Dido and Aeneas, Z. 626, Act II: Thanks to these lonesome vales (arr. A. Zapico, D. Zapico and P. Zapico)

Name: Dido and Aeneas, Z. 626, Act II: Thanks to these lonesome vales (arr. A. Zapico, D. Zapico and P. Zapico)
Description: Dido and Aeneas, Z. 626, Act II: Thanks to these lonesome vales (arr. A. Zapico, D. Zapico and P. Zapico) a song by Henry Purcell on Beatsfy

Dido and Aeneas, Z. 626, Act II: Thanks to these lonesome vales (arr. A. Zapico, D. Zapico and P. Zapico) a song by Henry Purcell on Beatsfy

Don Giovanni, K. 527, Act II: Deh vieni alla finestra (arr. A. Zapico, D. Zapico and P. Zapico for chamber ensemble) by Wolfgang Amadeus Mozart , Aarón Zapico , Daniel Zapico , Pablo Zapico , Forma Antiqva ,
Les Indes galantes: Air des Sauvages (arr. A. Zapico, D. Zapico and P. Zapico for chamber ensemble) by Jean-Philippe Rameau , Aarón Zapico , Daniel Zapico , Pablo Zapico , Forma Antiqva ,
Il più bel nome, Part II: Aria: Quella Clizia innamorata (arr. A. Zapico, D. Zapico and P. Zapico for chamber ensemble) by Antonio Caldara , Aarón Zapico , Daniel Zapico , Pablo Zapico , Forma Antiqva ,
Artaserse, W. G1, Overture (Arr. A. Zapico, D. Zapico & P. Zapico for Chamber Ensemble): I. Allegro di molto by Johann Christian Bach , Aarón Zapico , Daniel Zapico , Pablo Zapico , Forma Antiqva ,
Artaserse, W. G1, Overture (Arr. A. Zapico, D. Zapico & P. Zapico for Chamber Ensemble): II. Andante by Johann Christian Bach , Aarón Zapico , Daniel Zapico , Pablo Zapico , Forma Antiqva ,
Artaserse, W. G1, Overture (Arr. A. Zapico, D. Zapico & P. Zapico for Chamber Ensemble): III. Presto by Johann Christian Bach , Aarón Zapico , Daniel Zapico , Pablo Zapico , Forma Antiqva ,
Il Sant'Alessio: O morte gradita (arr. A. Zapico, D. Zapico and P. Zapico for chamber ensemble) by Stefano Landi , Aarón Zapico , Daniel Zapico , Pablo Zapico , Forma Antiqva ,
Rinaldo, HWV 7, Act II: Lascia ch'io pianga (arr. A. Zapico, D. Zapico and P. Zapico for chamber ensemble) by George Frideric Handel , Aarón Zapico , Daniel Zapico , Pablo Zapico , Forma Antiqva ,
Don Giovanni, K. 527, Act I: Batti, batti, o bel Masetto (arr. A. Zapico, D. Zapico and P. Zapico for chamber ensemble) by Wolfgang Amadeus Mozart , Aarón Zapico , Daniel Zapico , Pablo Zapico , Forma Antiqva ,
Agrippina, HWV 6, Act I: Se giunge un dispetto (arr. A. Zapico, D. Zapico and P. Zapico for chamber ensemble) by George Frideric Handel , Aarón Zapico , Daniel Zapico , Pablo Zapico , Forma Antiqva ,
Amor aumenta el valor, Act I: A Dios, prenda de mi amor (arr. A. Zapico, D. Zapico and P. Zapico for chamber ensemble) by Jose Nebra , Aarón Zapico , Daniel Zapico , Pablo Zapico , Forma Antiqva ,
Calisto: Mogli mie sconsolato (arr. A. Zapico, D. Zapico and P. Zapico for chamber ensemble) by Francesco Cavalli , Aarón Zapico , Daniel Zapico , Pablo Zapico , Forma Antiqva ,
L'Orfeo, Act II: Vi ricorda, o boschi amorosi (arr. A. Zapico, D. Zapico and P. Zapico for chamber ensemble) by Claudio Monteverdi , Aarón Zapico , Daniel Zapico , Pablo Zapico , Forma Antiqva ,
The Fairy Queen, Z. 629, Act IV: Chaconne: Dance for a Chinese man and Woman (arr. A. Zapico, D. Zapico and P. Zapico for chamber ensemble) by Henry Purcell , Aarón Zapico , Daniel Zapico , Pablo Zapico , Forma Antiqva ,
Dido and Aeneas, Z. 626, Act III: When I am laid in earth, "Dido's Lament" (arr. A. Zapico, D. Zapico and P. Zapico for chamber ensemble) by Henry Purcell , Aarón Zapico , Daniel Zapico , Pablo Zapico , Forma Antiqva ,
Rodelinda, HWV 19, Act II: Ritorna, oh caro e dolce mio resoro (arr. A. Zapico, D. Zapico and P. Zapico for chamber ensemble) by George Frideric Handel , Aarón Zapico , Daniel Zapico , Pablo Zapico , Forma Antiqva ,
Dido and Aeneas, Z. 626, Act II: Thanks to these lonesome vales (arr. A. Zapico, D. Zapico and P. Zapico) by Henry Purcell , Aarón Zapico , Daniel Zapico , Pablo Zapico , Los Peques del León de Oro , Forma Antiqva , Marco Antonio García de Paz ,