Dominik Worner
Dominik Wörner (born 1970) is a German classical bass singer in concert, Lied and opera. He is a specialist in Baroque music, especially works by Bach, but is open to music of other eras including contemporary music.
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The Messiah, HWV 56: Pt. 1 No. 11, The People That Walked In Darkness (Bass) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Memoirs 5 -
Dominik Worner
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The Messiah, HWV 56: Pt. 1 No. 20, He Shall Feed His Flock Like a Shepherd (Alto) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Memoirs 5 -
Dominik Worner
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The Messiah, HWV 56: Pt. 2 No. 36, The Lord Gave the Word (Chorus) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Observations on the works: Before we enter on the examinations - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Observations on the works: Music is founded on established rules - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Observations on the works: The rules are derived from experience - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Observations on the works: The former of these - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Observations on the works: Such passages - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Observations on the works: Hence too we may conclude - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Observations on the works: As tste implies a natural sensibility - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Observations on the works: Art is here not only useless, but dangerous - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: German and italian styles, Handel's preference for the italian: What gives me the fuller assurance - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: German and italian styles, Handel's preference for the italian: The Taste in Music - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: German and italian styles, Handel's preference for the italian: Handel formed his Taste upon that of his countrymen - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: German and italian styles, Handel's preference for the italian: When we consider two kinds of Music - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: German and italian styles, Handel's preference for the italian: Thus he takes in all the prejudicated part - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: German and italian styles, Handel's preference for the italian: This appeares from particular instances - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Italian music since Palestrina: The Old Music, such as it was at the time of Palestrina - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Italian music since Palestrina: It happened, as it naturally must - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Italian music since Palestrina: For their instrumental parts - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Italian music since Palestrina: The one is, that they have little time for composing - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Italian music since Palestrina: Almost every composer of genius in Italy - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Italian music since Palestrina: This in some degree - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Interaction between Handel and the italians: From all that has been said - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Interaction between Handel and the italians: And as some proof of Handel's influence in Italy - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Value of harmony and melody: But in order to make a right judgement - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Value of harmony and melody: The concertos of Tartini - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Value of harmony and melody: Rousseau has developed this matter wonderfully - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Value of harmony and melody: His uncommon strenght in the instrumental way - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Value of harmony and melody: It may also be added - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Value of harmony and melody: Yet in many others all parts are so nicely adjusted - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Value of harmony and melody: The best Painter would be blamed - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Uneven success in Handel: To speak the plain truth - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Uneven success in Handel: A gentleman whom he had desired - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Uneven success in Handel "Un disprezzato affetto" - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Tartini as example of vocal writing for instruments: Here too we will see - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Tartini as example of vocal writing for instruments: After all the vocal species - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Tartini as example of vocal writing for instruments: As most difficult passages - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Importance of textual considerations in composition: And here I just may take notice - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Importance of textual considerations in composition: A too close attachment - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Importance of textual considerations in composition: The English tongue - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Importance of textual considerations in composition: If it abounds with noble images - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Exceptional nature of Handels choral music: In his Chorusses he is without a rival - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Exceptional nature of Handels choral music: It is true that in the admirable epistle - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Exceptional nature of Handels choral music: But there are many reasons - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Exceptional nature of Handels choral music: It is however no way improbable - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Effects of Handel's oratorio style, Messiah: As his Oratorios - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Effects of Handel's oratorio style, Messiah: After these vast efforts of genius - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Effects of Handel's oratorio style, Messiah: This is probably owing to that grandeur of conception - Handel: Memoirs 5 -
Dominik Worner
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Memoirs: Particular effect of recitative in expressing religion and humanity: His excellence in another branch of vocal Music - Handel: Memoirs 5 -
Dominik Worner
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Bassoon Concerto in A Minor, RV 500: I. Allegro - Vivaldi: Concerti per fagotto, Vol. 3 -
Dominik Worner
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Bassoon Concerto in A Minor, RV 500: II. Largo - Vivaldi: Concerti per fagotto, Vol. 3 -
Dominik Worner
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Bassoon Concerto in A Minor, RV 500: III. Allegro - Vivaldi: Concerti per fagotto, Vol. 3 -
Dominik Worner
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Tito Manlio, RV 738: No che non vedrà Roma - Vivaldi: Concerti per fagotto, Vol. 3 -
Dominik Worner
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Sinfonia in C Major, RV 112: I. Allegro - Vivaldi: Concerti per fagotto, Vol. 3 -
Dominik Worner
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Sinfonia in C Major, RV 112: II. Andante - Vivaldi: Concerti per fagotto, Vol. 3 -
Dominik Worner
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Sinfonia in C Major, RV 112: IIIa. Presto - Vivaldi: Concerti per fagotto, Vol. 3 -
Dominik Worner
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Sinfonia in C Major, RV 112: IIIb. Cadenza - Vivaldi: Concerti per fagotto, Vol. 3 -
Dominik Worner
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L'incoronazione di Dario, RV 719: Non lusinghi il core amante - Vivaldi: Concerti per fagotto, Vol. 3 -
Dominik Worner
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Bassoon Concerto in G Major, RV 494: I. Allegro - Vivaldi: Concerti per fagotto, Vol. 3 -
Dominik Worner
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Bassoon Concerto in G Major, RV 494: II. Largo - Vivaldi: Concerti per fagotto, Vol. 3 -
Dominik Worner
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Bassoon Concerto in G Major, RV 494: III. — - Vivaldi: Concerti per fagotto, Vol. 3 -
Dominik Worner
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Armida al campo d'Egitto, RV 699: Chi alla colpa fa tragitto - Vivaldi: Concerti per fagotto, Vol. 3 -
Dominik Worner
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Semiramide, RV 733: Con la face di Megera - Vivaldi: Concerti per fagotto, Vol. 3 -
Dominik Worner
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Concerto for Strings in G Minor, RV 157: I. Allegro - Vivaldi: Concerti per fagotto, Vol. 3 -
Dominik Worner
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Concerto for Strings in G Minor, RV 157: II. Largo - Vivaldi: Concerti per fagotto, Vol. 3 -
Dominik Worner
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Concerto for Strings in G Minor, RV 157: III. Allegro - Vivaldi: Concerti per fagotto, Vol. 3 -
Dominik Worner
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Farnace, RV 711: Gelido in ogni vena - Vivaldi: Concerti per fagotto, Vol. 3 -
Dominik Worner
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Tito Manlio, RV 738: Se il cor guerriero - Vivaldi: Concerti per fagotto, Vol. 3 -
Dominik Worner
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Soll nun das unschuldsvolle Lamm, GWV 1119/13: No. 1, Soll nun das unschuldsvolle Lamm - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Soll nun das unschuldsvolle Lamm, GWV 1119/13: No. 2, Die Unschuld geht in Tod - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Soll nun das unschuldsvolle Lamm, GWV 1119/13: No. 3, Drum werd‘ ich ohne mein Verschulden - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Soll nun das unschuldsvolle Lamm, GWV 1119/13: No. 4, Das Herze blutet mir - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Soll nun das unschuldsvolle Lamm, GWV 1119/13: No. 5, O, mein Gott! Was soll ich denken - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Soll nun das unschuldsvolle Lamm, GWV 1119/13: No. 6, Ach, Seele! Wenn du so gedenkest - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Soll nun das unschuldsvolle Lamm, GWV 1119/13: No. 7, Ich gehe zum Tode - Mein Jesus, ach, bleibe bei mir! - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Sehet welch ein Mensch, GWV 1127/16: No. 1, Sehet, welch ein Mensch ist das! - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Sehet welch ein Mensch, GWV 1127/16: No. 2, Ihr Menschen, kommt, seht diesen Menschen an - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Sehet welch ein Mensch, GWV 1127/16: No. 3, Möchte nicht das Herz zerspringen - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Sehet welch ein Mensch, GWV 1127/16: No. 4, Und kein Mensch erbarmet sich - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Sehet welch ein Mensch, GWV 1127/16: No. 5, Süßes Blut, deine Flut - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Mein Jesus nahe doch zu mir, GWV 1129/14: No. 1, Mein Jesus, nahe doch zu mir - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Mein Jesus nahe doch zu mir, GWV 1129/14: No. 2, Ich habe nichts als Ach und Pein - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Mein Jesus nahe doch zu mir, GWV 1129/14: No. 3, So bleib' denn stets in meiner Brust - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Lass uns in deiner Liebe, GWV 1159/12b: No. 1, Lass uns in deiner Liebe - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Lass uns in deiner Liebe, GWV 1159/12b: No. 2, Wohl dem, der Jesum liebt - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Lass uns in deiner Liebe, GWV 1159/12b: No. 3, Nun mein Jesus ist mein Leben - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Lass uns in deiner Liebe, GWV 1159/12b: No. 4, Wiewohl, ich will den Nächsten auch - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Lass uns in deiner Liebe, GWV 1159/12b: No. 5, Ohne Furcht und Grauen sterben - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Dein Schade ist verzweifelt böse, GWV 1160/12a: No. 1, Dein Schade ist verzweifelt böse - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Dein Schade ist verzweifelt böse, GWV 1160/12a: No. 2, O Donnerwort aus deinem holden Munde - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Dein Schade ist verzweifelt böse, GWV 1160/12a: No. 3, Nein! Eher nicht, bis Herz und Geist - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Dein Schade ist verzweifelt böse, GWV 1160/12a: No. 4, Trost und Hoffnung ist verloren - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Dein Schade ist verzweifelt böse, GWV 1160/12a: No. 5, Komm nur zu mir mit Glaube, Reu' und Beten - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Dein Schade ist verzweifelt böse, GWV 1160/12a: No. 6, Nun, so höre denn dies Wort - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Dein Schade ist verzweifelt böse, GWV 1160/12a: No. 7, O Wort, das Mark und Bein erfreut - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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Dein Schade ist verzweifelt böse, GWV 1160/12a: No. 8, Glaube nur - Mein Gott, ich glaube - Graupner: Solo & Dialogue Cantatas, Vol. 2 -
Dominik Worner
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