Antonio Salieri
Antonio Salieri (18 August 1750 – 7 May 1825) was an Italian composer and teacher of the classical period. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg monarchy.
Salieri was a pivotal figure in the development of late 18th-century opera. As a student of Florian Leopold Gassmann, and a protégé of Christoph Willibald Gluck, Salieri was a cosmopolitan composer who wrote operas in three languages. Salieri helped to develop and shape many of the features of operatic compositional vocabulary, and his music was a powerful influence on contemporary composers.
Appointed the director of the Italian opera by the Habsburg court, a post he held from 1774 until 1792, Salieri dominated Italian-language opera in Vienna. During his career, he also spent time writing works for opera houses in Paris, Rome, and Venice, and his dramatic works were widely performed throughout Europe during his lifetime. As the Austrian imperial Kapellmeister from 1788 to 1824, he was responsible for music at the court chapel and attached school. Even as his works dropped from performance, and he wrote no new operas after 1804, he still remained one of the most important and sought-after teachers of his generation, and his influence was felt in every aspect of Vienna's musical life. Franz Liszt, Franz Schubert, Ludwig van Beethoven, Anton Eberl, Johann Nepomuk Hummel and Franz Xaver Wolfgang Mozart were among the most famous of his pupils.
Salieri's music slowly disappeared from the repertoire between 1800 and 1868 and was rarely heard after that period until the revival of his fame in the late 20th century. This revival was due to the fictionalized depiction of Salieri in Peter Shaffer's play Amadeus (1979) and its 1984 film version. The death of Wolfgang Amadeus Mozart in 1791 at the age of 35 was followed by rumors that he and Salieri had been bitter rivals, and that Salieri had poisoned the younger composer; however, this has been disproved because the symptoms displayed by Mozart's illness did not indicate poisoning and it is likely that they were, at least, mutually respectful peers. Salieri was greatly affected by the widespread public belief that he had contributed to Mozart's death, which he vehemently denied and contributed to his nervous breakdowns in later life.
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Sinfonia in D Major "il Giorno Onomastico": II. Larghetto - Original Classics, Vol. 152: Antonio Salieri, Orchestral Drama -
Antonio Salieri
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La Secchia Rapita: Overture - Original Classics, Vol. 152: Antonio Salieri, Orchestral Drama -
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Symphonie "La Veneziana" in D Major: I. Allegro Molto - II. Andantino Grazioso - III. Presto - Original Classics, Vol. 152: Antonio Salieri, Orchestral Drama -
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Les Danaides: Overture - Original Classics, Vol. 152: Antonio Salieri, Orchestral Drama -
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26 Variations on "La Follia Di Spagna" Variation 2 - Original Classics, Vol. 152: Antonio Salieri, Orchestral Drama -
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La Fiera Di Venezia: Overture - Original Classics, Vol. 152: Antonio Salieri, Orchestral Drama -
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Cassazione in C Major: III. Larghetto - Original Classics, Vol. 152: Antonio Salieri, Orchestral Drama -
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Variazione Sulla "Follia Di Spagna" - Original Classics, Vol. 152: Antonio Salieri, Orchestral Drama -
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Axur Re D'ormus: Overture - Original Classics, Vol. 152: Antonio Salieri, Orchestral Drama -
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La Grotta Di Trofonio: Overture - Original Classics, Vol. 152: Antonio Salieri, Orchestral Drama -
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Armonia Per un Tempio Della Notte in E-Flat - Original Classics, Vol. 152: Antonio Salieri, Orchestral Drama -
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Palmira Regina Di Persia: Overture - Original Classics, Vol. 152: Antonio Salieri, Orchestral Drama -
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Sinfonia Veneziana: I. Allegro Assai - Original Classics, Vol. 152: Antonio Salieri, Orchestral Drama -
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Piano Concerto in B Flat: 2. Adagio - Original Classics, Vol. 152: Antonio Salieri, Orchestral Drama -
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Serenade No. 1 in C Major: I. Andante Maestoso - Original Classics, Vol. 152: Antonio Salieri, Orchestral Drama -
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Armida - Original Classics, Vol. 151: Antonio Salieri, Operatic Mastery -
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Axur, Re D'ormus - Original Classics, Vol. 151: Antonio Salieri, Operatic Mastery -
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Sinfonia in D Major, "La Veneziana": I. Allegro Assai - Original Classics, Vol. 151: Antonio Salieri, Operatic Mastery -
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Europa Riconosciuta: Overture - Original Classics, Vol. 151: Antonio Salieri, Operatic Mastery -
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Sinfonia in D Major, "La Veneziana": II. Andantino Grazioso - Original Classics, Vol. 151: Antonio Salieri, Operatic Mastery -
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Il Ricco D'un Giorno - Original Classics, Vol. 151: Antonio Salieri, Operatic Mastery -
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Sinfonia in D Major, "La Veneziana": III. Presto - Original Classics, Vol. 151: Antonio Salieri, Operatic Mastery -
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La Cifra: Alfin Son Sola...Sola E Mesta Fra Tormenti - Original Classics, Vol. 151: Antonio Salieri, Operatic Mastery -
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La Grotta Di Trofonio - Original Classics, Vol. 151: Antonio Salieri, Operatic Mastery -
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Il Talismano - Original Classics, Vol. 151: Antonio Salieri, Operatic Mastery -
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La Scuola De' Gelosi: Sinfonia - Original Classics, Vol. 151: Antonio Salieri, Operatic Mastery -
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Les Horaces: Overture - Original Classics, Vol. 151: Antonio Salieri, Operatic Mastery -
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Falstaff, Ossia Le Tre Burle Overture - Original Classics, Vol. 151: Antonio Salieri, Operatic Mastery -
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Sinfonia "il Girono Onomastico": III. Minuetto - Original Classics, Vol. 151: Antonio Salieri, Operatic Mastery -
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Tarare, Prologue, Scène 1: Ouverture « C'est Assez Troubler L'univers » (La Nature et Les Vents Déchaînés) - Original Classics, Vol. 151: Antonio Salieri, Operatic Mastery -
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Salieri: Prima la musica e poi le parole: Sinfonia - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
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Salieri: Prima la musica e poi le parole: Duetto. "Signor Poeta mio" (Poeta, Maestro) - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
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Salieri: Prima la musica e poi le parole: Recitativo. "Non dubitar, verrò" (Eleonora) - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
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Salieri: Prima la musica e poi le parole: Aria. "Là tu vedrai chi sono" (Eleonora) - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
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Salieri: Prima la musica e poi le parole: Trio. "Cari oggetti" (Eleonora, Poeta, Maestro) - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
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Salieri: Prima la musica e poi le parole: Aria. "Via largo, largo, largo" - Recitativo. "Voi non piangete, o perfidi?" (Tonina, Poeta, Maestro) - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
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Salieri: Prima la musica e poi le parole: Cavatina. "Cucuzze! Che concorso" (Tonina) - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
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Salieri: Prima la musica e poi le parole: Finale. "Se questo mio pianto il cor non ti tocca" (Eleonora, Tonina, Poeta, Maestro) - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
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Mozart: Der Schauspieldirektor, K. 486: Ouvertüre - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
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Mozart: Der Schauspieldirektor, K. 486: Ariette. "Da schlägt die Abschiedsstunde" (Madame Herz) - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
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Mozart: Der Schauspieldirektor, K. 486: Rondo. "Bester Jüngling! Mit Entzücken" (Mademoiselle Silberklang) - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
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Mozart: Der Schauspieldirektor, K. 486: Terzett. "Ich bin die erste Sängerin" (Madame Herz, Mademoiselle Silberklang, Monsieur Vogelsang) - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
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Mozart: Der Schauspieldirektor, K. 486: Vaudeville. "Jeder Künstler strebt nach Ehre" (Madame Herz, Mademoiselle Silberklang, Monsieur Vogelsang, Buff) - Salieri: Prima la musica, poi le parole - Mozart: Der Schauspieldirektor, K. 486 -
Antonio Salieri
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