Roger Lord
Roger Lord is a Canadian performing classical pianist and professor of piano at l'Université de Moncton in Moncton, New Brunswick, Canada. Lord studied at Université de Moncton, McGill University, Université de Montréal, and the Moscow Piano Institute at the Gnessin Music Academy. He has also studied in Paris and Strasbourg.
Lord received First Prize in the Canadian Music Competition and the National Competitive Festival of Music, and was awarded the Éloize Award for Most Successful Acadian Artist Abroad in 1999 by the Association of Professional Acadian Artists. Lord has performed throughout Africa, Asia, Europe, North America and South America as an orchestral soloist and recital performer. He is frequently seen and heard on CBC and its francophone counterpart, Radio-Canada.
In 1999, during the eighth International Francophonie Summit, Lord performed a recital for the State Leaders of 52 nations. He also represented Canada as a pianist at the Olympic Games in 1988. Lord participated in various festivals around the world including at the Shanghai International Arts Festival and at the Festival del centro histórico in Mexico City. In November 2004, he released CD of piano music by 19th century Louisiana composer and virtuoso Louis Moreau Gottschalk. It was produced by the SNE label in Montreal. This CD got nominations for an Éloizes Award as well as for an ECMA Award in Canada. In 2008, in Canada Roger Lord received an "Excellence Award" in Music from the New Brunswick Arts Council.
In 2004, Lord released a studio album of Louis Moreau Gottschalk works entitled Louis Moreau Gottschalk, Selected Works. The album was nominated for an East Coast Music Award in 2005. Lord recorded an album of Chinese songs in 2012.
His brother, Bernard Lord, is the former premier and Progressive Conservative party leader of New Brunswick.
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Arabesque n° 1 - "A Classical View" - Debussy, Tchaikovsky, Brahms -
Roger Lord
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En blanc et noir, L.134 - for 2 pianos: 1. Avec emportement - "A Classical View" - Debussy, Tchaikovsky, Brahms -
Roger Lord
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En blanc et noir, L.134 - for 2 pianos: 2. Lent. Sombre - "A Classical View" - Debussy, Tchaikovsky, Brahms -
Roger Lord
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En blanc et noir, L.134 - for 2 pianos: 3. Scherzando - "A Classical View" - Debussy, Tchaikovsky, Brahms -
Roger Lord
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Variations and Fugue on a Theme by Handel, Op. 24: 1. Theme, Variations 1-4 - "A Classical View" - Debussy, Tchaikovsky, Brahms -
Roger Lord
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Variations and Fugue on a Theme by Handel, Op. 24: 2. Variations 5-6 - "A Classical View" - Debussy, Tchaikovsky, Brahms -
Roger Lord
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Variations and Fugue on a Theme by Handel, Op. 24: 3. Variations 7-8 - "A Classical View" - Debussy, Tchaikovsky, Brahms -
Roger Lord
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Variations and Fugue on a Theme by Handel, Op. 24: 4. Variations 9-12 - "A Classical View" - Debussy, Tchaikovsky, Brahms -
Roger Lord
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Variations and Fugue on a Theme by Handel, Op. 24: 5. Variations 13-18 - "A Classical View" - Debussy, Tchaikovsky, Brahms -
Roger Lord
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Variations and Fugue on a Theme by Handel, Op. 24: 6. Variations 19-21 - "A Classical View" - Debussy, Tchaikovsky, Brahms -
Roger Lord
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Variations and Fugue on a Theme by Handel, Op. 24: 7. Variations 22-25 - "A Classical View" - Debussy, Tchaikovsky, Brahms -
Roger Lord
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Variations and Fugue on a Theme by Handel, Op. 24: 8. Fugue - "A Classical View" - Debussy, Tchaikovsky, Brahms -
Roger Lord
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Variations on a Rococo Theme, Op. 33, TH 57 - Original Tchaikovsky Manuscript: 1. Thema - Moderato assai quasi andante - "A Classical View" - Debussy, Tchaikovsky, Brahms -
Roger Lord
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Variations on a Rococo Theme, Op. 33, TH 57 - Original Tchaikovsky Manuscript: 2. Thema - Moderato simplice - "A Classical View" - Debussy, Tchaikovsky, Brahms -
Roger Lord
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Variations on a Rococo Theme, Op. 33, TH 57 - Original Tchaikovsky Manuscript: 3. Variation I - Tempo della thema - "A Classical View" - Debussy, Tchaikovsky, Brahms -
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Variations on a Rococo Theme, Op. 33, TH 57 - Original Tchaikovsky Manuscript: 4. Variation II - Tempo della thema - "A Classical View" - Debussy, Tchaikovsky, Brahms -
Roger Lord
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Variations on a Rococo Theme, Op. 33, TH 57 - Original Tchaikovsky Manuscript: 5. Variation III - Andante - "A Classical View" - Debussy, Tchaikovsky, Brahms -
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Variations on a Rococo Theme, Op. 33, TH 57 - Original Tchaikovsky Manuscript: 6. Variation IV - Allegro vivo - "A Classical View" - Debussy, Tchaikovsky, Brahms -
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Variations on a Rococo Theme, Op. 33, TH 57 - Original Tchaikovsky Manuscript: 7. Variation V - Andante grazioso - "A Classical View" - Debussy, Tchaikovsky, Brahms -
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Variations on a Rococo Theme, Op. 33, TH 57 - Original Tchaikovsky Manuscript: 8. Variation VI - Allegro moderato - "A Classical View" - Debussy, Tchaikovsky, Brahms -
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Variations on a Rococo Theme, Op. 33, TH 57 - Original Tchaikovsky Manuscript: 9. Variation VII - Andante sostenuto - "A Classical View" - Debussy, Tchaikovsky, Brahms -
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Variations on a Rococo Theme, Op. 33, TH 57 - Original Tchaikovsky Manuscript: 10. Variation VIII e coda - Allegro moderato con anima - "A Classical View" - Debussy, Tchaikovsky, Brahms -
Roger Lord
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Sites auriculaires: Entre cloches - "A Classical View" - Debussy, Tchaikovsky, Brahms -
Roger Lord
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Ma mère l'oye, Ballet, M. 62: I. Prélude - "A Classical View" - Debussy, Tchaikovsky, Brahms -
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Ma mère l'oye, Ballet, M. 62: II. Danse du rouet et scène - "A Classical View" - Debussy, Tchaikovsky, Brahms -
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Ma mère l'oye, Ballet, M. 62: III. Pavane de la Belle au bois dormant - "A Classical View" - Debussy, Tchaikovsky, Brahms -
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Ma mère l'oye, Ballet, M. 62: IV. Interlude 1 - "A Classical View" - Debussy, Tchaikovsky, Brahms -
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Ma mère l'oye, Ballet, M. 62: V. Les entretiens de la Belle et de la Bête - "A Classical View" - Debussy, Tchaikovsky, Brahms -
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Ma mère l'oye, Ballet, M. 62: VI. Interlude 2 - "A Classical View" - Debussy, Tchaikovsky, Brahms -
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Ma mère l'oye, Ballet, M. 62: VII. Petit Poucet - "A Classical View" - Debussy, Tchaikovsky, Brahms -
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Ma mère l'oye, Ballet, M. 62: VIII. Interlude 3 - "A Classical View" - Debussy, Tchaikovsky, Brahms -
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Ma mère l'oye, Ballet, M. 62: IX. Laideronnette, impératrice des Pagodes – X. Interlude 4 - "A Classical View" - Debussy, Tchaikovsky, Brahms -
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Ma mère l'oye, Ballet, M. 62: X. Interlude 4 - "A Classical View" - Debussy, Tchaikovsky, Brahms -
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Ma mère l'oye, Ballet, M. 62: XI. Apothéose. Le jardin féerique - "A Classical View" - Debussy, Tchaikovsky, Brahms -
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Swan Lake, Op. 20, TH.12 / Act 1: No. 1 Scène (Allegro giusto) - "A Classical View" - Debussy, Tchaikovsky, Brahms -
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Swan Lake, Op. 20, TH.12 / Act 1: No. 2 Valse (Corps de Ballet) - "A Classical View" - Debussy, Tchaikovsky, Brahms -
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Swan Lake, Op. 20, TH.12 / Act 1: No. 7 Sujet - No. 8 Danse des coupes (Tempo di polacca) - "A Classical View" - Debussy, Tchaikovsky, Brahms -
Roger Lord
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Swan Lake, Op. 20, TH.12 / Act 2: No. 10 Scène (Moderato) - "A Classical View" - Debussy, Tchaikovsky, Brahms -
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Swan Lake, Op. 20, TH.12 / Act 2: No. 13a Danse des cygnes: Valse - "A Classical View" - Debussy, Tchaikovsky, Brahms -
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Swan Lake, Op. 20, TH.12 / Act 2: No. 13e Danse des cygnes: Pas d'action: Odette et le prince/Deuxième danse de la reine des cygnes (Andante) - "A Classical View" - Debussy, Tchaikovsky, Brahms -
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Swan Lake, Op. 20, TH.12 / Act 2: No. 13d Danse des petits cygnes (Allegro moderato) - "A Classical View" - Debussy, Tchaikovsky, Brahms -
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Swan Lake, Op. 20, TH. 12 / Act 2: No. 13g Danse des cygnes: Coda (Allegro vivace) - "A Classical View" - Debussy, Tchaikovsky, Brahms -
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Swan Lake, Op. 20, TH.12 / Act 3: No. 17 Scène: Entrée des invités (Fanfares) et la valse (Allegro) - "A Classical View" - Debussy, Tchaikovsky, Brahms -
Roger Lord
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Swan Lake, Op. 20, TH.12 / Act 3: No. 21 Danse espagnole (Allegro non troppo. Tempo di bolero) - "A Classical View" - Debussy, Tchaikovsky, Brahms -
Roger Lord
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Swan Lake, Op. 20, TH.12 / Act 3: No. 20 Danse hongroise (Czárdás) - "A Classical View" - Debussy, Tchaikovsky, Brahms -
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Swan Lake, Op. 20, TH.12 / Act 3: No. 23 Mazurka - "A Classical View" - Debussy, Tchaikovsky, Brahms -
Roger Lord
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Swan Lake, Op. 20, TH.12 / Act 1: No. 5 Pas de deux: a) Intrada-Valse - b) Andante - "A Classical View" - Debussy, Tchaikovsky, Brahms -
Roger Lord
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Swan Lake, Op. 20, TH.12 / Act 4: No. 27 Danses des petits cygnes (Moderato) - "A Classical View" - Debussy, Tchaikovsky, Brahms -
Roger Lord
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Swan Lake, Op. 20, TH.12 / Act 4: No. 29 Scène finale (Andante) - "A Classical View" - Debussy, Tchaikovsky, Brahms -
Roger Lord
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Le Martyre de Saint Sébastien - Fragments symphoniques, L.124: 1. La Cour des Lys - "A Classical View" - Debussy, Tchaikovsky, Brahms -
Roger Lord
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Oboe Concerto No. 1 in B-Flat Major, HWV 301: I. Adagio - Handel: Oboe Concertos Nos. 1–3; Recorder Concertos -
Roger Lord
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Oboe Concerto No. 1 in B-Flat Major, HWV 301: II. Allegro - Handel: Oboe Concertos Nos. 1–3; Recorder Concertos -
Roger Lord
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Oboe Concerto No. 1 in B-Flat Major, HWV 301: III. Largo - Handel: Oboe Concertos Nos. 1–3; Recorder Concertos -
Roger Lord
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Oboe Concerto No. 1 in B-Flat Major, HWV 301: IV. Vivace - Handel: Oboe Concertos Nos. 1–3; Recorder Concertos -
Roger Lord
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Oboe Concerto No. 2 in B-Flat Major, HWV 302a: I. Vivace - Handel: Oboe Concertos Nos. 1–3; Recorder Concertos -
Roger Lord
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Oboe Concerto No. 2 in B-Flat Major, HWV 302a: II. Fuga. Allegro - Handel: Oboe Concertos Nos. 1–3; Recorder Concertos -
Roger Lord
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Oboe Concerto No. 2 in B-Flat Major, HWV 302a: III. Andante - Handel: Oboe Concertos Nos. 1–3; Recorder Concertos -
Roger Lord
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Oboe Concerto No. 2 in B-Flat Major, HWV 302a: IV. Allegro - Handel: Oboe Concertos Nos. 1–3; Recorder Concertos -
Roger Lord
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Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave - Handel: Oboe Concertos Nos. 1–3; Recorder Concertos -
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Oboe Concerto No. 3 in G Minor, HWV 287: II. Allegro - Handel: Oboe Concertos Nos. 1–3; Recorder Concertos -
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Oboe Concerto No. 3 in G Minor, HWV 287: III. Sarabande. Largo - Handel: Oboe Concertos Nos. 1–3; Recorder Concertos -
Roger Lord
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Oboe Concerto No. 3 in G Minor, HWV 287: IV. Allegro - Handel: Oboe Concertos Nos. 1–3; Recorder Concertos -
Roger Lord
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Variant in F Major (After Op. 3/2) - Handel: Oboe Concertos Nos. 1–3; Recorder Concertos -
Roger Lord
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Berenice, HWV 38: Overture, Minuet & Gigue - Handel: Oboe Concertos Nos. 1–3; Recorder Concertos -
Roger Lord
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Solomon, HWV 67, Act III: The Arrival of the Queen of Sheba - Handel: Oboe Concertos Nos. 1–3; Recorder Concertos -
Roger Lord
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Recorder Concerto in F Major, Op. 4/5, HWV 293: I. Larghetto - Handel: Oboe Concertos Nos. 1–3; Recorder Concertos -
Roger Lord
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Recorder Concerto in F Major, Op. 4/5, HWV 293: II. Allegro - Handel: Oboe Concertos Nos. 1–3; Recorder Concertos -
Roger Lord
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Recorder Concerto in F Major, Op. 4/5, HWV 293: III. Alla Siciliana - Handel: Oboe Concertos Nos. 1–3; Recorder Concertos -
Roger Lord
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Recorder Concerto in F Major, Op. 4/5, HWV 293: IV. Presto - Handel: Oboe Concertos Nos. 1–3; Recorder Concertos -
Roger Lord
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Concerto in G Major for Soprano Recorder (After Op. 3/3, HWV 314): I. Largo - Handel: Oboe Concertos Nos. 1–3; Recorder Concertos -
Roger Lord
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Concerto in G Major for Soprano Recorder (After Op. 3/3, HWV 314): II. Allegro - Handel: Oboe Concertos Nos. 1–3; Recorder Concertos -
Roger Lord
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Concerto in G Major for Soprano Recorder (After Op. 3/3, HWV 314): III. Adagio - Handel: Oboe Concertos Nos. 1–3; Recorder Concertos -
Roger Lord
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Concerto in G Major for Soprano Recorder (After Op. 3/3, HWV 314): IV. Andante - Handel: Oboe Concertos Nos. 1–3; Recorder Concertos -
Roger Lord
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"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 1. "Vergnügte Ruh, beliebte Seelenlust" - J.S. Bach: Six Cantatas -
Roger Lord
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"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 2. "Die Welt, das Sündenhaus" - J.S. Bach: Six Cantatas -
Roger Lord
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"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 3. "Wie jammern mich doch die verkehrten Herzen" - J.S. Bach: Six Cantatas -
Roger Lord
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"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 4. "Wer sollte sich demnach wohl hier" - J.S. Bach: Six Cantatas -
Roger Lord
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"Vergnügte Ruh, beliebte Seelenlust" Cantata, BWV 170: 5. "Mir ekelt mehr zu leben" - J.S. Bach: Six Cantatas -
Roger Lord
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Cantata "Ich habe genug" BWV 82: 1. Aria: Ich habe genug, ich habe den Heiland - J.S. Bach: Six Cantatas -
Roger Lord
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Cantata "Ich habe genug" BWV 82: 2. Recitativo: Ich habe genug! Mein Trost ist nur allein - J.S. Bach: Six Cantatas -
Roger Lord
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Cantata "Ich habe genug" BWV 82: 3. Aria: Schlummert ein, ihr matten Augen - J.S. Bach: Six Cantatas -
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Cantata "Ich habe genug" BWV 82: 4. Recitativo: Mein Gott! wann kommt das schöne Nun! - J.S. Bach: Six Cantatas -
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Cantata "Ich habe genug" BWV 82: 5. Aria: Ich freue mich auf meinen Tod - J.S. Bach: Six Cantatas -
Roger Lord
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"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 1. "Sehet, wir gehn hinauf gen Jerusalem" - J.S. Bach: Six Cantatas -
Roger Lord
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"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 2. "Ich folge dir nach" - J.S. Bach: Six Cantatas -
Roger Lord
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"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 3. "Nun will ich mich" - J.S. Bach: Six Cantatas -
Roger Lord
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"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 4. "Es ist vollbracht" - J.S. Bach: Six Cantatas -
Roger Lord
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"Sehet, wir gehn hinauf gen Jerusalem" Cantata, BWV 159: 5. "Jesu, deine Passion" - J.S. Bach: Six Cantatas -
Roger Lord
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Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 1. Aria: "Ich will den Kreuzstab gerne tragen" - J.S. Bach: Six Cantatas -
Roger Lord
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Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 2. Recitativo: "Mein Wandel auf der Welt" - J.S. Bach: Six Cantatas -
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Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 3. Aria: "Endlich, endlich wird mein Joch" - J.S. Bach: Six Cantatas -
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Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 4. Recitativo: "Ich stehe fertig und bereit" - J.S. Bach: Six Cantatas -
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Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: 5. Choral: "Komm, o Tod, du Schlafes Bruder" - J.S. Bach: Six Cantatas -
Roger Lord
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Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 1. Rezitativ: Schweigt stille, plaudert nicht - J.S. Bach: Six Cantatas -
Roger Lord
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Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 2. Arie: Hat man nicht mit seinem Kindern - J.S. Bach: Six Cantatas -
Roger Lord
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Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 3. Rezitativ: Du böses Kind, du loses Mädchen - J.S. Bach: Six Cantatas -
Roger Lord
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Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 4. Arie: Ei! wie smeckt der Coffee süße - J.S. Bach: Six Cantatas -
Roger Lord
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Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 5. Rezitativ: Wenn du mir nicht den Coffee läßt - J.S. Bach: Six Cantatas -
Roger Lord
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Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 6. Arie: Mädchen, die von harten Sinnen - J.S. Bach: Six Cantatas -
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Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 7. Rezitativ: Nun folge, was dein Vater spricht - J.S. Bach: Six Cantatas -
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Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 8. Arie: Heute noch, lieber Vater, tut es doch - J.S. Bach: Six Cantatas -
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Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 9. Rezitativ: Nun geht und sucht der alte Schlendrian - J.S. Bach: Six Cantatas -
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Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 10. Chor (Terzett): Die Katze Läßt das Mausen nicht - J.S. Bach: Six Cantatas -
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 1. Ouverture - J.S. Bach: Six Cantatas -
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 2. Arie (Duetto): Mer hahn en neue Oberkeet - J.S. Bach: Six Cantatas -
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 3. Rezitativ: Nu, Mieke, gib dein Guschel immer her - J.S. Bach: Six Cantatas -
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 4. Arie: Ach es schmeckt doch gar zu gut - J.S. Bach: Six Cantatas -
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 5. Rezitativ: Der Herr ist gut: Allein der Schösser - J.S. Bach: Six Cantatas -
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 6. Arie: Ach, Herr Schösser, geht nicht gar zu schlimm - J.S. Bach: Six Cantatas -
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 7. Rezitativ: Es bleibt dabei, daß unser Herr der beste sei - J.S. Bach: Six Cantatas -
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 8. Arie: Unser trefflicher, lieber Kammerherr - J.S. Bach: Six Cantatas -
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 9. Rezitativ: Er hilft uns allen, alt und jung - J.S. Bach: Six Cantatas -
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 10. Arie: Das ist galant, es spricht niemand - J.S. Bach: Six Cantatas -
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 11. Rezitativ: Und unsre gnädige Frau - J.S. Bach: Six Cantatas -
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 12. Arie: Fünfzig Taler bares Geld - J.S. Bach: Six Cantatas -
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 13. Rezitativ: Im Ernst ein Wort - J.S. Bach: Six Cantatas -
Roger Lord
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 14. Arie: Klein-Zshocher müsse so zart und süße - J.S. Bach: Six Cantatas -
Roger Lord
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 15. Rezitativ: Das ist zu klug vor dich - J.S. Bach: Six Cantatas -
Roger Lord
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 16. Arie: Es nehme zehntausend Dukaten - J.S. Bach: Six Cantatas -
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 17. Rezitativ: Das klingt zu liederlich - J.S. Bach: Six Cantatas -
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 18. Arie: Gib, Schöne, viel Söhne - J.S. Bach: Six Cantatas -
Roger Lord
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 19. Rezitativ: Du hast wohl recht - J.S. Bach: Six Cantatas -
Roger Lord
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Mer hahn en neue Oberkeet Cantata, BWV 212 "Peasant Cantata": 20. Arie: Dein Wachstum sei feste - J.S. Bach: Six Cantatas -
Roger Lord
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