Latonia Moore

• classical

Wiener Philharmoniker play Mahler & Tchaikovsky - 2025-02-27T00:00:00.000000Z

• Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Allegro maestoso - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Wie zu Anfang - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Sehr mässig und zurückhaltend - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): (English horn) - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Ausdrucksvoll (English horn & bass clarinet) - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Etwas drängend - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Schnell - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Sehr getragen (Trumpet & trombone) - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Tempo I - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Zurückhalten - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Tempo sostenuto - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 2nd Movement - Andante moderato: Andante moderato - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 2nd Movement - Andante moderato: Nicht eilen. Sehr gemächlich - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 2nd Movement - Andante moderato: In Tempo I zurückkehren - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 2nd Movement - Andante moderato: Tempo I. Energisch bewegt - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 2nd Movement - Andante moderato: 3 bars before Wieder ins Tempo zurückgehen. Tempo I - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): In ruhig fliessender Bewegung - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): (Bassoon & violas) - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): (Piccolo) - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): Vorwärts - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): Sehr getragen und gesangvoll - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): Zum Tempo I. zurückkehren - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): (Trumpets & trombones) - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): (Violas, cellos & basses) - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 4th Movement - "Urlicht": Sehr feierlich, aber schlicht (Choralmässig) - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Im Tempo des Scherzos. Wild herausfahrend - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Langsam - I - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: (Trombone) - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Im Anfang sehr zurückgehalten - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Wieder sehr breit - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Ritenuto - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Wieder zurückhaltend - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Sehr langsam und gedehnt ("der grosse Appell") - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Langsam. Misterioso (Chorus: "Aufersteh'n") - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Etwas bewegter (Solo: "O Glaube") - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Mit Aufschwung, aber nicht eilen (Duet: "O Schmerz") - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Pesante - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Nutcracker Suite, Op. 71a, TH.35: 1. Miniature Overture - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Nutcracker Suite, Op. 71a, TH.35: March - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Nutcracker Suite, Op. 71a, TH.35: Dance Of The Sugar-Plum Fairy - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Nutcracker Suite, Op. 71a, TH.35: Russian Dance (Trepak) - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Nutcracker Suite, Op. 71a, TH.35: Arabian Dance (Coffee) - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Nutcracker Suite, Op. 71a, TH.35: Chinese Dance (Tea) - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Nutcracker Suite, Op. 71a, TH.35: Dance Of The Reed-Pipes - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• Nutcracker Suite, Op. 71a, TH.35: 3. Waltz Of The Flowers - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• The Sleeping Beauty, Suite, Op. 66a, TH 234: Introduction - The Lilac Fairy - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• The Sleeping Beauty, Suite, Op. 66a, TH 234: Pas d'action. Rose Adagio - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• The Sleeping Beauty, Suite, Op. 66a, TH 234: Pas de caractère: Puss in Boots - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore
• The Sleeping Beauty, Suite, Op. 66a, TH 234: Panorama (andantino) - Wiener Philharmoniker play Mahler & Tchaikovsky - Latonia Moore

SYMPHONIES: Mahler, Mozart, Beethoven & Bach - 2024-11-09T00:00:00.000000Z

• Symphony No. 2 In C Minor - "Resurrection" / 2nd Movement - Andante moderato: Andante moderato - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 2nd Movement - Andante moderato: Nicht eilen. Sehr gemächlich - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 2nd Movement - Andante moderato: In Tempo I zurückkehren - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 2nd Movement - Andante moderato: Tempo I. Energisch bewegt - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 2nd Movement - Andante moderato: 3 bars before Wieder ins Tempo zurückgehen. Tempo I - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): In ruhig fliessender Bewegung - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): (Bassoon & violas) - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): (Piccolo) - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): Vorwärts - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): Sehr getragen und gesangvoll - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): Zum Tempo I. zurückkehren - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): (Trumpets & trombones) - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): (Violas, cellos & basses) - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 4th Movement - "Urlicht": Sehr feierlich, aber schlicht (Choralmässig) - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Im Tempo des Scherzos. Wild herausfahrend - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Langsam - I - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: (Trombone) - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Im Anfang sehr zurückgehalten - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Wieder sehr breit - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Ritenuto - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Wieder zurückhaltend - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Sehr langsam und gedehnt ("der grosse Appell") - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Langsam. Misterioso (Chorus: "Aufersteh'n") - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Etwas bewegter (Solo: "O Glaube") - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Mit Aufschwung, aber nicht eilen (Duet: "O Schmerz") - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Pesante - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• 12 Contredanses, WoO 14: No. 1 in C Major - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• 12 Contredanses, WoO 14: No. 2 in A Major - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• 12 Contredanses, WoO 14: No. 3 in D Major - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• 12 Contredanses, WoO 14: No. 4 in B-Flat Major - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• 12 Contredanses, WoO 14: No. 5 in E-Flat Major - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• 12 Contredanses, WoO 14: No. 6 in C Major - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• 12 Contredanses, WoO 14: No. 7 in E-Flat Major - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• 12 Contredanses, WoO 14: No. 10 in C Major - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• 12 Contredanses, WoO 14: No. 12 in E-Flat Major - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Eine kleine Nachtmusik, K. 525: I. Allegro - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Eine kleine Nachtmusik, K. 525: II. Romance. Andante - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Eine kleine Nachtmusik, K. 525: III. Menuetto. Allegretto - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Eine kleine Nachtmusik, K. 525: IV. Rondo. Allegro - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 32 in G Major, K. 318: I. Allegro spiritoso - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 32 in G Major, K. 318: II. Andante - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 32 in G Major, K. 318: III. Tempo I - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 36 in C Major, K. 425 "Linz": I. Adagio – Allegro spiritoso - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 36 in C Major, K. 425 "Linz": II. Andante - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 36 in C Major, K. 425 "Linz": III. Menuetto - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Symphony No. 36 in C Major, K. 425 "Linz": IV. Finale. Presto - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Violin Concerto No. 1 in A Minor, BWV 1041: I. [Allegro moderato] - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Violin Concerto No. 1 in A Minor, BWV 1041: II. Andante - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Violin Concerto No. 1 in A Minor, BWV 1041: III. Allegro assai - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore
• Violin Concerto No. 2 in E Major, BWV 1042: I. Allegro - SYMPHONIES: Mahler, Mozart, Beethoven & Bach - Latonia Moore

Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - 2023-07-13T00:00:00.000000Z

• Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Allegro maestoso - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Wie zu Anfang - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Sehr mässig und zurückhaltend - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): (English horn) - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Ausdrucksvoll (English horn & bass clarinet) - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Etwas drängend - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Schnell - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Sehr getragen (Trumpet & trombone) - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Tempo I - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Zurückhalten - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Tempo sostenuto - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 2nd Movement - Andante moderato: Andante moderato - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 2nd Movement - Andante moderato: Nicht eilen. Sehr gemächlich - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 2nd Movement - Andante moderato: In Tempo I zurückkehren - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 2nd Movement - Andante moderato: Tempo I. Energisch bewegt - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 In C Minor - "Resurrection" / 2nd Movement - Andante moderato: 3 bars before Wieder ins Tempo zurückgehen. Tempo I - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): In ruhig fliessender Bewegung - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): (Bassoon & violas) - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): (Piccolo) - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): Vorwärts - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): Sehr getragen und gesangvoll - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): Zum Tempo I. zurückkehren - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): (Trumpets & trombones) - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): (Violas, cellos & basses) - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 4th Movement - "Urlicht": Sehr feierlich, aber schlicht (Choralmässig) - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Im Tempo des Scherzos. Wild herausfahrend - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Langsam - I - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: (Trombone) - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Im Anfang sehr zurückgehalten - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Wieder sehr breit - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Ritenuto - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Wieder zurückhaltend - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Sehr langsam und gedehnt ("der grosse Appell") - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Langsam. Misterioso (Chorus: "Aufersteh'n") - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Etwas bewegter (Solo: "O Glaube") - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Mit Aufschwung, aber nicht eilen (Duet: "O Schmerz") - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Pesante - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• A Midsummer Night's Dream, Incidental Music, Op. 61: Overture - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• A Midsummer Night's Dream, Incidental Music, Op. 61: I. Scherzo - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• A Midsummer Night's Dream, Incidental Music, Op. 61: II. Scene - Fairies' March - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• A Midsummer Night's Dream, Incidental Music, Op. 61: III. Song with Chorus: "Bunte Schlangen, zweigezüngt" - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• A Midsummer Night's Dream, Incidental Music, Op. 61: V. Intermezzo - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• A Midsummer Night's Dream, Incidental Music, Op. 61: VII. Notturno. Con moto tranquillo - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• A Midsummer Night's Dream, Incidental Music, Op. 61: IX. Wedding March - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• A Midsummer Night's Dream, Incidental Music, Op. 61: Xb. Funeral March - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• A Midsummer Night's Dream, Incidental Music, Op. 61: XI. Dance of the Clowns - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• A Midsummer Night's Dream, Incidental Music, Op. 61: XII. Music between Act V Scenes 1 & 2 - Finale: "Bei des Feuers mattem Flimmern" - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore
• Hungarian Rhapsody No. 2 in C sharp minor, S.244 - Orchestral version: Franz Doppler - Excerpt - Wiener Philharmoniker: Pieces by Mahler, Liszt & Mendelssohn - Latonia Moore

Walker: Antifonys, Lilacs, Sinfonias Nos 4 & 5 - 2022-11-04T00:00:00.000000Z

• Antifonys for String Orchestra - Walker: Antifonys, Lilacs, Sinfonias Nos 4 & 5 - Latonia Moore
• Sinfonia No. 4 "Strands" - Walker: Antifonys, Lilacs, Sinfonias Nos 4 & 5 - Latonia Moore
• Lilacs for Voice and Orchestra: I. When lilacs last in the dooryard bloom'd - Walker: Antifonys, Lilacs, Sinfonias Nos 4 & 5 - Latonia Moore
• Lilacs for Voice and Orchestra: II. O powerful western fallen star! - Walker: Antifonys, Lilacs, Sinfonias Nos 4 & 5 - Latonia Moore
• Lilacs for Voice and Orchestra: III. In the dooryard fronting an old farm-house - Walker: Antifonys, Lilacs, Sinfonias Nos 4 & 5 - Latonia Moore
• Lilacs for Voice and Orchestra: IV. Sing on, sing on you gray-brown bird - Walker: Antifonys, Lilacs, Sinfonias Nos 4 & 5 - Latonia Moore
• Sinfonia No. 5 "Visions" (Voice and Orchestra): Sinfonia No. 5, "Visions" (Voice and Orchestra) - Walker: Antifonys, Lilacs, Sinfonias Nos 4 & 5 - Latonia Moore

Verdi: Macbeth - 2014-04-01T00:00:00.000000Z

• Macbeth: Prelude - Verdi: Macbeth - Latonia Moore
• Macbeth, Act III, A Dark Cave: Three times the tom-cat has yowled its cry of love (Witches) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act I Scene 1, A Wood: Welcome sisters, it is late (Witches) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act III, A Dark Cave: Ballet. I. - Verdi: Macbeth - Latonia Moore
• Macbeth, Act I Scene 1, A Wood: Strange that this glorious day is drowned in darkness! (Macbeth, Banquo, Witches) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act III, A Dark Cave: Ballet. II. - Verdi: Macbeth - Latonia Moore
• Macbeth, Act I Scene 1, A Wood: Hail, Macbeth! (Messengers, Macbeth) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act III, A Dark Cave: Ballet. III. - Verdi: Macbeth - Latonia Moore
• Macbeth, Act I Scene 1, A Wood: A double prophecy comes to fruition (Macbeth, Banquo, Messenger) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act III, A Dark Cave: Gran scena of the Apparitions. "I will call them, but I dread what they may tell me" (Macbeth, Witc - Verdi: Macbeth - Latonia Moore
• Macbeth, Act I Scene 1, A Wood: Now they are leaving us! (Witches) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act III, A Dark Cave: From the lowest and highest of regions (Witches, Macbeth, Apparitions) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act I Scene 2, A Hall in Macbeth's Castle: I met them on the very day of my triumph… (Lady Macbeth) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act III, A Dark Cave: Distant Music! What magic is this? (Macbeth, Witches) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act I Scene 2, A Hall in Macbeth's Castle: Come! I'll inspire you to do the deed! (Lady Macbeth) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act III, A Dark Cave: Come, all ye sirens (Witches) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act I Scene 2, A Hall in Macbeth's Castle: His Royal Highness is coming here this evening (Servant, Lady Macbeth) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act III, A Dark Cave: Where am I? They've vanished… (Macbeth, Herald, Lady Macbeth) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act I Scene 2, A Hall in Macbeth's Castle: Assist me, you spirits of carnage and corruption (Lady Macbeth) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act III, A Dark Cave: Now is the hour of revenge and murder (Macbeth, Lady Macbeth) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act I Scene 2, A Hall in Macbeth's Castle: My noble lady! (Macbeth, Lady Macbeth) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act IV Scene 1, A Deserted Place on the Border between Scotland and England: Land of torture! Land of terror! (Scottish R - Verdi: Macbeth - Latonia Moore
• Macbeth, Act I Scene 2, A Hall in Macbeth's Castle: Rustic music announcing the arrival of the King - Verdi: Macbeth - Latonia Moore
• Macbeth, Act IV Scene 1, A Deserted Place on the Border between Scotland and England: O, my children, my darling children! (Macduf - Verdi: Macbeth - Latonia Moore
• Macbeth, Act I Scene 2, A Hall in Macbeth's Castle: Go and inform my lady that she should tell me (Macbeth) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act IV Scene 1, A Deserted Place on the Border between Scotland and England: Where was your loving father? (Macduff) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act I Scene 2, A Hall in Macbeth's Castle: You steal away from me (Macbeth) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act IV Scene 1, A Deserted Place on the Border between Scotland and England: What is this, What is this forest? (Malcom, - Verdi: Macbeth - Latonia Moore
• Macbeth, Act I Scene 2, A Hall in Macbeth's Castle: Now the whole world is sleeping (Lady Macbeth, Macbeth) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act IV Scene 2, A Hall in Macbeth's Castle: The Great Sleepwalking Scene. Introduction - Verdi: Macbeth - Latonia Moore
• Macbeth, Act I Scene 2, A Hall in Macbeth's Castle: Did you not hear it, a mournful sigh (Macbeth, Lady Macbeth) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act IV Scene 2, A Hall in Macbeth's Castle: Two nights we've watched and waited (Doctor, Lady-in-Waiting) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act I Scene 2, A Hall in Macbeth's Castle: A voice spoke within me, unearthly and hollow (Macbeth, Lady Macbeth) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act I Scene 2, A Hall in Macbeth's Castle: Now make haste! Take back the dagger… (Lady Macbeth, Macbeth) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act I Scene 2, A Hall in Macbeth's Castle: I must hurry. he bade me wake him early (Macduff, Banquo) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act I Scene 2, A Hall in Macbeth's Castle: Oh horror! Oh horror! Oh horror! (Macduff, Banquo, Lady Macbeth, Macbeth, Malc - Verdi: Macbeth - Latonia Moore
• Macbeth, Act I Scene 2, A Hall in Macbeth's Castle: He is gaping in horror and terror (All) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act I Scene 2, A Hall in Macbeth's Castle: Hear our prayer, merciful father in Heaven (All) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act II Scene 1, A Room in Macbeth's Castle: Why do you spurn me…? (Lady Macbeth, Macbeth) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act II Scene 1, A Room in Macbeth's Castle: Daylight is fading (Lady Macbeth) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act II Scene 2, A Park: Who told you to join us here? (Assassins) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act II Scene 2, A Park: My son, be wary, be cautious! (Banquo) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act II Scene 2, A Park: Black is the night, as black as death (Banquo) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act II Scene 3, A Magnificent Hall: Long live the King! (Chorus, Macbeth, Lady Macbeth, Lady-in-Waiting, Macduff) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act II Scene 3, A Magnificent Hall: Come fill your glasses (Lady Macbeth, Lady-in-Waiting, Macduff, Chorus) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act II Scene 3, A Magnificent Hall: You have blood upon your face (Macbeth, Assassin) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act II Scene 3, A Magnificent Hall: You deserted us, my husband (Lady Macbeth, Macbeth, Lady-in-Waiting, Macduff, Chorus) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act II Scene 3: Come fill your glasses (Lady Macbeth, Lady-in-Waiting, Macduff, Chorus) [II] - Verdi: Macbeth - Latonia Moore
• Macbeth, Act II Scene 3, A Magnificent Hall: No! Leave me, you devil! (Macbeth, Lady-in-Waiting, Macduff, Chorus) - Verdi: Macbeth - Latonia Moore
• Macbeth, Act II Scene 3, A Magnificent Hall: Blood must flow… The ghost demands it (Macbeth, Lady-in-Waiting, Chorus, Lady Macbeth - Verdi: Macbeth - Latonia Moore

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