus, Ironic Spirit, Baritone, Indian Chorus) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part II: XIIb. Have you heard the news, Your Grace? - Back from the West (Isabella, Ironic Spirit, Herald, Speaking Chorus) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part II: XIIb. I took three ships (Columbus) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Christopher Columbus (A Musical Journey), Part II: XIIb. Finale. Glory, glory to God (Tenor, Columbus, Chorus) - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby
• Hamlet and Ophelia - Walton: Christopher Columbus & Hamlet and Ophelia - Jean Rigby

Berkeley: A Dinner Engagement - 2004-06-01T00:00:00.000000Z

• A Dinner Engagement, Op. 45, Scene 1: Salt, pepper, olive oil (Lord Dunmow, Lady Dunmow, Boy) - Berkeley: A Dinner Engagement - Jean Rigby
• A Dinner Engagement, Op. 45, Scene 1: I'm sorry, Milady, I came through the front door (Mrs. Kneebone, Lady Dunmow, Lord Dunmow) - Berkeley: A Dinner Engagement - Jean Rigby
• A Dinner Engagement, Op. 45, Scene 1: In the summer of my time (Lord Dunmow, Lady Dunmow, Mrs. Kneebone) - Berkeley: A Dinner Engagement - Jean Rigby
• A Dinner Engagement, Op. 45, Scene 1: At Missis Ellibank's in Wimbledon (Mrs. Kneebone, Lady Dunmow, Lord Dunmow) - Berkeley: A Dinner Engagement - Jean Rigby
• A Dinner Engagement, Op. 45, Scene 1: Mother, please can I help? (Susan, Lady Dunmow, Mrs. Kneebone, Lord Dunmow) - Berkeley: A Dinner Engagement - Jean Rigby
• A Dinner Engagement, Op. 45, Scene 1: He was a quiet little boy (Lady Dunmow, Susan, Mrs. Kneebone, Lord Dunmow) - Berkeley: A Dinner Engagement - Jean Rigby
• A Dinner Engagement, Op. 45, Scene 1: Prenez 6 belles tomates (Lady Dunmow, Lord Dunmow, Mrs. Kneebone, Susan) - Berkeley: A Dinner Engagement - Jean Rigby
• A Dinner Engagement, Op. 45, Scene 1: Is this the residence of the Earl and Countess of Dunmow? (Prince Philippe, Mrs. Kneebone) - Berkeley: A Dinner Engagement - Jean Rigby
• A Dinner Engagement, Op. 45, Scene 2: So this, dear Lady Dunmow, is your drawing room (Duchess, Lady Dunmow, Prince Philippe, Lord Dunmow) - Berkeley: A Dinner Engagement - Jean Rigby
• A Dinner Engagement, Op. 45, Scene 2: I never moved a muscle (Lord Dunmow, Lady Dunmow, Duchess, Prince Philippe) - Berkeley: A Dinner Engagement - Jean Rigby
• A Dinner Engagement, Op. 45, Scene 2: Forgive my curiosity, but is your servant that young girl …? (Prince Philippe, Lord Dunmow, Lady Dunmow, Duchess) - Berkeley: A Dinner Engagement - Jean Rigby
• A Dinner Engagement, Op. 45, Scene 2: Come and see our little garden (Lady Dunmow, Lord Dunmow, Prince Philippe, Duchess) - Berkeley: A Dinner Engagement - Jean Rigby
• A Dinner Engagement, Op. 45, Scene 2: This way, Ma'am, through the back door (Lord Dunmow, Duchess, Prince Philippe, Susan) - Berkeley: A Dinner Engagement - Jean Rigby
• A Dinner Engagement, Op. 45, Scene 2: Oh, shall I kneel in shame … ? (Susan, Prince Philippe) - Berkeley: A Dinner Engagement - Jean Rigby
• A Dinner Engagement, Op. 45, Scene 2: I like to imagine how these must have looked (Susan, Prince Philippe) - Berkeley: A Dinner Engagement - Jean Rigby
• A Dinner Engagement, Op. 45, Scene 2: Mon aimee attend la lune (Prince Philippe) - Berkeley: A Dinner Engagement - Jean Rigby
• A Dinner Engagement, Op. 45, Scene 2: Kiss her at once! (Duchess, Prince Philippe, Susan, Lord Dunmow, Lady Dunmow, Boy) - Berkeley: A Dinner Engagement - Jean Rigby
• A Dinner Engagement, Op. 45, Scene 2: Let her beauty be her dowry (Duchess, Susan, Prince Philippe, Lord Dunmow, Lady Dunmow, Boy, Mrs. Kneebone) - Berkeley: A Dinner Engagement - Jean Rigby
• A Dinner Engagement, Op. 45, Scene 2: My Lords, Ladies, Duchess and gentlemen! (Mrs. Kneebone, Prince Philippe, Susan) - Berkeley: A Dinner Engagement - Jean Rigby

Dyson: Quo Vadis - 2003-04-01T00:00:00.000000Z

• Quo Vadis: I. Our birth is but a sleep (Chorus) - Dyson: Quo Vadis - Jean Rigby
• Quo Vadis: VI. Dear stream! dear bank! (Soprano) - Dyson: Quo Vadis - Jean Rigby
• Quo Vadis: II. Rise, O my soul (Contralto, Semi-chorus) - Dyson: Quo Vadis - Jean Rigby
• Quo Vadis: VII. Come to me, God (Bass, Chorus) - Dyson: Quo Vadis - Jean Rigby
• Quo Vadis: III. O whither shall my troubled muse incline (Bass, Chorus) - Dyson: Quo Vadis - Jean Rigby
• Quo Vadis: VIII. They are at rest (Contralto, Quartet) - Dyson: Quo Vadis - Jean Rigby
• Quo Vadis: IV. Night hath no wings (Tenor, Semi-chorus) - Dyson: Quo Vadis - Jean Rigby
• Quo Vadis: IX. To find the western path (Tenor, Quartet, Chorus) - Dyson: Quo Vadis - Jean Rigby
• Quo Vadis: V. O timely happy, timely wise (Quartet, Chorus, Semi-chorus) - Dyson: Quo Vadis - Jean Rigby

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